Sentences with phrase «such an exhibition by»

Not exact matches

Does the age really need a ridiculous exhibition by a religious enthusiast in order to get something to laugh at, or does it not need rather that such an enthusiastic figure should remind it of that which has been forgotten?

«Throughout this year's exhibition, G - scale locomotives hum along almost a half - mile of track alongside replicas of New York landmarks, artistically crafted of natural materials such as bark, twigs, stems, fruits, seeds and pine cones by designer Paul Busse's team at Applied Imagination,» the Garden says.

Nicholas meats LLC of Pennsylvania in the US is one of the latest adopters of GWE's award - winning anaerobic waste - to - energy technologies represented in Australasia by CST Wastewater Solutions, which says such wastewater treatment systems (to be displayed at this year's Ozwater exhibition in Brisbane from May 8 - 10) can be readily applied to local applications dealing with paunch, manure and other meat processing waste.

The event, organised by the American drinks publishing, marketing and B2B networking platform, the Beverage Trade Network, has previously being held in the US, but such is the importance of bulk wine and spirits not just in the UK but in Central and Eastern Europe that it is to host its 2018 conference and exhibition at the Royal Horticultural Halls in London.

By comparison, when they made their AFL debut in 1966, the Dolphins had to seek such exhibition hideouts as Jacksonville (11,000 vs. the Jets in 1966) and Akron (7,000 vs. the Broncos in 1967).

Alongside paintings, caricatures and cartoons by such well - known artists as Marcin Bondarowicz of Poland and Lee Won - soo of Korea, the exhibition also presented heart - felt artwork by young students and informational videos on desertification and desert - restoration activities.

Many of the historical details, such as the first person Barnum ever put on exhibition — a nearly blind and paralyzed slave woman named Joice Heth he claimed was over 100 years old and owned by George Washington himself — are completely removed from the story.

... The girls involved [who were leading the project] were incredibly good communicators but really anxious, they suffered from some genuine anxiety, and because they felt empowered by what they were doing, they developed their confidence to such a point that they were able to open the official VC Art Exhibition and Sculpture Park and speak to a broad, cross-section audience about their project.

The days at Ford Out Front will be filled with exhibitions by professional drivers such as Ken Block, Vaughn Gittin Jr., Jack Roush Jr. and Justin Pawlak, and SEMA attendees can attack the track in Shelby GT350 Mustangs, Ford Raptors and the new Focus RS as well as Superformance Cobras piloted by Ford Performance Driving School instructors or other notable professionals.

Ford's performance story will be further amplified at the Ford Out Front track, with exhibitions by professional drivers such as Ken Block, Vaughn Gittin Jr., Jack Roush Jr. and Justin Pawlak, and SEMA attendees can ride in ’15 Mustangs, Ford Raptors and Superformance Cobras piloted by Ford Racing High Performance Driving School instructors or other notable professionals.

Ford's performance story will be amplified at the Ford Out Front track, with exhibitions by professional drivers such as Ken Block, Vaughn Gittin Jr., Jack Roush Jr. and Justin Pawlak, and SEMA attendees can ride in ’15 Mustangs, Ford Raptors and Superformance Cobras piloted by Ford Racing High Performance Driving School instructors or other notable professionals.

Renovations include luxurious rooms, top - ranked restaurants, more than 100,000 sq. ft. of flexible meeting and exhibition space and unconventional meeting settings, such as the Havana Room, Tropicana Theater and outdoor event space surrounded by lush pool gardens.

The outside track will feature exhibitions by professional drivers such as Ken Block, Vaughn Gittin Jr., Jack Roush Jr. and Justin Pawlak, and SEMA attendees can ride in ’15 Mustangs, Ford Raptors and Superformance Cobras piloted by Ford Racing High Performance Driving School instructors and other notable professionals.

Prof. Berndt's lecture will focus on three aspects: 1) the ir / relevance of traditional Japanese painting for contemporary manga; 2) manga museums compared to recent manga exhibitions in Japanese art museums; and 3) the unilateral interest in manga by contemporary artists such as Murakami Takashi and Aida Makoto.

