Her work
subverted accepted notions of gender, sexuality, social class, and ethnicity, and was prophetic in anticipating the broader cultural concerns — postcolonialism, feminism, civil rights, multiculturalism, and globalization — that reached a crescendo in the 1960s and continue to be relevant today.
Drawing loosely upon the American Realist tradition, Sherald
subverts the medium of portraiture to tease out unexpected narratives, welcoming viewers into a more complex debate about
accepted notions of race and representation, and situating black heritage centrally in the story of American art.