Sentences with phrase «subject of the current exhibition»

DISPATCH - OCT. 2, 2013 WATER MILL, NY - Ceramics forged in fire are the subject of the current exhibition «Wood Fire...

In the first examples of the series of human and goat skull drawings, the subject of the current exhibition, Berthot continued to draw into the soft grey enamel, sometimes highlighting with white enamel (nos. 1 * through 4 are part of this group).

Last week, the New York Studio School hosted members of the Center for Italian Modern Art (CIMA) for an interesting talk on one of the greatest Italian painters of the twentieth century: Giorgio Morandi — the subject of the current exhibition at CIMA, on until June 25th.

For those who are traveling, Benglis» outdoor sculptures are also the subject of a current exhibition at Storm King Art Center in New Windsor, New York.

Will Cotton, who is the subject of a current exhibition at Pace Prints, is featured on The Daily Beast.

Richard Phillips» new paintings are the subject of a current exhibition at Gagosian gallery in Athens, giving Greek art lovers and collectors the chance to experience firsthand his amazing works.

In it's modest way and while the name of the photographer, who is the subject of its current exhibition, Giuseppe Cavalli (1904 - 1961), is entirely new to me, North London's Estorick Collection is to be applauded for making a tremendous effort to draw elements of Italian photography out of the darkness and into the light.

Ceramics forged in fire are the subject of the current exhibition «Wood Fire Collaborative» at Celadon Gallery in Water Mill.

The images he made are the subject of a current exhibition called «15 [Quince]» at the Sean Kelly Gallery in New York.

Not exact matches

These ideas of «shonkiness» and «awkwardness» are not only theatrical and entertaining, however; the notion at the exhibition's centre is also a means of critique, used to explore the interrelated issues of gender, beauty and ugliness, identity and chaos, and the discourse surrounding those subjects in current visual practice.

In a recent review of Maureen Gallace's current exhibition at 303 Gallery by Barry Schwabsky, the subject of whether painting a landscape is relevant in today's era was brought up.

EMMA Talks is an ongoing series of lectures and discussions about subjects pertaining to the current exhibitions.

Seeming to expand and collapse in the charged landscape of the Museum's indoor - outdoor gallery (Area 1), they are a conceptual and perceptual analogue for Noguchi's collapsible Akari light sculptures — the subject of the Museum's current exhibition Akari: Sculpture by Other Means.

Entanglements between minerals and the currents of capitalism form the subject matter of Australian artist Nicholas Mangan «s carefully - researched survey exhibition «Limits to Growth».

Nick's paintings are the subject of two current exhibitions.

His work is subject of the current Fondation Beyeler exhibition.

The exhibition will cover all of Hawkins's favorite subject matter, including cityscapes, landscapes, exotic places, animals, current events, historic scenes, and religious scenes.

He has been the subject of a number of institutional solo exhibitions, including the current show Torbjørn Rødland: Back in Touch at C / O Berlin and Torbjørn Rødland: The Touch That Made You at Serpentine Sackler Gallery (Fall 2017), as well as shows at Henie - Onstad, Oslo, Norway (2015); Kunsthall Stavanger, Stavanger, Norway (2014); Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2010); Contemporary Art Museum, St. Louis, United States (2010) and P.S. 1 Contemporary Art Center, New York, United States (2006).

Wangechi Mutu is the subject of a write - up in the current issue of New York Magazine, which focuses on the artist's upcoming exhibition at the Brooklyn Museum.

She was included in Pacific Standard Time: Cross Currents in L.A. Painting and Sculpture, 1950 - 1970 at The Getty Center, the related Pacific Standard Time exhibition Phenomenal: California Light, Space, Surface at The Museum of Contemporary Art, San Diego, and was the subject of a major solo exhibition, Helen Pashgian: Light Invisible, at the Los Angeles County Museum of Art during the spring of 2014.

Featuring works by Radcliffe Bailey, Nick Cave, Barkley L. Hendricks, María Magdalena Campos - Pons, Lorraine O'Grady, Dread Scott and Carrie Mae Weems, the exhibition will not attempt to speak for the subjects nor extract them from the trajectory of current events and history.

She praised Tate Britain's current «Queer British Art» show, which features works from 1861 to 1967 by gay artists or representing gay and transgender subjects, and the «Soul of a Nation: Art in the Age of Black Power» exhibition of works by black American artists from 1963 to 1983, which opens Wednesday, July 12, at Tate Modern.

The subjects of his current solo exhibition, are two photographic series titled, In the Days of a Dark Safari and The Last Journey of the Dictator Mussunda N'Zombo Before the Great Extinction.

Tuymans is one of Europe's most influential painters — and this current exhibition features some rather dark subject matters — a portrait of Japanese killer Issei Sagawa and «The Shore», a «really dark» painting of a German submarine crew about to be shot.

