Sentences with phrase «subtly painted layers»

Not exact matches

The «Ten Possible Links» are a series of subtly vibrant and densely layered paintings that investigate the abstract imagery of Ritchie's sculpture and cinematic landscapes through multiple diagrammatic and painterly gestures.

The artist's approach, according to his galleries, «involves layering subtly modulated acrylic paint across canvases, repeated polishing with sanders, and veneers of reflective resin which allow light to penetrate the stratum of the picture and reflect back with exceptional illumination.»

«In these meticulously painted works, darkly layered atmospherics and inky blacks articulate elusive, mysterious settings and subtly shifting light conditions, while the landscape imagery, through insistent repetition, alludes to a psychologically charged and emotionally resonant space.»

It can subtly show through layers of paint and help unify the picture as a whole.

Recently, his paintings have grown darker and richer, their surfaces black but subtly layered with his signature scrawls and scrapes.

The intimacy of Scully's creative process, in which paint is layered while he manipulates it using brush strokes and sensitivity, offers a very sensual and tactile materiality while colors, often subtly harmonized, evoke deep emotional associations.

Peter Zimmermann (born 1956) borrows the techniques of old masters such as Cranach and Dürer to create superimposed layers of paint that yield a subtly translucent effect.

Throughout, subtly - inflected layerings of oil paint result in densely optical areas of flat opaque color.»

These paintings bridge the uninhibited beauty taken from the language of the Lace paintings with the crudeness of the LIKEs by combining the stenciled text and spray - paint aesthetic with subtly rendered layers of color (whose subtly shimmering effect is rendered almost indecipherable due to their aggressively neon nature).

Painstakingly created by hand using only brushes and oil paint, her paintings are created from thousands of strokes that layer, blend and transition colors subtly from one to the other.

However, here subtly shifting layers of the high - gloss enamel white picture plane are framed by blue paint that extends out and around the support.

Take «Factum IV» (2015) and «Factum III» (2015); both paintings are the same size (68 x 54 inches) and share a color scheme, but the layering technique subtly varies from one work to the other.

Though the paintings appear monochromatic at first glance, extended viewing reveals a hidden layer of prismatic color: Brody incorporates colored pigments into the black and grey plaster bases and mixes gridlines with colored oil paint, creating the sensation of a pulsing center as the underlying color becomes subtly perceptible.

The boards have a lovely aged patina thanks to a tried - and - tested paint method of layering a light shade over a dark shade, then sanding so the underneath colour is subtly revealed.