Sentences with phrase «subtly alludes»

The painting subtly alludes to representation with a concentrated mass of brushstrokes, suspended over an ambiguous white atmosphere.

The title subtly alludes to the the play of light and dark that the artists in this exhibition experiment with.

The shocking exposure of the painting's interior subtly alludes to everything that the material is meant to conceal, protect, and contain.

Perhaps the nearest comparison for Ellar Coltrane and Mason is Daniel Radcliffe and Harry Potter — a connection to which Linklater subtly alludes.

The slogan Alfa used when selling it was «The family car that wins races», not - so - subtly alluding to the car's success in the Targa Florio, Stella Alpina, and other competitions.

Hairstyles and shoes are among his favoured subjects with work often subtly alluding to issues of race, ethnicity, culture, gender and sexual equality.

Its considerable reach gains focus through the prism of its curator; Luc Tuymans» own uneasy commitment to the figurative sets up a productive tension with the works he has selected, and with the many and conflicting ideas, subtly alluded to, that have shaped abstract art over the course of a century or so.

Not exact matches

The average printed book cover is only about 50 square inches, but in that space designers can evoke the whole range of emotions, allude to every historical period, and — subtly and not so subtly — entice us to pick up the book, flip it over, and get so interested that we just have to have it.

However, Isaacs» sculpture exists beyond the mere effect of visual provocation; it subtly refers to Rembrandt and Soutine's paintings of flayed ox carcasses that inspired Bacon and those alike, alluding to the fragility and pain of a being that exists within this body of flesh.

«In these meticulously painted works, darkly layered atmospherics and inky blacks articulate elusive, mysterious settings and subtly shifting light conditions, while the landscape imagery, through insistent repetition, alludes to a psychologically charged and emotionally resonant space.»

With many of his paintings from 1951 — 53, the artist explicitly acknowledged the historical weight of the monochrome yet deftly pushed beyond a mere rehearsal of its formal concerns, alluding subtly to the increasingly porous borders of the modernist canvas and its implied sanctity.

The diverse selection of works in the exhibition range from illustrations based closely on Carroll's text, to works which allude more subtly to the original story, offering new and sometimes challenging interpretations.