With Spider - Man Homecoming swinging into theaters next month, I got a few minutes to chat with director Jon Watts about his take on Spidey, integrating with the larger Marvel cinematic universe, and what
the success of films like Logan and Deadpool mean for comic adaptations.
The Marvel film's success comes three years after the #OscarsSoWhite controversy raged — and follows the critical and commercial
success of films like «Straight Outta Compton,» «Wonder Woman,» «Coco,» «Get Out,» and last year's Oscar Best Picture winner «Moonlight.»
Jennifer Lawrence has made great strides in attempting to transform from the box office bombshell behind
the success of films like The Hunger Games series, and the odd critical success of Silver Linings Playbook or Joy, into a legitimate, respected...
Jennifer Lawrence has made great strides in attempting to transform from the box office bombshell behind
the success of films like The Hunger Games series, and the odd critical success of Silver Linings Playbook or Joy, into a legitimate, respected thespian, and with her most recent leading role in her then - paramour, Darren Aronofsky's mother!
Perhaps the biggest effect of
the success of films like this and Joss Whedon's Avengers is where Hollywood finds its next big tentpole filmmakers.
The success of films like Trumbo, Beasts of No Nation, 99 Homes and I Smile Back are proof positive of that.
The studios — and director Timur Bekmambetov (Wanted) are hoping to capitalize on the late summer slot that led to
the success of films like Marvel Studios» Guardians of the Galaxy.
For the most part, the movies still suck, but following the box office
success of films like «Taken» and «Ride Along,» the studios seem more willing to give higher - profile titles a chance to perform against the weaker competition.
Combined with
the success of films like «Game Night» ($ 104 million) and «A Bad Mom's Christmas» ($ 130 million), raunchy comedies may be making a slow recovery at the box office after a 2017 that saw most of them flame out.
I was expecting 2009's remake to capitalize on
the success of films like Step Up 2 The Streets, and turn this more into a performance film.
The script, adapted from the Andre» Acimen novel, is written by three - time Academy Award nominated director James Ivory, who was so instrumental in
the success of films like «The Remains of the Day» and «Howards End.»
The report says that Hollywood is at a tipping point with both the Time's Up and #MeToo movements and the huge box office
successes of films like «Black Panther» and «Wonder Woman.»
Still, the measure of
the success of a film like A Ciambra isn't necessarily that it departs from a historically successful aesthetic program; it's perhaps more to do with the degree to which a filmmaker undertakes to become embedded in the world that's being explored.
Not exact matches
While major production companies and distributors, à la Disney, typically get most
of the credit for the
success of Hollywood
films, there are dozens
of independently run startups
like Rodeo that contribute in no small part to the
success of projects, and without which these
films would not look as glossy as they do.
Much
like the
success of last year's Warner Bros.
film Wonder Woman helped change the conversation around a female superhero movie helmed by a woman director, a box - office smashing debut for Black Panther could pave the way for a similar paradigm shift in Hollywood with regard to how studios approach big - budget stories about characters
of color.
Families
Like Yours, a new documentary «exploring the love, compassion, sacrifice, and
success of LGBT families in America,» premiered in New York City yesterday, and will soon make its way to LGBT
film festivals and conferences around the world.
So,
like a movie studio that green lights two sequels after the
success of the first
film, I went into The Falling Star knowing how Police at the Funeral would end.
While it may sound
like something out
of a James Bond
film, engineers have been trying to design functional aerial - aquatic vehicles for decades with little
success.
Teresa was inspired by the style
of Melissa McCarthy in the recent
film I Spy and so redid her own spin on dressing
like Melissa which had me thinking on whom I might want to target and dress
like in
films... my brain is searching but with no
success (HELP!).
Agee would continue appearing on screen in
films like Super, and found
success for a number
of years as a writer on Jimmy Kimmel Live!
Having seen nearly every computer - animated
film made, I would rank Shrek and Shrek 2 near the top
of the second tier, just below the fine
films of Pixar and on par with DreamWorks» other
successes (
like Antz, Over the Hedge).
David Starsky is just the sort
of uptight, anal retentive stick - in - the - mud that Stiller's has a lot
of success with in
films like Meet the Parents and Along Came Polly - while Wilson's Ken Hutchinson is reminiscent
of virtually every character in the actor's repertoire (with few exceptions, including his rare dramatic performance in The Minus Man).
Helgenberger would continue to appear in
films like In Good Company and Mr. Brooks, and found particular
success with the starring role
of Catherine Willows on the long running proceedural CSI: Crime Scene Investigation.
The
success of the
film led to a job directing the 1989 big - budget version
of Batman; a darkly lavish, gothic production, the
film proved to be a huge hit, securing Burton a place on the roster
of A-list directors.His next
film, 1990's Edward Scissorhands was the tongue - in - cheek gothic tale
of an artificial boy put together by a benign scientist, who dies before he can complete the boy; as a result, the fabricated youth has hedge clipper -
like scissors for hands.
Over the Top is pretty much
like all
of the other successful Stallone
films, which probably means that it will be a
success, too.
He compared the process to Deadpool, which may have seemed
like an instant, overnight
success, but he reminded fans that the
film was in various stages
of development for a decade before it hit theaters.