This curated exhibition of new work by our current 3D Design students will explore how today's most pressing challenges — such as social and economic inequalities, rampant material consumption, and environmental degradation — can become subjects for critical and poetic reflection in design objects.

This exhibition, which will be the Eastern State Penitentiary's first to focus on the current state of incarceration in America, will shed light on this critical contemporary subject.

@theexhibitionistldn is an insight into current exhibitions with the outlook of Art students specifically in mind, from helpful academics texts you can use to further your knowledge on an exhibition's subject matter to certain memberships that students can use to their financial advantage — it aims to better the academic experience behind exhibitions.

Martinez is also the subject of a current solo exhibition at the Charlie James Gallery in Los Angeles — his first with the gallery.

Hiroshi Sugimoto, a contemporary Japanese photographer whose work is the subject of the Modern's current special exhibition Hiroshi Sugimoto: End of Time, considered this question and realized that the seascape probably constitutes the only sight on Earth that has remained constant through the centuries.

Her current research interests include curatorial agency and the status of curatorship, as well as the politics of display - subjects she will be addressing in a co-curated group exhibition to be presented in Edinburgh in late 2015.

Savinio, in tandem with Louise Bourgeois, is the subject of CIMA's current exhibition, though he receives sole billing in the show's title, Alberto Savinio.

The exhibition MONEY WORKS PART 2 now unites current works by international artists dealing with the subject of money.

Algerian - born Mohamed Bourouissa's current exhibition «Horseday» continues in the vein of his previous projects where he composes photographic images of the daily lives of his subject.

This dynamic exhibition features a roster of acclaimed artists from diverse locations and backgrounds; each creating their own rich narratives that transcend current trends, styles and subject - matter.

Subjects such as migration, globalisation and technical progress converge in this exhibition, which centres on the current condition and future of mankind.

Modern industrial design in Canada is a subject gaining increasing interest, and the Art Gallery of Greater Victoria's current exhibition «The Modern Eye: Craft and Design in Canada...

Alongside the current exhibition Feminist Avant - Garde of the 1970s: Works From the Verbund Collection at The Photographers» Gallery, the new issue of the quarterly publication Loose Associations takes feminism as its subject.

The exhibition, Analogies & Dichotomies / Analogías & Dicotomías, embodies the subject of Muñoz Vera's current body of work: the contrast of light and shadow, the relationship of time and space, the similarity of past and present, and the impact of globalism on the world.

In this current body of work, Lachacz uses the exhibition space as his subject matter, altering the space until it no longer appears familiar.

Since 1970, his work has been the subject of many one - person and retrospective exhibitions, including the current show, Joel Shapiro: Plaster, Paper, Wood, and Wire, on view at Yale University Art Gallery in New Haven, CT, through June 10, 2018.

With the current «Making Africa» Guggenheim Bilbao exhibition and the continent being the subject of Armory Show's Focus programme this year, there's finally a swell of market and institutional interest in contemporary African art.

REALITY, the current exhibition at The Walker, curated by Chris Stevens has big ambitions, seeking to explore 60 years of British painting with one simple subject — Britain.

Ligon's authority on the subject was probably all Walker needed to settle the dispute around his work once and for all, but in the volatile climate that defines our current times, even the most brilliant view doesn't stick around for long without being challenged a second time, and disagreements over Walker's work reached a new height again on the occasion of «Direct Drive,» his solo exhibition at the Contemporary Art Museum St. Louis last September.

This feathered class is the subject of Georgia State University's Welch School Gallery «s current exhibition, A Gathering, curated by Welch gallery director Cynthia Farnell.

Alexi Worth's current exhibition States will be the subject of The Review Panel, presented by the National Academy Museum in association with artcritical.com.

His work has been the subject of numerous major retrospectives worldwide, including the current traveling exhibition Ellsworth Kelly: Red Green Blue, on view through July of this year at the Museum of Fine Arts, Houston, and opening at the Whitney Museum of American Art in August.

A few elements I've evinced from Smith's past exhibitions and around the city (including his painted - directly - on - the - wall installation at Deitch in Long Island City): gestural subject matter (fish, leaves, his name), seriality (in canvas size, subject matter, and hanging — like his 2011 show at Luhring Augustine featured panel grids), synthesized flatness and depth (the mixed - media compositions in his 2009 show Currents resembled large - scale flatbed scans, while neighboring canvases maintained every brushy, gloopy instance of Smith's hand).

Focusing on «the golden age of toys» and the artist's own collection of antiques, D'Avino's current body of work showcased in the exhibition features playful subjects that celebrate Americana, rendered with skillful verisimilitude.

In each exhibition in this current series, she explores a single colour, with the buildings of Berlin's residential and industrial areas as her central subjects.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).