Not exact matches
Teresa was inspired by the style of Melissa McCarthy in the recent
film I Spy and so redid her own spin
on dressing
like Melissa which had me thinking
on whom I might want to target and dress
like in
films... my brain is searching but with no
success (HELP!).
Agee would continue appearing
on screen in
films like Super, and found
success for a number of years as a writer
on Jimmy Kimmel Live!
Having seen nearly every computer - animated
film made, I would rank Shrek and Shrek 2 near the top of the second tier, just below the fine
films of Pixar and
on par with DreamWorks» other
successes (
like Antz, Over the Hedge).
Perhaps its unexpected box office
success can be attributed in part to the popular reaction against an entertainment industry whose laser -
like concentration is
on big - budget franchise and sequel
films.
Helgenberger would continue to appear in
films like In Good Company and Mr. Brooks, and found particular
success with the starring role of Catherine Willows
on the long running proceedural CSI: Crime Scene Investigation.
I
like the
film's emphasis
on a narrow time frame, and its lead actor greatly adds to its
success.
The
success of the
film led to a job directing the 1989 big - budget version of Batman; a darkly lavish, gothic production, the
film proved to be a huge hit, securing Burton a place
on the roster of A-list directors.His next
film, 1990's Edward Scissorhands was the tongue - in - cheek gothic tale of an artificial boy put together by a benign scientist, who dies before he can complete the boy; as a result, the fabricated youth has hedge clipper -
like scissors for hands.
I was expecting 2009's remake to capitalize
on the
success of
films like Step Up 2 The Streets, and turn this more into a performance
film.
Some of the credit for the
film's
success is due to the talent brought
on board, starting with a phenomenal cast of actors, including Oscar - nominated thespians
like Benedict Cumberatch, Tilda Swinton, Chiwetel Ejiofor (Triple 9), and Rachel McAdams (Spotlight).
The
film comes off far more
like an attempt to dig into dirty politics while lecturing the audience
on how stupid they, and everybody else (except those involved in this
film), have been all these years, If that was why the
film was created then, and only then, might you call it a
success.
Not a complete
success, Sentinel,
like the stray
film in the Children of the Corn and Hellraiser direct - to - video series (IV and V respectively), succeeds based
on a talented director and a smart use of atmosphere.
David Mamet ---- «House of Games «If it feels
like some of the writers
on this list kind of lucked into direction having written a
film (or several) that became a mainstream
success thereafter, there are a few others whose writerly voice was already so established that the idea of having them direct a straightforward genre
film is kind of inconceivable (see also: Charlie Kaufman).
This
film, made
on an identically low budget but with a lot more confidence, feels
like another step in a transformation: It waves away the somber atmosphere of his early
successes to run hollering down a dark tunnel, chasing familiar motifs further underground.
On this week's Little Gold Men podcast, Katey Rich, Richard Lawson, Mike Hogan, and Joanna Robinson take a look at the
films that are working to stay in the race, from the aforementioned Get Out to smaller efforts
like The Lost City of Z or even the summer indie
success story The Big Sick.
With her career rooted in family
films like The Princess Diaries and Ella Enchanted, and later
on with Alice in Wonderland and Alice Through the Looking Glass, she possesses both the star power and wholesome image the
film needs in order for Barbie to be a
success.
The driving force behind the new adaptation from Kenneth Branagh seems to be nothing more than replicating the
success of Lumet's
film, and to that end the 2017 Murder
on the Orient Express features a stacked cast, lavish artistic design, and a comfortingly familiar plot that goes down
like comfort food.
While Blumhouse Productions had a wonderful 2017 - thanks to hits
like Get Out, Split, and Happy Death Day - director James Wan's original 2011 Insidious
film was one of the company's first big
successes, earning nearly $ 100 million
on a $ 1.5 million budget.
There is no question that Denis Villeneuve has been
on a roll of late enjoying great
success with movies
like his Oscar - nominated foreign - language
film Incendies, Prisoners, Sicario, Arrival and now Blade Runner 2049, which is earning buzz for a second consecutive Oscar Best Director nomination following last year's Arrival.
Sternin and Ventimilia are cashing in
on the
success of Rio and Warner Bros. is hoping for another quick nine figures just
like they got with the first
film.
The first
film felt
like a fun little movie to pay homage to some classic horror movies, and seeing the
success, it felt
like Wirkola put in everything he had to make sure that this movie stood
on its own and it sure a fuck does.
At the Cinefamily Silent Theater in Los Angeles, the unprecedented
success of the screening invited an impromptu Carax restrospective — seeing Motors
on the big screen in the same week as something
like his 1986
film, Mauvais Sang had to be one of the most exciting weeks I had in the theater this year.
But the director of the Pusher trilogy and a movie about Vikings has never been at a loss for movie - movie swagger, even if the
success of his
films leans heavily
on the sustaining of trance -
like states more than moviemaking chops.
