When it comes in, the income from
subsidiary rights deals is usually split 50/50 between the publisher and the author.
Because UP is selective, our books continue to garner extra revenue and exposure from reprints, translations, film / TV options and other
subsidiary rights deals.
Not exact matches
Royalties are twice a year for me, but there's also income coming in from other sources, like
subsidiary rights sales, new book
deals, delivery & acceptance payments, etc..
We will likely see publishing
deals driven by ebook
rights acquisition, while print
rights will become
subsidiary.
I was fortunate to
deal with a highly responsive head of
Subsidiary Rights who fell in the latter category above.
And while it used to be an «all or nothing»
deal with traditional (aka legacy) publishers, today's editors are willing to compromise with indie authors, often splitting up digital, print, and
subsidiary rights rather than simply acquiring them all.
As Director of Foreign and
Subsidiary Rights at The Book Group, she negotiated translation, film, and audio
deals on behalf of bestselling authors such as Joshua Ferris, Paula McLain, Celeste Ng, and Helen Simonson.
In the Form 8 - K for this
deal, Barnes & Noble suggests that this
deal will «strengthen the Company's balance sheet through the elimination of Pearson's preference
rights in exchange for the consideration described above and further simplify the corporate structure by giving the Company ownership (through its
subsidiaries) of 100 % of NOOK Media.»
Illumination Entertainment, a
subsidiary of Comcast - owned NBC Universal, is close to a licensing
deal for the film
rights to the Mario games, according to «people with knowledge of the discussions» cited by the WSJ.
The
deal will see 4,500 employees transfer over to Foxconn's
subsidiary, and Microsoft handing over the
rights to use the Nokia brand, feature phone software, services, and other contracts and supply agreements.