Sentences with phrase «subsidiary rights an author»

The solution is simple: All subsidiary rights an author grants to a publisher should be subject to reversion after the author's demand if they are not exercised or exploited within eighteen to twenty - four months of publication.

Not exact matches

So, regardless of which subsidiary rights are then listed, the author still grants Dymocks a license to exercise all rights in the Work other than its first volume and electronic publication rights.

There is now no mention in the Publishing Agreement or the Rate Card of what rates an author receives for subsidiary rights.

It's important, because some authors make more money from subsidiary rights than regular book sales!

An author now grants non-exclusive subsidiary rights to D Publishing (but the author can not «reasonably withhold permission for D Publishing to exercise a subsidiary right»).

The Alliance of Independent Authors (ALLi) and the agency Toby Mundy Associates (TMA) have come together to create a unique subsidiary rights service for independent («self - published»)...

I think they play a valuable role in reviewing contracts and managing subsidiary rights (film and foreign, for example) for traditionally published authors.

«The Author grants to D Publishing a licence: -LSB-...] to exercise, including by way of sub-licence, all rights in the Work other than its first volume and electronic publication rights (Subsidiary Rights).&rights in the Work other than its first volume and electronic publication rights (Subsidiary Rights).&rights (Subsidiary Rights).&Rights).»

Author compensation for subsidiary rights is essentially that Dymocks gets NO LESS than 20 % of what they call the Cost Price (which, for books, is basically defined as 50 % of the retail price, so an author gets NO MORE than Author compensation for subsidiary rights is essentially that Dymocks gets NO LESS than 20 % of what they call the Cost Price (which, for books, is basically defined as 50 % of the retail price, so an author gets NO MORE than author gets NO MORE than 40 %).

Get an overview of general book terms, including author royalties, book genre, imprint, and subsidiary rights.

Her books have had fabulous reviews (including some from me here), they've won all sorts of awards, and she's just been snapped up by A for Authors agency for her subsidiary and foreign rights.

I hadn't thought about it from the angle of... «when print becomes considered a subsidiary right to an individual author.»

Subsidiary rights secured by publisher: first serial (90 % author / 10 % publisher); second serial (50 % / 50 %), book club (50 % / 50 %), permissions (50 % / 50 %), other book publication (50 % / 50 %), British (80 % / 20 %), translation (75 % / 25 %), electronic (50 % / 50 %), audio (50 % / 50 %), paper products (50 % / 50 %)

Authors grant an exclusive license to Dymocks for commercial rights worldwide for the duration of the copyright, including all subsidiary rights to the work.

If Dymocks posts an ebook for sale on its website, it will have done enough under the contract to earn its exclusive right to the work worldwide for the author's lifetime plus 70 years — and not just in book form: all subsidiary rights such as film, and other electronic forms are included.

The standard agency commission doesn't just pertain to domestic book sales, but any and all of the book's subsidiary rights sales, whether sold by the agent, author, or publisher.

The browser - based solution Authors Online offers your employees as well as authors and agencies easy - to - access, intuitive information on royalties, advances and subsidiary Authors Online offers your employees as well as authors and agencies easy - to - access, intuitive information on royalties, advances and subsidiary authors and agencies easy - to - access, intuitive information on royalties, advances and subsidiary rights.

Literary Agent Undercover is only for authors who understand the benefits of traditional publishing: no financial risk because someone else is paying for the privilege of publishing your book; a higher quality product thanks to a top - notch editor and cover designer; more profit due to better sales, distribution, and publicity; subsidiary rights opportunities like merchandising, translations, TV, feature film, etc; increased credibility and more book reviews; and the ability to spend more time writing, promoting, and doing what you love.

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I'm also a narrator through ACX, the Audiobook Creation Exchange, a subsidiary of Amazon created in 2011 as a sort of matchmaking service between rights holders (authors or publishers) and audiobook producers (narrators and studio professionals like sound engineers.)

Authors could make more money by exercising as many subsidiary rights as possible for each book, especially the audio rights.

There's no reason why a publisher's ineffectiveness at selling subsidiary rights should reduce the author's income forever.

THE ALLI CAN HELP WITH TRANSLATION AND SUBSIDIARY RIGHTS News Team The Alliance of Independent Authors (ALLi) and the agency Toby Mundy Associates (TMA) have come together to create a unique subsidiary rights service for independent («self - published»SUBSIDIARY RIGHTS News Team The Alliance of Independent Authors (ALLi) and the agency Toby Mundy Associates (TMA) have come together to create a unique subsidiary rights service for independent («self - published») auRIGHTS News Team The Alliance of Independent Authors (ALLi) and the agency Toby Mundy Associates (TMA) have come together to create a unique subsidiary rights service for independent («self - published») aAuthors (ALLi) and the agency Toby Mundy Associates (TMA) have come together to create a unique subsidiary rights service for independent («self - published»subsidiary rights service for independent («self - published») aurights service for independent («self - published») authorsauthors.