I would have preferred something a little darker — especially after Roach's recent
success on HBO
films like «Recount» and «Game Change» — but that's not really Ferrell and Galifianakis» forte.
The studios — and director Timur Bekmambetov (Wanted) are hoping to capitalize
on the late summer slot that led to the
success of
films like Marvel Studios» Guardians of the Galaxy.
He seems
like a perfect fit for a Janis Joplin biopic, where much of the
film's
success will ride
on Adam's portrayal of Joplin.
But the
success or failure of the
film resides
on Oscar Isaac, and he absolutely wears the Coens» precise dialogue and tone
like a glove, and delivers a melancholy, worn performance that's equally funny as well (sometimes both at the same time).
River Road Entertainment's Founder and CEO Bill Pohlad added, «River Road has collaborated to great
success with Participant, Lionsgate International and Focus Features
on several
films, and we look forward to uniting for this distinguished project, which is in line with our effort to support captivating storytelling and incredibly talented filmmakers,
like Juan Antonio Bayona.»
The idea is that box office
success for a movie centered
on a nonwhite superhero and cast could inspire Marvel to produce and create more movies
like Black Panther in the future (the studio's previous 17
films have all featured white men as the superhero leads).
A lot of the
film's
success ultimately comes down to the excellent action sequences, and that's where having a guy
like Bradley — who worked as a stunt coordinator and second unit director
on several big movies — pays off.
With the
success of Chadwick Boseman's introduction in Captain America: Civil War, fans
like myself couldn't wait for the solo
film to be released, but with this teaser trailer it looks
like Coogler is going to bring that magic yet again, but
on the largest scale he can possibly do it
on.
The 27 - year - old star found early
success playing various characters
on British TV shows, before hitting the Hollywood big time with period
films like Jane Eyre, Anna Karenina and Great Expectations.
Zemeckis might not have repeated
success on that order, but he continued to deliver high - caliber and commercially potent entertainment with
films like Contact and Cast Away.
Not to disappoint, this
film also features such time - honored classic clichés
like the killer that seemingly is able to keep pace with someone running full speed while he is merely walking briskly (just once I'd
like to see a psychopath who drives everywhere), the scared teen bumping into someone they think is the killer when it clearly is a coat rack, the killer that insists
on using some odd instrument of death when a gun would do the job ten times more efficiently, and the ending that sets up the sequel should this one prove a financial
success.
Sporting a new haircut for her current project (the sci - fi
film «Annihilation» from «Ex Machina» director Alex Garland), Rodriguez got candid about her journey to
success, talking about the days when she would sustain herself
on little more than ramen while working as an extra and later as a guest star
on shows
like «Happy Endings.»
There's definitely still some trepidation to take a financial chance
on an independent
film if it's not exactly
like the previous
success.
But those high tech toys were
like big kid fantasies come alive, magnificently designed vehicles rolled out as lovingly detailed miniatures with a sense of awe and wonder, and the
success of the spawned two feature
films that upped the ante
on the spectacle.
He has shown up
on many a big - screen in a rather short space of time, including
films (pardon my raving here) that have achieved insane levels of
success like Inception, TDKR, and now, Looper.
As much as the
film seemed
like it was going to be a shoe - in for
success based
on critics» praise and a savvy social media campaign leading up to the release, it was still the third Spider - Man franchise to hit the big screen in the last 15 years.
With Spider - Man Homecoming swinging into theaters next month, I got a few minutes to chat with director Jon Watts about his take
on Spidey, integrating with the larger Marvel cinematic universe, and what the
success of
films like Logan and Deadpool mean for comic adaptations.
- Miyamoto has been considering an animated movie for many years - he says creating games and movies aren't really that similar - interactive and passive media are very different, so if he wanted to make a movie, he'd
like to have a movie expert work
on it - while meeting with many movie directors and producers, he was introduced to Illumination by Universal Parks & Resorts - Meledandri revealed that he had read Miyamoto's interviews and said that the ways they create are similar - the two ended up having a mutual understanding, and eventually said that they should do something together - Meledandri is focused
on making the
film with a reasonable cost and deadline in order for it to be a
success - Miyamoto has felt that if they couldn't make something interesting, then it would be better to quit - they've already had multiple meetings for the screenplay so the project has actually progressed very far
He's also had
success with nail - biting tension and action in
films like Assault
on Precinct 13 and Escape From New York.
Nares had built
on the
success of his extraordinary slo - mo
film Street, with only slightly faster but equally captivating video portraits of friends
like Jim Jarmusch, Amy Taubin, Hilton Als, Douglas Crimp, and Walter Robinson, among other rogues seldom displayed
on gallery walls.
The company says it will begin to invest in
films so it can share in their
success beyond the box office, including
on other platforms
like streaming, DVD, and
on - demand.