Sentences with phrase «such aesthetic power»

Not exact matches

Relational power (the ability to be affected, to create oneself, and to affect others by having first been affected by them) is the essential foundation for the growth of such aesthetic value.

The underemphasis on the empirical way is particularly important because it has not only discouraged the aesthetic appreciation of the power of art and of the world of ordinary experience, it has also discouraged the moral action which such appreciation might engender.

In our generation there is danger and hope — danger that these noncognitive accouterments will lose their aesthetic harmony and hypnotic power when integrated with the basic prehensions of science, and be reverted into impotent and empty symbols, jarring, ugly, and without force in final satisfactions: hope that the power of Jesus as lure will reassert itself in an aesthetic context devoid of supernaturalism, a context such that (the language now picks up echoes of van Buren) the vision of Jesus, the free man, free from authority, free from fear, «free to give himself to others, whoever they were «1 — such that this vision in its earthly, human purity will lure our aims to a harmonious concrescence, integrating scientific insight and moral vision and producing a modern, intensely fulfilling human satisfaction.

While some companies only offered aesthetic modifications for the SW20, others such as Phoenix Power delivered a more comprehensive experience for customers, modifications such as a tuned ECU, longblock modifications, and a trunk mounted intercooler combined with a T04R Turbocharger were fitted.

In his artistic practice, he used such diverse languages as sculpture, drawing, writing, collage, assemblage, installation, and video, integrating themes that reveal his character as a researcher and activist: the aesthetic investigation of language; the questioning of the Western world, power, and the rules that dictate the values of religion, art, justice, and the state; the reverence for women and eroticism; and the depiction of violence.

As such, his aesthetic is inseparable from the pertinent extra-aesthetic issues of the age, including income inequality, the constant threat of reactionary politics, and the authoritarian abuse of power, as well as the fact of the artist's own queerness, all of which he allows to saturate his work even as he eschews polemics.

During the 1950s his celebration of humble materials such as sacking and tar created a new aesthetic, rich in expressive power, that was later to prove decisive for artists associated with the Arte Povera movement.

Works by artists such as Marina Abramović, Christian Boltanski, Sophie Calle, Tacita Dean, Joan Jonas, Christian Marclay, Robert Mapplethorpe, Ana Mendieta, and Gina Pane examine various aesthetic approaches inspired by the reiterative power of the photograph.

Perhaps these people with such delicate aesthetic sensibilities would prefer to live next to a coal burning power station?