Sentences with phrase «subject of art photography»

Together with Andreas Gursky and Thomas Ruff (with whom he shared a studio space in a disused power station) Hütte belongs to a generation of post-war German photographers who, through the influence of Bernd and Hilla Becher, have resurrected the city as a key subject of art photography.

Not exact matches

CIOB invites the world to decide the outcome of its 2012 international photography contest winner A clash of bold steel and colour at London's flagship Olympic Stadium, a young pilgrim transfixed by an abandoned synagogue and a panoramic view of Hong Kong are just some of the artistic subjects to reach the final of this year's Chartered Institute of Building international Art of Building photography competition.

A series of gorgeous new analogue photography by British - Asian photographer Suki Dhanda tackles the thorny subject of Brexit, through» focusing on families by the seaside who might not feel so welcome in the UK since the vote to leave the EU,» says the space showing the work, The Gallery at Plymouth College of Art.

And given UCLA's rank as the No. 2 graduate fine art program in the country, it's a compelling list, which includes Woman's Building pioneer Judy Chicago, conceptual artist Barbara Kruger, painters Lari Pittman and Toba Khedoori (the latter of whom recently had a one - woman show at LACMA), installationist Rodney McMillian, photographer James Welling and groundbreaking photo collagist Robert Heinecken (who established the photography program at UCLA in the 1960s and was the subject of a retrospective at the Hammer Museum in 2014).

Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to take their cues from both, and in 1976 Museum of Modern Art photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject of the photograph,» Rohrbach writes.

In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its embrace of photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.

In the following eight years, O'Keeffe studied art and art education, taught art, traveled, and worked on developing her unique style — a blend of symbolism, abstraction, and photography with subjects including cityscapes, landscapes, figure studies, and flower paintings.

In addition to video art, Campus has also worked with photography and computer imaging, focusing on the subject of nature and the exterior.

Ai has received numerous arts and humanitarian awards, and his work in sculpture, video, photography, and installation has been the subject of solo exhibitions at museums worldwide, including the Mori Art Museum, Tokyo; Haus der Kunst, Munich; Tate Modern, London; Kunsthaus Bregenz, Bregenz; Hirshhorn Museum, Washington, DC; Art Gallery of Ontario, Toronto; Perez Art Museum, Miami; Martin - Gropius - Bau, Berlin; Brooklyn Museum, Brooklyn; Helsinki Art Museum, Helsinki; Royal Academy of Arts, London; Musée du Louvre, Paris; National Gallery of Victoria, Melbourne; Andy Warhol Museum, Pittsburgh; and Palazzo Strozzi, Florearts and humanitarian awards, and his work in sculpture, video, photography, and installation has been the subject of solo exhibitions at museums worldwide, including the Mori Art Museum, Tokyo; Haus der Kunst, Munich; Tate Modern, London; Kunsthaus Bregenz, Bregenz; Hirshhorn Museum, Washington, DC; Art Gallery of Ontario, Toronto; Perez Art Museum, Miami; Martin - Gropius - Bau, Berlin; Brooklyn Museum, Brooklyn; Helsinki Art Museum, Helsinki; Royal Academy of Arts, London; Musée du Louvre, Paris; National Gallery of Victoria, Melbourne; Andy Warhol Museum, Pittsburgh; and Palazzo Strozzi, FloreArts, London; Musée du Louvre, Paris; National Gallery of Victoria, Melbourne; Andy Warhol Museum, Pittsburgh; and Palazzo Strozzi, Florence.

Formalism, the belief that the ultimate subject of art is art itself, would seem to go against the very nature of photography.

Photo London Founding Director Michael Benson guest - edits The Royal Photography Society JOURNAL (April 2018), which focuses on art photography and features Photo London exhibiting artist Karen Knorr on the cover, as well as features on Susan Lipper (who will be the subject of a special RPS talk at Photo London 2018) and photography collector Photography Society JOURNAL (April 2018), which focuses on art photography and features Photo London exhibiting artist Karen Knorr on the cover, as well as features on Susan Lipper (who will be the subject of a special RPS talk at Photo London 2018) and photography collector photography and features Photo London exhibiting artist Karen Knorr on the cover, as well as features on Susan Lipper (who will be the subject of a special RPS talk at Photo London 2018) and photography collector photography collector W. M. Hunt.

