Sentences with word «subjecthood»

Sondra Perry is an interdisciplinary artist whose works in video, computer - based media, and performance explore black stuff and the digital abstraction of subjecthood.

The global market with its «neo-liberal» developments has weakened the liberal democratic subjecthood of individual persons, powerless groups such as racial and ethnic minorities, and local communities.

The hi - tech multimedia, dictated by the corporate powers and agencies of the global market, subjugate cultural subjecthood, cultural values, style of life, perceptions of beauty, and religious mystery in life, as well as ethnic, national identities of persons and community to the market wasteland of cultural life.

The installation created a noticeably disconcerting space that called viewers» subjecthood into question.

(2) Carpenter's objection to my doctrine of human beings is that I «treat human subjecthood restrictively in light of our defiance of or obedience to» the initial aim (p. 114).

The exhibition claims to address such lines of inquiry as: «What are the new visual metaphors for the self and subjecthood when our ability to see and be seen is expanding, as is our desire to manage our self - image and privacy?

Forty - nine years later, when we find art in the age of networked identity and digital dematerialization, I am perplexed by subjecthood and self - definition in relationship to the «personal» when performed publicly.»

The global market with «neo-liberal» developments have weakened liberal democratic subjecthood for individual persons, powerless groups, such as racial and ethnic minorities, local communities.

In her work, Dancy is interested in creating images of women that «summon the implicit trauma that comes with subjecthood, the gaps that are forged between an inner and outer being.»

Wallace also cites Bruce Naumann's «Mapping The Studio» yet in this case the absence of human presence is ultimately the step from subjecthood to objecthood, from choice to chance.

Johnson (born 1977) explores the complexities and contradictions of black identity in the United States, incorporating commonplace objects from his childhood in a process he describes as «hijacking the domestic,» and transforming materials such as wood, mirrors, tiles, rugs, CB radios, shea butter and plants into conceptually loaded and visually compelling works that shatter assumptions about the homogeneity of black subjecthood.

The multimedia, directed by the corporate powers and agencies of the global market, subjugate cultural subjecthood, cultural values, life styles, perceptions of beauty and religious mystery, as well as ethnic national identities of persons and communities to the market's cultural wasteland.

Co-curated by Lauren Cornell and artist Ryan Trecartin, the exhibition, which bills itself as predictive rather than retrospective, asks these questions: What are the new visual metaphors for the self and subjecthood when our ability to see and be seen is expanding, as is our desire to manage our self - image and privacy?

Fifty years later, when we find art in the age of networked identity and digital dematerialization, I am perplexed by subjecthood and self - definition in relationship to the «personal» when performed publicly.

Dear Animal uses the cinematic device of the animal as a political frontier at which issues of subjecthood and citizenship can be defined and discussed anew.

Its point of departure is potential relations between art, politics and subjectivity in a time when the basis of democratic subjecthood is called into question.

The political victimization is not merely suppression of the political subjecthood of the people, but the participatory process has been weakened by the play of the power on the global level, weakening any national and community protections of political subjecthood.

Sebastian Kappen has remarked that global market has reduced the subjecthood into intuitions based on a single interpretative act, which has often been translated for the urge for having more and more.

This political victimization goes beyond suppression of the political subjecthood of the people, but to weaken the participatory process at the global level, taking away national and community protections of political subjecthood.

Doubtless there are many questions about human subjecthood I have not treated well or at all, but I do not know how to respond to such a sweeping charge.

In their religio - cultural struggles, the people do not remain as passive objects and helpless victims of the dominant culture, but positively affirm their cultural subjecthood.

The people struggle to be subjects of their cultural universe, with their spiritual self, thinking self (cogito), vital self (psyche), feeing self, and perceiving self all forming integral parts of their subjecthood, enabling them to experience and create their own religio - cultural realities.

But just as the narrations in Malick's earlier films create a certain poignant distance, here direct access to the inner lives of these men, however glancing and intermittent, creates a singular push - pull of intimacy and distance, and reinforces the sense of the GIs» isolation from one another: each is imprisoned in his subjecthood.

Together Rubell and Twilley address questions of authorship and subjecthood in figurative painting.

Though not all of the artists included in Queer Tropics identify as queer, or produce work directly about queerness, the exhibition considers how landscape, culture, and identity affect the ways in which we conceive of subjecthood and are inflected by a sense of otherness, challenging commonly held notions of how the tropics have been defined through colonialism, history, and popular culture.

East and West Galleries Rethinking History, curated by Carol Podedworny, brings together a group of artists whose work, whether concerned with issues of authority, expose, subjecthood, challenges the construction of the dominant History of the West.

Sondra Perry (born 1986 in Perth Amboy, New Jersey) is an interdisciplinary artist whose works in video, installation, computer - based media, and performance explores black stuff and the digital abstraction of subjecthood.

Presenting work across media, the exhibition utilises a range of technologies including drawing, painting, animation, social media and augmented reality to interrogate Gannis» perplexed interest in «subjecthood and self - definition in relationship to the «personal» when performed publicly.»

One simply enters the field as if form and space had no division, as if the subjecthood of the viewer and the objecthood of the work were inseparable.

Their work, whether concerned with issues of authority, expose, subjecthood, or otherwise, ultimately challenges the «History of the West» not only in terms of its writing, but also of its actual lived experience.

Rethinking History, curated by Carol Podedworny, brings together a group of artists whose work, whether concerned with issues of authority, expose, subjecthood, challenges the construction of the dominant History of the West.

The mere categorization of a child into some group raises old questions about representation and subjecthood; that this is in part a self - identifying group raises new ones.

Teaching fellow Aliza Shvarts will lead seminar discussions focusing on women artists in the Whitney's collection who have used their practices to challenge relationships of subjecthood and objecthood in both art and politics.