Your early paintings focused on single
subjects in neutral spaces.
Not exact matches
For more than a century, photographers have dealt with the
spaces of their studios
in strikingly diverse and inventive ways: from using composed theatrical tableaux (
in photographs by Julia Margaret Cameron or Cindy Sherman) to putting their
subjects against
neutral backdrops (Richard Avedon, Robert Mapplethorpe); from the construction of architectural sets within the studio (Francis Bruguière, Thomas Demand) to chemical procedures conducted within the darkroom (Walead Beshty, Christian Marclay); and from precise recordings of motion (Eadweard Muybridge, Harold Edgerton) to playful, amateurish experimentation (Roman Signer, Peter Fischli and David Weiss).
In part because they inhabit
neutral spaces, her
subjects» idle, private moments provoke the imagination of viewers and remain open to a range of narratives, memories, and interpretations.
Well any isolated
neutral atom or molecule getting along
in outer
space is
subject basically to nothing but the gravitational force; which is far and away the weakest of all the Physical forces of nature; so it doesn't do a heck of a lot for any isolated
neutral atom or molecule; which continues on
in a straight line at a constant velocity according to Newton's Laws (or maybe Einstein's)