Sentences with phrase «subject of art production»

Featuring an installation, online platform, performances, talks, and workshops, The Third Idiom initiates an experimental dialogue between education as a form or subject of art production and systems of formal schooling.

Not exact matches

Pop Art incorporated recognizable elements from everyday culture in its pictures and initiated a new discussion about the artist - subject's status in the age of mass - production.

For their first solo show as Ultra Violet Production House, Citarella and Troemel have chosen to materialize 20 works (out of the 200 they've conceived of and rendered over the past two years) that specifically reference art and art history (as opposed to some of the other subjects they've tackled like interior design, small business proposals, and food.)

Finally, due to both the rational structure of her media - spanning, multi-layered works and her diverse spectrum of subject - related references to music, literature, and European cultural history, Hanne Darboven prefigures strategies and discourses of aesthetic knowledge production and mediation in current art.

His work has been the subject of solo exhibitions worldwide, including Photography Autocracy, Klein Sun Gallery, New York, NY (2017); Fountain 泉, Klein Sun Gallery, New York, NY (2016); Off Target: Cai Dongdong, Charles Chu Reading Room, Connecticut College (2016); Image Uterus Production Power, Gallery 55, Shanghai, China (2013); Draftsmanship, Mattias Kuper Galleries, Stuttgart, Germany (2012); Tea Garden, UNIDEE Art Foundation, Biella, Italy (2011); and 51m2: 6 # Cai Weidong, Taikang Space, Beijing, China (2010).

Playful in tone and less reliant upon the exploitative construct of the case - study scenario in such large scale video projects as Them, 2007, and Repetition, 2005, Artur Zmijewski's earlier videos stand in contrast to these somewhat over-determined provocations; while recent Zmijewski productions have adopted a nearly formulaic approach to positioning cultural difference and conflict, and thereby seem to codify the subject as «other» a priori — a risk that critic and art historian Hal Foster has insightfully called the «self - othering» of «the artist as ethnographer» — three earlier Zmijewski works engage a simpler, more agile approach.

Bauhaus: Art as Life explores the diverse artistic production that made up its turbulent fourteen - year history and delves into the subjects at the heart of the school: art, culture, life, politics and society, and the changing technology of the aArt as Life explores the diverse artistic production that made up its turbulent fourteen - year history and delves into the subjects at the heart of the school: art, culture, life, politics and society, and the changing technology of the aart, culture, life, politics and society, and the changing technology of the age.

Now at the Museum of Contemporary Art Chicago, Production Site reexamines the artist's studio as subject, presenting work that documents, depicts, reconstructs, or otherwise invokes that space, revealing how the studio functions as a place where research, experimentation, production, and social activity Production Site reexamines the artist's studio as subject, presenting work that documents, depicts, reconstructs, or otherwise invokes that space, revealing how the studio functions as a place where research, experimentation, production, and social activity production, and social activity intersect.

Among the themes explored are the establishment of new definitions of painting; the introduction of movement and light as both formal and idea - based aspects of art; the use of space as subject and material; the interrogation of the relationship between nature, technology and humankind; and the production of live actions or demonstrations.

There's still a little over a week left before the Guggenheim Museum in New York opens its survey show «Art and China after 1989: Theater of the World,» but already the show has been the subject of several statements from activists decrying works in the exhibition for their use of live animals, either in their presentation or production.

Other missions of the organization are to encourage the production of works, train new practioners — mainly young critics, curators and artists — disseminate national and international contemporary art, in addition to promoting subjects related to the area.

Interweaving these subjects with the language of contemporary art the artist formulates an often direct critique of current economical and scientific production practices.

In this state of relative non-recognition within the discourse and debate around art and culture in general, the subject of the «reductive» as a possible antithesis to the overpowering reintroduction of representational painting and at the same time to the emergence of the focus on new media, technology and photography, has regained considerable strength over the last decade within an international frame of cultural production and commerce, as well as through the firmly held lone positions of artists like Mosset, Charlton, Armleder, Morellet, Palermo and others throughout the 80's and 90's.

Among the themes explored are the establishment of new definitions of painting (such as the monochrome, serial structures, and fire and smoke paintings); the introduction of movement and light as both formal and idea - based aspects of art; the use of space as subject and material; the interrogation of the relationship between nature, technology, and humankind; and the production of live actions or demonstrations.

The New York Times said the intimacy of their relationship during the next years, a consuming subject for later biographers and historians, coincided with the production by the two of them of some of the most groundbreaking works of postwar art.

This exhibition, curated by Michelle Grabner and Annika Marie, explored the studio as subject of art and as the space of the production of it.

Studio and Production as a Subject of Today's Art, Museum für Gegenwartskunst Siegen, Germany Nuit Américaine, Office Baroque, Brussels Allegory of the Cave Painting, Extra City Kunsthal and Braem Pavilion, Middelhelm Museum, Antwerp 2013 A preface, Frac Ile - de - france / Le Plateau, Paris 2012 Lifelike, Walker Art Center, Minneapolis.