The United States Department of Agriculture (USDA) regulates animals on exhibition, such as those owned by circuses and zoos.

Such puppies do not qualify for dog exhibitions because of the rarity of color that by default may overpower other colors.

The center hosts exhibitions by up - and - coming Haitian artists such as Jean Brierre and discussions by literary stars, including Edwidge Danticat.

Juxtaposing works by fledgling avant - gardists such as Picasso and Mondrian with canvases by French academic painter Bouguereau, Pre-Raphaelite Burne - Jones, and the stars of the 1900 World's Fair, this exhibition remaps history.

According to Reed Travel Exhibitions, rising demand for exhibition space is being driven by mature markets including Japan, South Korea and Australia, as well as emerging destinations such as Kyrgyzstan, Taiwan, Mongolia and Vietnam.

And Tourism Australia has expanded its exhibition space by 17 % year - on - year, as it continues to target key source markets such as the US, the UK and Asian countries.

Leading with a topical mid-market theme, the initial results for the 23rd travel and tourism industry showcase, released by organiser Reed Travel Exhibitions, also recorded a 9 % increase in the number of Buyers» Club members, with a similar percentage hike in the number of other quality visitors such as VIPs, sponsors and speakers, compared to 2015.

Julian Cox, co-curator of the exhibition, believes Mandel did not become better known because «she was a very private person, very modest by nature, and she really created her greatest work before there was such a thing as an art market for photography.

The foundation funds exhibitions of and projects by Russian contemporary artists, such as Ilya and Emilia Kabokov's 2014 installation at the Grand Palais, and the New Museum's 2012 exhibition «Ostalgia,» which focused on Eastern European contemporary art.

The exhibition presents works by classic tonalist painters such as Kenyon Cox, Arthur Wesley Dow and John La Farge, as well as a host of rarely seen painters.

Entitled «The Encyclopedic Palace» after a sculpture by vernacular artist and auto mechanic Marino Auriti, the exhibition featured a century's worth of divergent work by the likes of Castle, Carl Jung, Aleister Crowley, and Swedish mystic Hilma af Klint alongside Biennale veterans such as Cindy Sherman, Bruce Nauman, and Steve McQueen.

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

As such, the exhibition will provide a rare opportunity to experience a large - scale presentation of a single body of work by the artist.

Critical texts are placed alongside sketches by artists such as Richard Deacon or hand - drawn layouts for catalogues by Sol LeWitt, as well as installation instructions from Carl Andre or exhibition notes by Dan Graham.

The exhibition will show 29 works by Schapiro alongside works by contemporary artists such as Sanford Biggers, Jodie Mack and Ruth Root to show Schapiro's influence while highlighting artists today who create work that links the personal to the political.

Greene Naftali's program has reintroduced seminal figures, such as Guy de Cointet, Tony Conrad, and John Knight; and opened a ground - floor space with an inaugural exhibition featuring new and historical work by Dan Graham in September 2014.

Over the past decade the exhibitions programme has featured solo shows by established international figures such as Ellen Gallagher, Thomas Hirschhorn, Gabriel Kuri, Rashid Johnson, Rivane Neuenschwander, Roman Ondak, Amie Siegel and Lawrence Weiner, as well as those by younger and mid-career artists such as Michael Dean, Thea Djordjadze and Oscar Murillo.

The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century.

The exhibition features 30 prints and drawings created in the 1930s and 1940s by artists such as Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros, and Elizabeth Catlett.

This group exhibition includes a diverse range of materials and medias, such as: painting, photo, video, ceramics, and a new large - scale sculpture by New York - based, Smyrna, Georgia - born Charles Harlan.

Over the course of her 15 - year tenure at MoMA, Respini organized major retrospectives as well as important thematic exhibitions such as Pictures by Women: A History of Modern Photography and Staging Action: Performance in Photography since 1960.

