Sentences with word «subrights»

With publishers, they have depts who try to sell subrights through their catalog and third party agents.

We are going to be committed to have a shorter turn - around time for subrights management, you should hear back within two weeks of sending your initial email.

If you sign with us for subrights management, we will happily discuss with you your options and what our thoughts are when the time comes.

They could also coordinate the whole process as a service for their clientele, establishing a concrete list of tangible services to promote the book, report and analyze sales, use their influence in the marketplace to get a better deal for the author in the future with a traditional house or a better deal through ebook publishers — while also managing subrights and the author's career.

Agents could have a strong role in subrights such as audio (although Audible's ACX program is a no - brainer), foreign rights, print rights and distribution, media, and gaming.

Production expense looks minimal, no copyright or subrights tie up & money is paid upon pages read after the first 3 chapter sample.

Foreign subrights experience would be especially helpful.

So that's another data point to consider — lost revenue from unexploited subrights.

We even market our own subrights and have just negotiated a good six - figure audiobooks deal.»

The Marsal Lyon Literary Agency handles subrights for our authors, working directly with audio publishers and in partnership with the Taryn Fagerness Agency to find foreign rights opportunities and with several L.A. based agencies to pursue film and dramatic rights for our clients.

It's production of the actual book and the promo is ongoing (as it is for me with traditional publishers too), but with indie I'm in control of my production schedule, retail pricing and subrights decisions, and can capitalize on promo ops when I want to.

Things like royalty value for digital books, the ala carte subrights menu, rights reversions, and what agents and publishers are offering that could be troublesome.

We actively pursue deals and opportunities to maximize your income from licensing subrights for your backlist and frontlist.

The industry is heading toward an evaluation of worth and contract terms and subrights values should be reexamined in an a la carte manner, and not just thrown in because that's the way it's always been done.

Subsidiary rights, (aka subrights, rights, licensing) enable the publisher to license the work to a third party for the purpose of that party creating a new work — one that the publisher may not be equipped or desire to do.

Anthea, «don't sell subrights that have value that your publisher won't exploit» is the subject of another HUGE blogpost, and yes, that is a really important point.

While we do require that you give us first right of refusal, we can not guarantee a switch from subrights management to full agency representation.

If you know of a literary agent who specializes in subrights and wants to work for our amazing clients, tell them to email me at -LSB-...]

Yes, I'm not interested in giving away my books or having a company carve into my copyrights or subrights.

• Subrights — TV and film rights, foreign rights, reprint rights, audio rights, serialization rights, book club sales, online electronic rights.

Has anyone been able to reserve the subrights that publishers normally grab?

World English language distribution ensures that your book will be available in English around the world, and our subrights department will work hard to get your book translated.

The last thing I'd like to talk about is the value of «a la carte» subrights (ie foreign rights, audio, print vs digital).

Subrights have value to the indie author.

When you sign with Avon Impulse, you are acquiring a team responsible for art, copy, marketing, social media support, and publicity — and more: A foreign rights staff determined to make your book available in other languages; a legal team protecting your work from piracy; a the subrights group pitching your romance novel to the book clubs.

And your subrights will be different.

An author's subrights are just as important as their literary rights and we are committed to helping our clients maximize their potential internationally and in all mediums.

Please know that your subrights will be managed with the utmost care — the same that all clients of Brower Literary & Management receive.

Kimberly will be overseeing this division; however, she will be having other agents and / or administrative staff work on your subrights.

Our Subrights Management division is geared towards self - published authors who want experienced professionals to manage their subrights (audio, foreign, print and other subsidiary rights).

You can opt to exclude other subrights; however, this will have to be disclosed prior to signing with Brower Literary & Management and may impact our decision whether or not to take you on as a subrights management client.

Brower Literary & Management is starting a new division of the agency in which we will be taking on self - published authors simply to manage your subrights without interfering with your digital sales.

We've found that there are so many self - published authors out there who want representation to help manage their subrights, but don't want the pressure of feeling like they have to «go traditional.»

With subrights management, you want to stay a self - published author, at least for the time being, yet you want an established, reputable agency to help you pursue deals for your subrights, such as audio, foreign, print, film / tv, etc..

If you are a debut author, while we welcome you to send us a query, we do think it would be better in the pursuit of selling your subrights if you had a few books in your backlist.

That means the agent needs to sell subrights and be creative in terms of negotiating contracts to add value worth the fee.

Selling subrights is an area that many of them have farmed out to the publishers (if these houses have a strong presence globally on foreign rights or have audio studios, etc), but there's still money to be made here.

- Book club and foreign editions can also add substantially to sales, though not every author manages to sell these subrights.

If my agent didn't sell the project and doesn't sell any subrights, why would I pay for that?

Today's publishing world is more a la carte when it comes to subrights, or it should be.

If an advance is low and not worth tying up copyright, then limit the subrights availability or define the digital limit to 2 - 3 yrs only or cut back on world rights by retaining digital rights in the U.S. for example.

She has the ability to sell subrights to any of my books, ie foreign, audio, etc..