If major US studios think they can churn out substandard
films, using product - placement to cover the cost
of scatter - shot television advertising as a route to box office
success, then they,
like the Spartans themselves, are doomed.
Still, in the eyes
of near - sighted Hollywood executives, Chan's star power was proven by the financial
success of mediocre chop suey action
films like «Rush Hour» and «Shanghai Noon.»
With the
success of the National Treasure
films, how was it
like to work with Nicolas Cage in a different type
of film, especially with a
film that is very visual effect driven?
After starring in acclaimed
films like The Killing
of A Sacred Deer and Dunkirk, Keoghan told how he reckons the Irish charm could have something to do with his
success abroad.
From British / Irish director Martin McDonagh, who'd already had massive transatlantic
success with plays
like «The Beauty Queen
of Leenane» and «The Cripple
of Inishmaan» and had already won an Academy Award for his short
film «Six Shooter,» the hitman black comedy was not just the arrival
of an exciting new director, but also marked a refreshing change
of pace for Farrell, whose split personality
of rugged charm, soulfulness and hair - trigger volatility found its most perfect vehicle to date.
Following the
success of last year's Million Dollar Arm, which was pretty decent, and previous efforts
like Cool Runnings (brilliant), Invincible (okay) and even Remember The Titans with Denzel Washington (decent), the studio presents McFarland, a
film named after one
of the poorest towns in California, situated just north
of Los Angeles.
Sharing the honour with the
likes of Harrison Ford, Mark Hamill, Carrie Fisher, Adam Driver, John Boyega, Oscar Isaac and Lupita Nyong «o, the
film is, no doubt, set to be a huge box office
success.
Made for a mere $ 4.8 million, the «Groundhog Day» -
like horror
film directed by Christopher Landon and rated PG - 13 follows the
success of Blumhouse's other 2017 hits, «Get Out» and «Split».
Considering how that
film was not exactly a commercial
success, this may not sound
like a big deal to many
of you but as someone who believes that bleak and bruising comedy - drama to be one
of the great unsung movies
of the decade — the kind
of film that the great Billy Wilder might have made once upon a time — I went into the screening with the kind
of over-the-top sense
of anticipation that many felt as they walked into «Avengers: Infinity War.»
Some
of the credit for the
film's
success is due to the talent brought on board, starting with a phenomenal cast
of actors, including Oscar - nominated thespians
like Benedict Cumberatch, Tilda Swinton, Chiwetel Ejiofor (Triple 9), and Rachel McAdams (Spotlight).
Perhaps expectations might have played a role as to why surprise
like Cherish has become a minor favorite
of mine and an expected
success like The Darwin Awards is a disappointment, In this outing, Taylor seems
like he's trying too hard to be clever, and though his imagination is admirable, as a comedy, his
film falls short regardless
of whatever direction he manages to take it, primarily because it goes everywhere and nowhere at once.
Not a complete
success, Sentinel,
like the stray
film in the Children
of the Corn and Hellraiser direct - to - video series (IV and V respectively), succeeds based on a talented director and a smart use
of atmosphere.
After the recent
success of the movies
like Alice In Wonderland, Cinderella, 2016 Jungle Book and Beauty and the Beast, Disney studios knows it is onto a really good thing by making its animated
films into live - action movies.
After the
success of Disney's «Alice in Wonderland», we knew that more
films like this weren't far behind.
David Mamet ---- «House
of Games «If it feels
like some
of the writers on this list kind
of lucked into direction having written a
film (or several) that became a mainstream
success thereafter, there are a few others whose writerly voice was already so established that the idea
of having them direct a straightforward genre
film is kind
of inconceivable (see also: Charlie Kaufman).
With the
success of Marvel
films like Logan and Deadpool, 20th Century Fox is continuing to take risks with its superhero properties.
In the wake
of the international
success of Crouching Tiger, Hidden Dragon, the
film sounded
like a rip - off, featuring martial arts fighting and battles between massive armies.
The movie's unexpectedly goofy sense
of humor helps to keep things light, and the actors do a good job with the material they've been given, but «Beautiful Creatures» doesn't feel
like it was made by a studio that loved the books, but rather the idea
of success that a
film adaptation might bring — all business and no soul.
The actor's ability to poke fun at herself while starring in a tentpole
film like «Ready Player One» is part
of what makes Cooke's
success feel so genuine.
Following the
film's
success Lynskey moved to Los Angeles, but
like many aspiring actresses she faced a lot
of rejection, but not for her acting; looks and body physique were to blame.
This
film, made on an identically low budget but with a lot more confidence, feels
like another step in a transformation: It waves away the somber atmosphere
of his early
successes to run hollering down a dark tunnel, chasing familiar motifs further underground.
Marvel are riding a tide
of success at the moment with many
films in production, including the
likes of Thor: Ragnarok, Spider - Man: Homecoming, Guardians
of the Galaxy Vol.
by Walter Chaw One
of legendary director John Ford's last
films, and his final collaboration with John Wayne, Donovan's Reef is,
like much
of Ford's later work, a derivative amalgam
of his earlier
successes.
In some ways it plays
like a sardonic post-script to their great
success, The Third Man, in others a transition
film between the gritty but heroic espionage thrillers
of the forties and fifties and the far more ambivalent and skeptical work
of John Le Carre, as seen in The Spy Who Came in from the Cold just a few years later.