"Successful indies" refers to individuals or businesses that are independent and have achieved significant success in their field or industry, often without the help or support of major corporations or institutions.
Full definition
Many successful indies recommend authors to «follow the steps of traditional publishing» when self - publishing.
There are
successful indies accepting book deals, but they are plenty of authors leaving traditional to go indie, but who are not getting reported on.
There are more and
more successful indies around, and I bet you know one, or have one as a friend of a friend.
In the second installment of our Generation of Heroes series, we look back at the careers of the
most successful Indy car driver of all time, an American hero who quit in the prime of his career, a five - time Le Mans winner, and a Brit who raced everything from Formula 1 to rally cars.
If you follow what's happening with
successful indy authors (Locke, Hocking) getting deals is what I've been saying about the indie movement — it's making the slush pile more efficient.
I think this is a good reminder of the mantra I've seen a lot
of successful indies mention: don't hinge your entire strategy (reaching readers) on a single tactic (KDP Select and Unlimited).
Despite being one of the most
successful indies in its native UK (it beat out Mr. Turner, Calvary and The Imitation Game, all films with a much higher profile, for the British Independent Film Award), and a decent theatrical release, I don't feel Pride got much love stateside.
The most
successful indies writers such as Joe Konrath, Barry Eisler, and Hugh Howey have powerful, hard - working agents who earn every penny of their 15 %.
I recently heard one
successful indy publisher talking on a podcast about how ComiXology was a lot more open to adult material than Kindle was, so this has potential to cause problems for those who put out comics with sexual content.
The other was a bit more flexible and has done quite well with the NAs they have acquired, though most authors were
successful indies at the time they were acquired.
I hoped it would be helpful to lay out what seems necessary, as learned from watching so many
successful indies ply their wares.
Literary musings probably aren't going to sell to an online audience — and
successful indies make most of their sales online.
Indie Fund is a funding source for independent developers, created by a group of
successful indies looking to encourage the next wave of game developers.
But I know many, many
successful indies who have a hard time going to the next level — not just in making the money to support an assistant, but in finding someone they can trust their business with (and who's a net - benefit and doesn't require more time in training than benefit in time saved).
I'm certainly all for authors making a living wage from their work (though it's important to be realistic and not expect to make a living wage from one book — as we've discussed before,
most successful indies have multiple books and often multiple series out).
But even for
those successful indies who don't state this so explicitly, that unspoken assumption seems to underlie much of their advice to prospective, aspiring, and not - as -» successful» authors.
Anbd would H.H. Books sign new undiscovered authors, or pick up
successful indies and ramp up the editing, cover art, etc..?
In the chat room, it was suggested that
all successful indies just wanted a book deal, and if they took it, they were somehow crossing a line.
«
Successful indies have found ways to acknowledge the pain — and bounce back from the impact.»
The most common reason that
successful indies offer a book free is because it's the first in a series.
I had generally thought
that successful indy authors would have better sense than to insult their customers for no reason.