Sentences with phrase «subject of this exhibition presented»

These various experiences of being a teen are «The Whole» subject of this exhibition presented through paintings, drawings, photographs, and video work made by the students both collaboratively and independently.

Not exact matches

The landscapes and interiors which have been the subject of Stefan Kürten's paintings are presented anew in Trains and Boats and Planes, his fourth solo exhibition at Alexander and Bonin.

The exhibition presents the decomposition of his installation practice to the primary object subject of his practice: Painting.

Exhibitions, Lectures, Presentations & Gallery Tours Beginning with dedicated frame exhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal cExhibitions, Lectures, Presentations & Gallery Tours Beginning with dedicated frame exhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal cexhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal conferences.

In the present moment of virtual like, love, and swipe, when all aspects of public and private life circulate in seemingly endless supply on the Internet, the exhibition takes a step back to look at the formidable history of this subject from photography's early days to the present.

«One of the major turning points of the 20th century, the Vietnam War is the subject of an unprecedented exhibition presented by the New - York Historical Society.

The University of Edinburgh's Talbot Rice Gallery is delighted to present The Subject and Me, the first solo exhibition Alice Neel in Scotland.

The exhibition presents a body of work (sculptures, photographs, and drawings) that address several themes dear to the artist: Confrontation between cultures, unfortunately often taking place in the form of violence, the subject of language and knowledge, and even the relationship between said knowledge and so - called ignorance.

The exhibition presents work of contemporary artists who use the grocery store and consumption as their subject and will travel the United States following its Ulrich debut.

In the exhibition Falling Water, the powerful elemental force of a vast Icelandic waterfall is presented as the subject for Boomoon's ongoing investigation into the infinite and everchanging character of the natural world.

Japanese artist Tetsuo Mizù, in his first solo exhibition in Hong Kong at Whitestone Gallery, presents a welcomed deviation from more traditional depictions of the subject with paintings that focus on the storied practice of international maritime flags.

The Pace Gallery is pleased to present Burning, Bright: A Short History of the Light Bulb, a group exhibition focusing on the incandescent light bulb as both subject and material in the art of the past century.

The portraits presented in this exhibition hint at, question, and finally augment the viewer's understanding of what might constitute the subject of a portrait.

Feinstein's diverse body of work ranges across several mediums — paintings, photographs, exhibitions, videos, and installations — and myriad subjects from landscape photography to self - referential works created from found materials such as Styrofoam, a birthday present, and a Craigslist advertisement.

Cuban - American photographer and film - maker Ana Mendieta, who died in 1985, is the subject of an exhibition at Martin - Gropius - Bau that presents her groundbreaking films in newly restored and digitised formats.

The exhibition explores a number of conceptual themes, often presenting an elusive subject, which relies on the audience's imagination for completion.

Representing a broad range of materials, working methods and subject matter, the diverse sculptural works in this exhibition are presented against the Park's spectacular waterfront view of the Manhattan skyline.

Titled «Perspective and the Ephemeral,» the exhibition presents several of the artist's newest works that highlight his signature synthesis of realism and abstraction in urban landscape subjects.

The exhibition is divided into several sectors: On the seventh floor, the section «Portrait of the Artist» brings together self - portraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Celebrity.

, this exhibition presents portraits and self - portraits from the Kemper Museum Permanent Collection that emphasize the complexities of a dynamic dialogue between artist and subject.

This exhibition presents works from the Kemper Museum's permanent collection that explore the social, geographic, and historical subjects connected to aspects of life in America.

In his first solo exhibition in Hong Kong at Axel Vervoordt Gallery, entitled «分合 PART: MEET,» Bae presents five new black - and - white photographic prints from his «Sonamu — Pine Trees» series (2015), returning to his favorite subject of the pine trees found in the forested mountains of Gyeongju.

«The programme has combined new appraisals of familiar figures with exhibitions which have broadened the range of subjects presented, such as Folk Art, while also welcoming external voices and expertise.

Galerie Lelong is pleased to present Interventions in the Landscape, a group exhibition of photography and film that explores how artists have inserted themselves and their subjects into the landscape and engaged, manipulated, transformed, or been transformed by their surroundings.

This summer RWFA is presenting a group exhibition featuring the work of eight photographers abstractly exploring the classic subject of landscape.

Drawing from the Smart's permanent collection, this intimate exhibition explored how nineteenth - century artists and their audiences drew on views of the natural world, classical imagery, allegory and historical subjects to construct a meaningful understanding of the rapidly changing present.

Representing a broad range of materials, working methods and subject matter, the diverse sculptural works in this exhibition are presented against the spectacular waterfront view of the Manhattan skyline.

Walker explained, «One theme in my artwork is the idea that a Black subject in the present tense is a container for specific pathologies from the past and is continually growing and feeding off those maladies...» By looking carefully at a selection of Walker's projects in different media, this exhibition emphasizes the interface between technique and concept in her work.

Two have just opened: Portrait, at London's National Portrait Gallery, which focuses on her films of human subjects, including choreographer Merce Cunningham, and the artists David Hockney and Cy Twombly; and Still Life at the National Gallery next door, a delicate, two - room exhibition for which she has assembled works of art from the present alongside paintings from the past.

She has been the subject of several solo exhibitions in the U.S., and her paintings have been featured in numerous group exhibitions presented nationally and internationally.

