Critic Consensus: Though this ambitious noir crime - drama captures the atmosphere of its era, it suffers from subpar performances, a convoluted story, and the inevitable comparisons to other, more
successful films of its genre.
Not exact matches
Phase 2 has seen Marvel experiment with all number
of genres for their
films, stepping back from Phase 1's almost cookie cutter format without getting too far from the formula that made them
successful.
The
film was the product
of a partnership between British studio Anglo - Amalgamated (the same studio that brought us PEEPING TOM and Roger Corman's THE MASQUE OF THE RED DEATH) and US genre machine American International Pictures, their second after the successful Michael Gough vehicle HORRORS OF THE BLACK MUSEU
of a partnership between British studio Anglo - Amalgamated (the same studio that brought us PEEPING TOM and Roger Corman's THE MASQUE
OF THE RED DEATH) and US genre machine American International Pictures, their second after the successful Michael Gough vehicle HORRORS OF THE BLACK MUSEU
OF THE RED DEATH) and US
genre machine American International Pictures, their second after the
successful Michael Gough vehicle HORRORS
OF THE BLACK MUSEU
OF THE BLACK MUSEUM.
The 54 - year - old director left a
successful run in British theater and television to tackle a striking range
of genres on
film: horror, romantic comedy, family drama, thriller, dark comedy, among others.
Like the most
successful films of the drug - hazed
genre, this movie only appears to be going off the rails.
As the postscript to a
successful year for the Australian
film industry — 2007 has seen the release
of Clubland, Noise, The Home Song Stories and IF Best Feature
Film award winner The Jammed — and hot on the heels
of horror
film Rogue comes Gabriel, a moody and visually impressive
genre piece about the battle for the souls
of those committed to purgatory.
A
genre film is more about how the
film works within the rules
of the
genre, how it inverts them, and how the plot and style and overall human bits and pieces splash out onto the screen (more a more succinct Ebert quote, «It's not what the
film is about, but how it is about it») and by that test, Kick - Ass is pretty damn
successful in my book.
The original highly
successful R rated
film is the first
of it's kind in the comic book
genre to present a snarky, foul - mouthed anti-hero
of sorts with a cynical attitude.
It isn't a
successful film, or even a particularly good one, but it's made with sincerity, verve, and an understanding
of the horror
genre's potential for kinetic filmmaking and potent allegory.
His writing is less
successful than his direction: the derivative nature
of the plot clangs up against some poorly executed references to other horror
films (one reference to The Thing is flat - out terrible), resulting in another example
of a
genre film - maker trying to appeal through referencing better work than doing good work themselves.
But even as we are appreciating what is
successful, starting with the impeccable work
of Irons, Rampling and Schoenaerts, it's hard not to notice that the level
of intensity, intelligence and involvement here does not reach the level
of classic all - in spy movies like the Bourne
films or Tomas Alfredson's «Tinker Tailor Soldier Spy» and Anton Corbijn's «A Most Wanted Man,» both based on novels by the
genre's master, John le Carré.
John Carpenter's next
film, Halloween (1978), would prove to be the most
successful of his career, and one
of the most influential and enduring movies
of the horror
genre.
One
of the most
successful genres to garner attention at the Academy Awards is mafia
films.
A true classic
of the comedy
genre, 1985's previous
film adaptation has earned a massive cult following over the years and is considered one
of the few
successful film adaptations
of a game or toy.
Brett Ratner may lack the artistic flourishes
of his predecessors, taking the
film more in a straightforward thriller direction, but shows enough talent in this
genre to expect that he may prove
successful directing
films other than buddy - flick comedies.
I had a lot
of faith in Wan's abilities, but history says that two
successful films in one year are very unlikely, especially if both
of the movies are from the horror
genre.
With the distinction
of being the benchmark
of the survival horror
genre, the Resident Evil series has shipped over 80 million copies
of its games worldwide and has branched out across a wide breadth
of media including manga, as well as a
successful franchise
of live action
films and the CGI - animated series
of films in which Resident Evil: Vendetta exists.
Until Dawn is a
successful homage to the tried and true formula
of the stereotypical slasher
film genre, mirroring the likes
of the iconic Scream series, I Know What You Did Last Summer, and the recent classic, Cabin in the Woods.