Just as belittling Darwin and Chomsky personally does not really rebut their science, condemning Wolfe's rhetorical juvenility does not confront the substance of his thesis — that humans invented speech (and
subsequent forms of language derived from it)-- and that evolution had nothing to do with it.
Not exact matches
Like the Leibnizian monad, the occasion is individuated by its individual essence, its particular perspective; but unlike the Leibnizian monad this essence is not predicated
of the occasion as a substantial substratum, but enters into the inner constitution
of the occasion as «a vector transmission
of emotional feeling» or, in the
language of physics, «the transmission
of a
form of energy» from past occasions via the eternal objects that communicate the emotional
form and make possible the
subsequent reenactment by the prehending occasion (PR 315 / 479f.).
Four issues which will be significant in the
subsequent analysis
of models arise here in discussing these other linguistic
forms: (1) the role
of analogy, (2) the relation
of religious symbolism to human experience, (3) the diverse functions
of religious
language (especially evident in the case
of myth) and (4) the cognitive status
of religious
language.
The odd - numbered chapters
form the narrative
of the linguists» visit to Al - Sayyid and their
subsequent work deciphering its
language.
Deaf since the age
of ten, Joseph Grigely has dedicated his fifteen - year artistic practice to researching the various translations and
subsequent shifts in meaning that take place when music,
language, and informal talk are communicated through visual
form.
The
subsequent exhibition takes the
form of a year - long presentation and reflects Gillick's long - standing engagement with questions
of process, participation, collectivity and decision - making, and
of which his varied approach to
language and the
language of space are an expression.
Integral to Smith's process
of formal abstraction is the deconstruction and
subsequent reconstruction and re-contextualizing
of the
form and
language of a work.
These have been
of great importance in the making
of subsequent sculptures, especially those that develop the possibilities
of organic and curved
forms, and in his thinking about
language and communication.