Samaras has been the subject of numerous solo exhibitions at venues including the Museum of Contemporary Art, Chicago (1971); Whitney Museum of American Art, New York (1972 — 73, 2003 — 04); Metropolitan Museum of Modern Art, New York (1989 — 90, 2014); The Museum of Modern Art, New York (1975, 1992); and International Center of Photography (2008).

Featuring a formidable list of writers, and encapsulating the eclectic range of art that has delighted and inspired audiences throughout Hayward Gallery's history, Fifty Years of Great Art Writing ranges from painting and photography to sculpture, choreography and architecture, and takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar Britaart that has delighted and inspired audiences throughout Hayward Gallery's history, Fifty Years of Great Art Writing ranges from painting and photography to sculpture, choreography and architecture, and takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar BritaArt Writing ranges from painting and photography to sculpture, choreography and architecture, and takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar Britaart of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar Britain.

In building their collection of photographs since 2007, Robert Meyerhoff and Rheda Becker turned to the most innovative contemporary work that challenges accepted conventions of the nature of photography — in scale, subject matter, and method of creation — and has helped to ensure the medium's prominence in the contemporary art arena.

The artist was the subject of an exhibition at the Metropolitan Museum of Art earlier this year and is recognized as one of the pioneers of fine art colour photograpArt earlier this year and is recognized as one of the pioneers of fine art colour photograpart colour photography.

Her work has been the subject of numerous national and international exhibitions, including Unnatural Histories, MoMA P.S. 1, New York; All the World's Futures curated by Okwui Enwezor at the 56th International Art Exhibition La Biennale di Venezia, Italy; Players, Collezione Maramotti, Reggio Emilia, Italy; Huma Bhabha, Aspen Art Museum, Colorado, Stranger, Museum of Contemporary Art, Cleveland, Ohio; A Different Kind of Order: The ICP Triennial, International Center of Photography, New York; Land Marks, The Metropolitan Museum of Art, New York; Intense Proximity, La Triennale, Palais de Tokyo, Paris, France; 2010 Whitney Biennial, Whitney Museum, New York; and the 7th Gwangju Biennale, Korea.

Abstract photography emerged during a shift from figurative subjects in other fields of art in the early 1900s.

Scottish National Portrait Gallery, Edinburgh, 23 May — 6 September 2015 Photography and art's intersection found form in the relationship between Lee Miller and Picasso, the subject of a new show at the Scottish National Portrait Gallery.

Having studied English Literature, Daphne has written on a broad range of subjects and is particularly interested in publications, photography and performance art.

His work has been the subject of solo exhibitions worldwide, including Photography Autocracy, Klein Sun Gallery, New York, NY (2017); Fountain 泉, Klein Sun Gallery, New York, NY (2016); Off Target: Cai Dongdong, Charles Chu Reading Room, Connecticut College (2016); Image Uterus Production Power, Gallery 55, Shanghai, China (2013); Draftsmanship, Mattias Kuper Galleries, Stuttgart, Germany (2012); Tea Garden, UNIDEE Art Foundation, Biella, Italy (2011); and 51m2: 6 # Cai Weidong, Taikang Space, Beijing, China (2010).

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeArt Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeArt in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeArt The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeArt by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeart by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

Her photography is currently the subject of a solo show, «Performances» at the University of Texas Visual Art Center and is exhibited in the group show, «Nothing from Something» at Gallery 19 in Chicago.

He has lectured on various subjects in modern and contemporary art, the history of cinema and photography, and not - for - profit leadership practice both nationally and internationally.

About the Juror: Curator at The Heckscher Museum of Art in Huntington, New York, Lisa Chalif has organized dozens of exhibitions that focus on various aspects of the Museum's permanent collection, as well as loan exhibits on a diverse range of subjects, including experimental photography, environmental art, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph SzaArt in Huntington, New York, Lisa Chalif has organized dozens of exhibitions that focus on various aspects of the Museum's permanent collection, as well as loan exhibits on a diverse range of subjects, including experimental photography, environmental art, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szaart, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szaart and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szabo.

Her main research interest is the subject of contemporary art and conflict, with a particular focus on photography and time - based media.

Recent exhibitions include the Neither Natural nor Necessary, Mumbai Photography Festival, Mumbai, India, Objecta, Giacomo Guidi Arte Contemporanea, Rome, Italy, Producing Subjects, MIT, Cambridge, MA, Ill Form and Void Full, Museum of Contemporary Art, Chicago, and, The Photographers Gallery, London, and Laura Letinsky: Still Life, Denver Art Museum, CO..

