The woman felt
subjective sensations of «merriment or mirth» and displayed a syndrome known as confabulation: She invented reasons for her hilarity, telling the researchers at one point, «You guys are just so funny... standing around.»
The biological link between
the subjective sensation of effort and the physiological changes occurring during exercise is of crucial importance, because it provides a mechanism by which the RPE could, in theory, contribute to the regulation of exercise performance, the limit to exercise and pacing strategy.
In other words,
the subjective sensation of the «rubber - hand effect» could also be produced with a smartphone, a computer mouse and a smartphone - shaped piece of wood.
In - gear agility improves, too, but
the subjective sensation of speed is eerily similar.
Not exact matches
Galileo divided all attributes into two groups: «primary qualities»
of mass and extension, which he believed to be properties
of objects themselves, and all other «secondary qualities» such as color and hotness, which he believed to be merely
subjective sensations in the observer's mind.
They are the «
subjective» products
of private
sensation,
subjective caprice or social consensus.
@Sabio — You said «It is
of course difficult to describe
subjective sensations with language — that is why art, music and much more satisfies us when words can't — but we don't have to imagine something divine when we realize this fact.»
@ Christine It is
of course difficult to describe
subjective sensations with language — that is why art, music and much more satisfies us when words can't — but we don't have to imagine something divine when we realize this fact.
Feelings, on the other hand, are the
subjective experiences that sometimes accompany these processes: the
sensations of happiness, envy, sadness, and so on.
Electrode studies
of monkeys and other animals whose brains resemble ours have yielded valuable insights, but these creatures can not describe their
subjective sensations.
Researchers have found evidence that the emotional experience
of guilt can be grounded in
subjective bodily
sensation.
In an article titled «The Weight
of a Guilty Conscience:
Subjective Body Weight as an Embodiment of Guilt» in the journal PLOS ONE, Day and Bobocel find evidence that the emotional experience of guilt can be grounded in subjective bodily
Subjective Body Weight as an Embodiment
of Guilt» in the journal PLOS ONE, Day and Bobocel find evidence that the emotional experience
of guilt can be grounded in
subjective bodily
subjective bodily
sensation.
While the mechanics
of an orgasm may be known, it is still a
sensation, and like all
sensations it's
subjective.
When I spoke to Dr. Lipman, he used a term to describe the
sensation attained through detoxes as «a
subjective feeling
of vitality.»
The percent
of time during which their esophageal pH was very low (highly acidic) was cut in half, and they reported significant improvements in their symptoms via a standard GERD questionnaire that assesses
subjective feelings
of heartburn, pressure or discomfort inside the chest, a sour taste in the mouth, frequent gurgling in the stomach, nausea, a feeling
of pressure or a burning
sensation in the throat, belching, flatulence, and more (21).
Armed as a collection
of sensations, glo envisages contemporary dance an active doorway for letting people into utopia, as a
subjective everyday experience in the real time
of concrete and intentional realities.»
But, all abstract arts makers use color, memory and visual
sensation to show that reality is
subjective — and that is probably the most important feature
of abstract art.
Natural beauty becomes increasingly peripheral to Hopper's study
of structures and vessels, and one begins to perceive here the heightened tension between rational operations and
subjective sensations («the most exact transcription
of my most intimate expressions») that will characterize his mature painting.
Laying bare the distortions, liquidity, and engrossing grotesquerie
of subjective perception, she depicted the somatic
sensation of being in a body: intense, trapped, confrontational, alien, fragmented, warped, and sensual.
Like any abstract the paintings rely on the
subjective emotional response
of the viewer — but also with this artist there is the
sensation of the viewer studying a mathematician's blackboard — there is a balance in the work suggesting a Renaissance purity — as if the viewer is witnessing the attempt to «paint» an equation.
These features can create the
sensation of presence, the
subjective psychological state
of «being there» in the virtual world leaving the perception
of technological mediation behind (Biocca, 1997; Lombard and Ditton, 1997; Persky and Blascovich, 2008).