Not exact matches
Both also distribute their published
works on Kindle Singles, with several starring on the bestseller list there, including The Fearless Mrs. Goodwin (Byliner) by Elizabeth Mitchell, a 44 - page true - crime account of a brutal bank heist taking place in turn - of - the -
century Manhattan, and Blind Sight (Atavist) by Chris Colin, a 38 - page nonfiction narrative about a Hollywood movie producer's horrific car wreck that killed his new wife and his
subsequent 10 - year journey recovering from devastating brain injuries.
Reinventing the Wheel: the Readymade
Century pays tribute to this seminal
work and traces the
subsequent elaboration of neo-dada practices, with a particular focus upon everyday and vernacular contexts; the mysterious and libidinous potential of sculptural objects; institutional critique and nominal modes of artistic value; pop, minimalism and industrial manufacture.
Diary / Landscape — the first mature body of
work by this important contemporary artist — set the framework for his
subsequent investigations of abstraction and his fascination with nineteenth - and twentieth -
century New England.
In the three years since her last solo exhibition at the gallery, Rafferty has been pushing forward her dialogue with materials and strategies of making while continuing to engage themes that have been preoccupying her in her
work to date: mid - to late - 20th -
century media culture and the proliferation and
subsequent impoverishment of imagery that has arrived in its wake; tropes of performance and comedy; and the theatricalized, often female, body, with its simultaneous centrality and abjection.
Opening today this first display of
works explores the emergence and
subsequent development of an Arab art aesthetic through drawings and paintings from the early twentieth
century to 1967, an important historical period in the region.
The show plumbs the formal skepticism of late modernism, including
works by Dan Graham, Gordon Matta - Clark, and Isa Genzken, drawn from the Generali's own signature collection, and its purview extends to encompass a
subsequent generation of artists interested in mining the failed utopian models of the twentieth
century for recuperative possibilities: Giuseppe Gabellone, Cyprien Gaillard, Florian Pumhösl, Jeroen de Rijke and Willem de Rooij, and Rob Voerman.
Richter is one of the world's most significant artists of the 20th and 21st
centuries: the exhibition will be a serious examination of the artist's
work, bringing it to new audiences and demonstrating his immense ongoing influence and significance to
subsequent generations of artists.
In the first part are exhibited
works that explore the emergence and
subsequent development of an Arab art aesthetic through drawings and paintings from the early twentieth
century to 1967, an important historical period in the region.
The enormous success of 17th -
century Dutch painting overpowered the
work of
subsequent generations, and no Dutch painter of the 18th
century — nor, arguably, a 19th -
century one before Van Gogh — is well known outside the Netherlands.
These are two apparently incompatible emotional atmospheres, until we recall that the progressive
work of Paul Gauguin (1848 - 1903), and much
subsequent turn - of - the -
century painting, exemplified both decorative art and subjective symbolism.