Sentences with phrase «subjects of surrealism»

This American artist and art professor is well known for her figurative style of painting incorporating subjects of surrealism.

Employing the old technique of «layer painting», Fomenko applies the practice in a modernized way and injects bright primary shades of acrylic paint onto the canvas, before awakening his subjects of surrealism with oils by using broad brushstrokes.

Not exact matches

The Pyes» artistic output spans photography, film, performance, video, and installation while acknowledging the profound influences of surrealism in film, narrative conventions in painting, 19th and early 20th century portraiture, and conceptual approaches to subject matter.

March 20 Wade Schuman uses the natural palette, articulate spaces, and precise drawing of 19th - century naturalism and surrealism's unsuspecting synthesis of subjects to comment on life, love, and the human condition.

It is also a characteristic subject of the American Ashcan School, German expressionism, French surrealism and American social realism.

While Eisenman's figurative style references a range of academic traditions — from WPA murals to surrealism — her razor - sharp wit and intimate subject matter reveal a language that is completely her own.

Denomie cheerfully admits that as a painter of «metaphorical surrealism,» he constantly pushes the boundaries as he finds and explores new and old subject matter.

Of course, artists continued working in representative styles, but the buzz of the day now ranged from Kandinski's first purely abstract works to surrealism's fantastical compositions and Picasso's sometimes bizarre and fractured subjectOf course, artists continued working in representative styles, but the buzz of the day now ranged from Kandinski's first purely abstract works to surrealism's fantastical compositions and Picasso's sometimes bizarre and fractured subjectof the day now ranged from Kandinski's first purely abstract works to surrealism's fantastical compositions and Picasso's sometimes bizarre and fractured subjects.

Citing American painters Wayne Thiebaud and Robert Bechtle as primary influences, Townsend's work is a mixture of pop, photo - realism, surrealism and representational interpretations of largely mid-century subject matter.

** Schmidt and his vision were, however, one and the same: there was no conceptual detachment, no cynicism, and in the process of pursuing his own truth, he touched on the theatricality and the teasing antilogic of surrealism, the notion of the readymade, the improvisational vitality of abstract expressionism, the psychological fabric of assemblage, environmental sculpture, and light phenomena as subject matter.

These artists rejected the prevailing working methods of American artists, surrealism, geometric abstraction, regionalism, and representation, and created a new kind of experience of art based on personal gesture, immediacy, painting according to sensation, and direct («existential») engagement with subject matter.

In the mid-forties the artists of the New York School gradually stopped evoking classical myths (to which both surrealist artists and the existentialist writers made frequent recourse) and they looked beyond surrealism toward a subject matter of even more immediate and personal introspection.

He explored a variety of subjects in his signature style, including still life, explosions, brushstrokes, and artistic movements such as cubism, surrealism, and expressionism.

Hamilton represents the weirder, more wonderful and wackier end of the artistic spectrum, often bringing surrealism and comedy to popular culture subjects.