What follows, in the exhibition, are works by artists who have persevered in defiance of portrait fatigue, such as Alex Katz and Chuck Close, and some creative curating that asks us to think of 1970s Body Art, anonymous street photography, and certain still lifes as portraits.

The exhibition will also feature many little - known treasures such as collages by Anne Ryan, photographs by Gertrudes Altschul, and recent acquisitions on view for the first time at MoMA by Ruth Asawa, Carol Rama, and Alma Woodsey Thomas.»

According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium — including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspaper.

If you're a newbie to Bushwick, you should brace yourself for hundreds of artists opening their studios to the public for a weekend, which is accompanied by various festivities and neighborhood - wide merriments such as block parties, crazy performance art events and different art exhibitions.

Included in the exhibition are works by artists such as Johan Christian Dahl (1788 - 1857), Jean - Michel Cels (1819 - 1894), Carl Gustav Carus (1789 - 1869), Jean Charles Joseph Rémond (1795 - 1875), Johan Thomas Lundbye (1818 - 1848), Eugène Lous Boudin (1824 - 1898), and Eugène Isabey (1803 - 1886), among others.

As executive director and CEO, Grachos has brought ambitious exhibitions of new work and site - specific commissions at both of The Contemporary's sites by leading contemporary artists such as Garth Weiser, Ryan Gander, Anya Gallaccio, Monika Sosnowska, Tom Sachs, Paul McCarthy, Janine Antoni, Tom Friedman, Liam Gillick, Marianne Vitale, Charles Long, and Do Ho Suh.

The exhibition begins with works by early Minimalist artists such as Sol LeWitt and Carl Andre; drawings by conceptual artists Lawrence Weiner, William Wegman, and Mark di Suvero, among others; and continues with recently celebrated artists Fiona Banner, Teresita Fernandez, Jutta Koether, and Tracey Emin.

Carone's development from a child of working - class Italian immigrants to a close compatriot of figures such as Jackson Pollock, William DeKooning, Roberto Matta, and Conrad Marca - Relli is extensively examined in the exhibition catalog's biographical essay by David Ramm.

Of particular note are the archives of such figures as Ivan Albright, Irving Penn, and Richard Ten Eyck, each of whom played a key role in recent exhibitions organized by The Art Institute of Chicago.

Five exhibitions each year profile the work of established international figures such as Tom Friedman, Mark Dion, Rivane Neuenschwander, Alfredo Jaar and Superflex; as well as that by younger and mid-career British artists such as Oscar Murillo, Eva Rothschild and Ryan Gander.

She first received public recognition in New York when her richly - colored canvases holding single shapes were prominently featured in the New Image Painting exhibition at the Whitney Museum in 1968 with works by artists such as Susan Rothenberg and Joe Zucker.

The exhibition survey is spanning from early works by Josef Albers and Arakawa / Gins to contemporary positions such as Andrea Zittel, Heimo Zobernig or Leonor Antunes.

Three additional rooms in the exhibition include other accounts of the Migration, including novels and poems by writers such as Langston Hughes, Claude McKay, and Richard Wright; photographs by Dorothea Lange, Ben Shahn, Gordon Parks, and Robert McNeill; sociological tracts by Carter Woodson, Charles Johnson, Emmett Scott, and Walter White; and paintings by Charles Alston, Romare Bearden, and Charles White.

Presenting works by seminal Brazilian artists such as Hélio Oiticica, Sérgio Camargo, Lygia Clark, and Tunga, the exhibition also showcases works by key international artists who similarly experiment with space and perception, including Daniel Buren.

Conceived as a series of interrelated and rotating stand - alone exhibitions, this presentation will highlight major singular works from the collection, such as a newly acquired monumental cut - paper silhouette tableau by Kara Walker, as well as the Barbara Lee Collection of Art by Women, groupings of work by artists held in depth such as Louise Bourgeois and Nan Goldin, and thematic and art - historical groupings.