When it comes in, the income from subsidiary rights deals is usually split 50/50 between the publisher and the author.

These «one - percenters» (to borrow a term from current political parlance) get extravagant advances from the publishing houses — advances so large that they don't care much about other contractual terms, such as royalties and subsidiary rights, which other authors must endure.

These are just two examples of how indie authors can maintain control of subsidiary rights, using them to earn income.

In traditional publishing an author's subsidiary rights were largely managed by their agent or their publisher.

In recent years it's become increasingly possible for authors to exploit their subsidiary rights on their own, creating and selling works based on an original book.

Some authors simply don't feel comfortable working with subsidiary rights, even through an intermediary like PubMatch or IPR License.

Scott Sigler is a horror author who has made excellent promotional use of his subsidiary rights (even while often working with traditional publishers).

Our Subrights Management division is geared towards self - published authors who want experienced professionals to manage their subrights (audio, foreign, print and other subsidiary rights).

Filed Under: Selling Books and Information Products, Subsidiary Rights and Spin - offs, The Proposal Tagged With: branding, hybrid author, Long - Tail Effect, multiple - book author, spin - off books

Do you have any other suggestions about how the author and illustrator can keep track of monies received from books sales and subsidiary rights?

Some smart literary agent is going to start a business one day that simply sells subsidiary rights for the millions of indie (aka self - published) authors out there and make a bundle.

The number one subsidiary right that every author dreams about is dramatic right licensing: movies, television, stage productions, readings, etc..

Even Joe Konrath, as high - profile a proponent of the revolution in publishing as I know of, claims only that for many authors paper is becoming a subsidiary right, like foreign language or film rights (note that Konrath first blogged about this almost four years ago.

Some publishers, as you know, ask only for first rights, leaving the author with subsidiary rights to sell.

For the American book publishing industry, the Frankfurt Book Fair is predominantly a trade fair, that is, a professional meeting place for publishers, editors, librarians, book subsidiary rights managers, publishers international sales representatives, booksellers, agents, film, television and video game producers, publishing technology experts, authors and many others who are involved in the creation and sale of books and the licensing of book content in all its many forms.

Subsidiary rights («sub rights») are a part of author contracts and critically important to author and book publisher income.

Subsidiary rights represent important ancillary revenue streams for the book's publisher and for the author.

And while it used to be an «all or nothing» deal with traditional (aka legacy) publishers, today's editors are willing to compromise with indie authors, often splitting up digital, print, and subsidiary rights rather than simply acquiring them all.

The sales of a book's various subsidiary rights — from paperback to film, theater or television; from foreign and translation to merchandising — can create additional streams of income for the author.

The term «subsidiary rights» refers to the rights the author grants the publisher to «sub-license» his or her book («the work») for various formats and adaptations in addition to the primary format.

As Director of Foreign and Subsidiary Rights at The Book Group, she negotiated translation, film, and audio deals on behalf of bestselling authors such as Joshua Ferris, Paula McLain, Celeste Ng, and Helen Simonson.

Klopotek's browser - based solution «Authors Online» offers your authors, agents, as well as your Royalty and Editorial teams easy - to - access, intuitive information on royalties, advances and subsidiary Authors Online» offers your authors, agents, as well as your Royalty and Editorial teams easy - to - access, intuitive information on royalties, advances and subsidiary authors, agents, as well as your Royalty and Editorial teams easy - to - access, intuitive information on royalties, advances and subsidiary rights.

The Alliance of Independent Authors (ALLi) and the agency Toby Mundy Associates (TMA) have come together to create a unique subsidiary rights service for independent («self - published») aAuthors (ALLi) and the agency Toby Mundy Associates (TMA) have come together to create a unique subsidiary rights service for independent («self - published») authorsauthors.

Most agents who represent books help authors with subsidiary rights including TV / film as well as English editions in other countries and international editions in other languages.

Print is fast becoming a subsidiary right, and only of benefit to the 1 % of 1 % of authors who are the biggest and best sellers.

TMA sells subsidiary rights for members of the Alliance of Independent Authors (ALLi).

The agent helps shape the proposal (so that it is clear how the proposed work is different from and better than the competition) or work of fiction, finds a publisher, negotiates the contract, sells subsidiary rights to the work, intervenes when there is a controversy, whether it be over an editorial question or the publisher's promotion plans, weighs in with an opinion (e.g., the book cover), monitors the publishing process and steers the author's career, book by book.