Galleries presenting dynamic two - artist and group presentations include: Esther Schipper (Berlin, main) with a group show centered around Swap (2011), an interactive performance by Roman Ondak; Lisson Gallery (London, main) with a two - artist show by leading international artists Anish Kapoor and Lee Ufan, coinciding with the opening of Kapoor's Descension at Brooklyn Bridge Park; and Herald St's (London, main) group stand including Michael Dean, a Turner Prize finalist and the recent subject of a Nasher Sculpture Center exhibition, on the eve of the artist's participation in the fifth Skulptur Projekte Münster.

Marina Abramović, will be the subject of a major retrospective exhibition at MoMA in the spring of 2010 titled «Artist is Present» in which she will be performing continuously throughout the whole duration of the exhibition.

Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions presented in the United States and around the world.

We are thrilled to provide our audiences with insight into Turner's masterful technique and process by reuniting the Frick's ports, which themselves have never before been the focus of an exhibition, with a third harbor scene from the Tate on a similar scale, along with other port scenes — both imagined and set in the present — in oil and watercolor that reveal how the artist developed this subject over time.»

Her 2012 exhibition, Observation Point, investigates the self - imposed bounds of photography, presenting images of the sun, thereby breaking a cardinal rule of the medium while illustrating the haunting beauty of an elusive subject, as well as abstract photography more generally.

Lauren's work has been the subject of major solo exhibitions at The John Michael Kohler Art Center, The Bowdoin College Museum of Art, Drexel University, and will be presented in an upcoming solo project at MOCA Jacksonville in 2017.

Robert Rauschenberg will be the subject of two major exhibitions presented by the Faurschou Foundation at the Fondazione Giorgio Cini to coincide with the 57th International Art Exhibition — La Biennale di Venezia.

For this new exhibition, Curtis presents six paintings in aluminium paint on raw canvas which refers 1:1 in scale and design to the subject of his photographs of garage doors which have been removed from their «frame».

He has been the subject of major international exhibitions over the last 40 years, most recently at the Palazzo Cini, Venice (2015) and a retrospective simultaneously presented at three Italian institutions: MADRE — Museo d'Arte Contemporanea Donnaregina, Naples, GAM — Galleria Civica d'Arte Moderna e Contemporanea, Turin, and MAXXI — Museo Nazionale delle Arti del XXI Secolo, Rome (all 2014).

Curated & Group Shows Galleries presenting dynamic two - artist and group presentations include: Esther Schipper (Berlin, main) with a group show centered around Swap (2011), an interactive performance by Roman Ondak; Lisson Gallery (London, main) with a two - artist show by leading international artists Anish Kapoor and Lee Ufan, coinciding with the opening of Kapoor's Descension at Brooklyn Bridge Park; and Herald St's (London, main) group stand including Michael Dean, a Turner Prize finalist and the recent subject of a Nasher Sculpture Center exhibition, on the eve of the artist's participation in the fifth Skulptur Projekte Münster.

While, intentionally, the core exhibition doesn't present a single theme, Macel sorted the works on view into nine chapters, which she calls Trans - Pavilions, each featuring a trans - national selection of different artists based on similarities and consonances in approach, personality, influences, and creative vision, thus focusing more on art and artists than on a theoretical, superimposed curatorial subject.

Celebrating his life as an artist, this expansive exhibition (organized by Douglas Fogle, former chief curator at the Hammer Museum in Los Angeles) presents a selection of Mr. Melotti's work, featuring his early, somewhat - surreal figurative ceramics and his later abstract, brass sculptures, which portray political and theatrical subjects.

For the opening of the exhibition, Justin Hicks and Steffani Jemison will present a preview of their collaboration Mikrokosmos, a performance vocabulary for voice and electronics that uses musical literacy as subject and form.

(Chinese art's absorption of western influence is, incidentally, the subject of an exhibition of paintings by Yan Pei - Ming at Massimo De Carlo's new Hong Kong space: the artist presents poignant portraits after photographs, each a snapshot of an artist — Freud, Warhol and others — as a young man).

He has been the subject of numerous exhibitions, including solo shows at the Whitney Museum (2005), the Whitechapel Gallery in London (2001), and the Drawing Center (1999), as well as notable group shows such as the Whitney Biennial in 1993 and 2004 and the 2007 Venice Biennale exhibition Think with the Senses — Feel with the Mind: Art in the Present Tense, curated by Robert Storr.

His collection has been the subject of major exhibitions; the Guggenheim Bilbao presented «Luminous Interval» in 2010 and the Whitechapel Gallery on the same year presented «Keeping it Real: An Exhibition in Four Acts».

This exhibition of new work by more than 20 full - time art faculty presents a rare confluence of diverse artistic media, technologies and subject matters.

Subject of Escape Route, a solo exhibition at Bronx Museum of the Arts, Jeffery Spencer Hargrave (presented by Ethan Cohen New York, New York) filters art history through Black history and queer identity, manifesting a refreshing directness and witty honesty throughout.

Showing 83 photographs of unidentified subjects Part of Warhol x 5, a collaboration of five Hudson Valley university art museums all presenting complimentary exhibitions in 2018 On view April 8 — May 27, 2018 ANNANDALE - ON - HUDSON, NY, March 2018 — Warhol:... read more →

The manipulated identities of the subjects are often presented as seemingly objective; a concertized formation within the work that is deconstructed in photography and film throughout the exhibition.