Anima, organized by Paul Roth, the Corcoran's senior curator and director of photography and media arts, will showcase a newly - commissioned series of portraits in the Corcoran's Rotunda that show the majestic burial horses of Arlington National Cemetery, and will be accompanied by three earlier bodies of work, showing the artist's range of approaches to her subjects.

Eyes, cameras, film, developing trays, and the other integral components of the photographic process are the subjects of Anne Collier's art, which turns the act of photography inward on itself, asking provocative questions about why, by whom, and for whom pictures are taken.

Kydd, who has been nominated for the 2015 Aimia AGO Photography Prize, is currently the subject of a solo exhibition at the Montreal Museum of Fine Art.

She has written for a wide variety of publications, including Artforum, Aperture, and The New York Times and has contributed essays to a number of books and catalogs on subjects such as crime photography, art, fashion photography, pornography, and photojournalism.

Sections: painting, sculpture & installation, photography, video art & performance, virtual art Deadline: November 8, 2012 Participation: the contest is open to all artists, without any limit of age, the subject is free Collective exhibition of 110 finalist artists: March 2013 — Venice Arsenale Exhibition of a selection of Under25 Artists: March 2013 — Romanian Cultural Institute of Venice

Subjects regularly taught by the five full - time faculty include: Pre-Columbian Art; Medieval Art; Northern Renaissance and Baroque Art; courses in a broad range of modern and contemporary art and issues in Europe, the U.S., and Latin America; and the History of PhotograpArt; Medieval Art; Northern Renaissance and Baroque Art; courses in a broad range of modern and contemporary art and issues in Europe, the U.S., and Latin America; and the History of PhotograpArt; Northern Renaissance and Baroque Art; courses in a broad range of modern and contemporary art and issues in Europe, the U.S., and Latin America; and the History of PhotograpArt; courses in a broad range of modern and contemporary art and issues in Europe, the U.S., and Latin America; and the History of Photograpart and issues in Europe, the U.S., and Latin America; and the History of Photography.

Specializing in modern and contemporary art, she has written on a variety of subjects and is particularly interested in conceptual art and photography.

Often blurring the boundaries between media, genre, and subject (photography and sculpture; portraiture and landscape; realism and fantasy), he challenges the parameters of art making, calling into question the value and significance of the art object itself.

Eggleston has been the subject of numerous exhibitions, including a landmark 1976 solo show at the Museum of Modern Art that is widely seen as a turning point in the history of contemporary photography, marking the acceptance of what had been previously considered a purely commercial form of photography.

Though the late Hollis Frampton was a pioneer of early digital art and made invaluable contributions to avant - garde cinema in the 1960s, his name is far less known than his roommates Frank Stella and Carl Andre, who were often the subjects of Frampton's experimental photography.

Frank's photography and films have been the subject of exhibitions worldwide since Edward Steichen first included Frank's photographs in the 1950 group show 51 American Photographers at the Museum of Modern Art, New York.

Their work ranges from drawing, to digital art, to photography, touching on a wide range of subjects including personal interests and community and social issues.

Symposium subjects included, among other things, discussions of Alfred Stieglitz as a major proponent and supporter of early American Modernism, the ways in which art critic Clement Greenburg's definition of Modernism shaped thinking about this issue for generations yet was exclusive to issues of race, gender and politics, the role of photography figured prominently into the dissemination of the term «modern,» and the many ways photography has played a major role in shaping the history of Modernism in America.

The artist has been the subject of worldwide exhibitions and catalogs, including the Museum of Modern Art, New York; Art Institute of Chicago; International Center of Photography, New York; Philadelphia Museum of Art; New Orleans Museum of Art; Corcoran Gallery, Washington D.C.; Kunsthalle Wien, Vienna; National Gallery of Art, Washington D.C.; Aperture Gallery, New York; and the Musee du Jeu de Paume, Paris.

The Open College of the Arts, for example, offers a range of creative courses in subjects such as creative writing, drawing, graphic design, photography, music, painting and sculpture.

Her inspiration began as a child when she travelled with her family to some of the world's most remote corners, which were the subject of her own mother's fine art photography.

These days, she's exploring candid photography while working on a series of decorated human and animal skulls, a juxtaposition of morbid subjects and flashy colors inspired by Dia de los Muertos festivals and vintage tattoo art.

His work has been the subject of a two - person exhibition at the Contemporary Art Museum St. Louis and is featured in the second volume of MP3, co-published by Aperture and the Museum of Contemporary Photography, Chicago.

Hatakeyama has been the subject of solo exhibitions at the San Francisco Museum of Modern Art, the Tokyo Metropolitan Museum of Photography, and the Kunsthalle St. Annen in Lubeck, to name a few.

She has published art reviews, research articles, essays and poems in local and international journals and catalogues on a wide variety of subjects, such as architecture, urbanism, contemporary dance, poetry, photography, public art, and contemporary art.

Traveled to: The Corcoran Gallery of Art, Washington, D.C., February 5 — April 10, 1994; Santa Monica Museum of Art, July 7 — September 5, 1994; Forum for Contemporary Art, St. Louis, September 30 — November 12, 1994; America Center, Paris, December 1994 — January 1995 (Catalogue) Personal Imagery, Chicago / New York, Phyllis Kind Gallery, New York, September 18 — October 30, 1993 Art Works: The Education Project, International Center of Photography, New York, July 2 — September 26, 1993 (Catalogue) 46th International Art Exhibition, La Biennale di Venezia, Venice, June 13 — October 10, 1993 Heads and Portraits: Drawings from Piero de Cosimo to Jasper Johns, Jason McCoy, Inc., New York, May 6 — June 12, 1993 (Catalogue) First Sightings: Recent Modern & Contemporary Acquisitions, Denver Art Museum, April — November 1993 Yale Collects Yale, Yale University Art Gallery, New Haven, Connecticut, April 30 — July 31, 1993 (Catalogue) Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, April 2 — June 3, 1993 Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, February 25 — April 10, 1993 Artists by Artists, Forum Gallery, New York, February 4 — March 14, 1993 The Artist as Subject: Paul Cadmus, Midtown Payson Galleries, New York, February 4 — March 6, 1993 A New Installation of Photography from the Collection and Recent Acquisitions, Museum of Modern Art, New York, February 3, 1993 Photoplay, Works from the Chase Manhattan Collection, Center for the Arts, Miami, January 1993.

CHINESE FINE ART PHOTOGRAPHY IN HONG KONG Chinese artist Xing Danwen's first solo exhibition in Hong Kong titled «In a perfect world...» at the Ooi - Botos gallery in Wan Chai has been the subject of extensive media coverage recently, which is... Continue reading →

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/0of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/0of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/0of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/0of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/0of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/0of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/0Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

EXHIBITIONS 2016 «Growth / Decay», Antler Gallery - Portland, OR 2016 «Growth / Decay», Paradigm Gallery - Philadelphia, PA 2016 «Year Two», Sweet As Studios - Pittsburgh, PA 2016 «Photobook 2015 Exhibition», Griffin Museum of Photography - Winchester, MA 2015 «Photobook 2015 Exhibition», Davis Orton Gallery - Hudson, NY 2015 «Art All Day», Artworks Trenton - Trenton, NJ 2014 «Works by Nick Pedersen», Paradigm Gallery - Philadelphia, PA 2014 «Pratt Digital Arts» Art Basel Miami Beach - Miami, FL 2014 «Virtual Vision», Auguste Clown Gallery - Melbourne, Australia 2014 «Art All Night», Artworks Trenton - Trenton, NJ 2013 «Story of the Creative», Angel Orensanz Foundation - New York City, NY 2013 «Superstition», San Francisco Center for the Book - San Francisco, CA 2013 «Graphique Noir», Orange County Center for Contemporary Art, CA 2012 «Electron Salon», Los Angeles Center for Digital Art - Los Angeles, CA 2012 «Daylight Savings», The Banff Centre - Alberta, Canada 2011 «Object / Self / Subject», Museum of Russian Art - Jersey City, NJ 2011 «Devoción por un ídolo», Bastardo Gallery — Bogotá, Colombia 2011 «Pratt Show», The Manhattan Center - New York City, NY 2011 «Digital Print Exhibition», D&D Building - New York City, NY 2010 «Art and Sustainability», Schafler Gallery - Brooklyn, NY 2009 «Politics and Media», Schafler Gallery - Brooklyn, NY