Sentences with phrase «such as abstraction»

Moving beyond traditional ways of representing the world, artists in these exhibitions use novel approaches such as abstraction, performance, and manipulation of the senses.

Placing his work in direct conversation with the tenets of modern and postmodern painting, Marshall refuses the marginalized status of black art and the limiting dualisms, such as abstraction versus figuration, that have reinforced this marginalization.

With a pictorial vocabulary that takes up a contemporary look at the history of painting and originates beyond any regard for concepts such as abstraction or figuration, the artist has acquired an international reputation.

The artist's oeuvre exploits the innumerable possibilities of interpreting and visualizing our physical present, while engaging with diverting themes such as abstractions and form, perception and reality, motion and structure.

Not exact matches

Stellar enables tailor - made ICOs by providing base abstractions such as accounts, tokens, payments, offers (to exchange one token type for another), and atomic transactions consisting of multiple operations.

Very well, but, as such a factor, can not the abstraction differ from its host and yet not be nothing?

He starts, not with the purely concrete, for which abstractions are to be found, but with such more or less suitable abstractions as are already available, and seeks to improve them, having in mind experiences of the concrete.

Such abstraction Whitehead terms «abstraction from possibility,» as opposed to «abstraction from actuality,» with which he says it should not be confused (SMW 170).

Similarly, if one accepts the view current at Hegel's time that mathematical abstraction, and axiomatic method in general, is limited to the quantitative, one will be driven, as was Hegel, and Kant before him, to posit a mental element to hold such disparate units together in a unity.

Whitehead's own speculative system would thus appear to be but another case of «misplaced concreteness» (PR 11), and as such another target for philosophy functioning as «critic of abstractions» (SMW 86).

Solzhenitsyn's work takes such sweeping dialectics to task as symptomatic of the modern predilection to reduction through abstraction.

Also a small branch of Hinduism (in Bengal) exalts love as sympathy above such empty abstractions as «the absolute,» «the infinite,» or «the eternal.»

As rational consciousness grew in strength, it provided for the possibility also of such activities as abstraction, generalization, and inferencAs rational consciousness grew in strength, it provided for the possibility also of such activities as abstraction, generalization, and inferencas abstraction, generalization, and inference.

Such conformation is witnessed just as clearly by accurate descriptions of natural and historical events as by abstraction, generalization, and inference.

In short, one must decide that simple location and misplaced concreteness really are fallacies before such a method as extensive abstraction or a metaphysics of epochal occasions will recommend themselves.

As Bultmann uses them, the former refers to an event so far as it is significant for human existence (e.g., the cross as the salvation - occurrence through which I understand myself as judged and forgiven by God), while the latter refers to an event considered in abstraction from such significance (e.g., the cross as an incident in the annals of ancient history).&raquAs Bultmann uses them, the former refers to an event so far as it is significant for human existence (e.g., the cross as the salvation - occurrence through which I understand myself as judged and forgiven by God), while the latter refers to an event considered in abstraction from such significance (e.g., the cross as an incident in the annals of ancient history).&raquas it is significant for human existence (e.g., the cross as the salvation - occurrence through which I understand myself as judged and forgiven by God), while the latter refers to an event considered in abstraction from such significance (e.g., the cross as an incident in the annals of ancient history).&raquas the salvation - occurrence through which I understand myself as judged and forgiven by God), while the latter refers to an event considered in abstraction from such significance (e.g., the cross as an incident in the annals of ancient history).&raquas judged and forgiven by God), while the latter refers to an event considered in abstraction from such significance (e.g., the cross as an incident in the annals of ancient history).&raquas an incident in the annals of ancient history).»

Whitehead protests that while one may choose to use such a notion as a helpful abstraction, one can treat such absolute time as an actuality equal to all other actualities only at the expense of coherence.

Therefore, to those caught in the kitsch and abstractions of communist ideology, the Church provides a refuge where words such as «love» and «sacrifice» still retain their true form.

Indeed, the river almost always flows in the opposite direction: our informal, intuitive notions of cardinality, time, space, and causality in fact drive the evolution of abstractions such as functions, geometric spaces, real numbers, and coordinate systems.

Thus we hold that creative synthesis, as such, is then not subject to localization, and thus without contradicting the current laws of physics God is free to participate in the creative process across the entire universe, because God's contact with the world is not mediated by scientific abstraction and is therefore not subject to the restrictions of a local, postprojective theory.

In the end, then, «Juan as such» is an abstraction, derived from a positively oceanic literary history, of which any distillate is necessarily only very partial.

The doctrine (widely held until recently) that «matter» itself is fully real (rather than an abstraction, derived from intellectual analysis of concrete really - existing things, as Aristotle held), and that such self - subsistent «matter» is intrinsically inert (as opposed to self - organizing), arguably reached its full flower in the late Renaissance.18 Part of contemporary divergence between theistic and naturalistic approaches may be understood to arise from overly complete internalization (by both naturalists and theists) of the cosmology that emerged from the scientific revolution of the seventeenth century — the cosmology in which «matter» was full real, but intrinsically inert.

Fidelity as such is only an abstraction, divorced from the body.

There is no human nature to be betrayed, no Man as such; for this they say is an abstraction, a mere idea and unreal.

The thing - concept is then the left - over product of such a separating process; it is, as Whitehead contended, a late abstraction.

When Hartshorne speaks, then, of metaphysical factors common to all possibilities, we understand him to be referring chiefly to factors any conceivable actuality (more accurately, any concrete singular or particular) will exhibit, not to factors which characterize possibilities or abstractions as such.

The putatively unique «I» of a singular psyche, conceived as a dynamic sequence of private acts of representing, is in any case only a sequence of abstractions — there is no such thing as a whole and completed «now» of an isolated Self.

Sense data such as the proverbial yellow patch are here seen as abstractions, segregated from a context where a perceived colour is affected by its background, and by contrasts with its surrounding colours.

Of course, creativity without its contextual factors — such as the one and the many — would also be empty, a mere abstraction, but not quite in the same sense as those other factors.

The only requirement is that the abstractions be acknowledged as such.

Even if it made sense to speak, as Whitehead does, of a «world» as the «relative actual world» of a unique event — then how do such «worlds» stand in relation to that real level of abstraction (cf. 2.4) on which actual worlds and actual experiences interact and interpenetrate one another, the level which Whitehead sometimes defines as «nature»?

As a category in Whitehead's philosophy, creativity (along with «one» and «many») may be designated the «ultimate of ultimates» (Process 21), but as such it is only an abstraction, the formal character of any actual occasioAs a category in Whitehead's philosophy, creativity (along with «one» and «many») may be designated the «ultimate of ultimates» (Process 21), but as such it is only an abstraction, the formal character of any actual occasioas such it is only an abstraction, the formal character of any actual occasion.

But its positive strength is (1) to provide an understanding of God's identity as an individual through abstractions alone («This does not imply that God is a merely abstract entity, but only that what makes God God and no other individual is abstract «15), and (2) more specifically, to identify God as the sole individual with strictly universal functions, defined with relation to actuality as such and with respect to possibility as such.

Actually such distinctions as we have made are necessarily artificial, since experience is an indivisible whole, and such aspects as we have discussed are abstractions from the whole.

Recently, advanced cognitive researchers have been especially focused on the capacities of abstraction, generalization, concretization / specialization and meta - reasoning which descriptions involve such concepts as beliefs, knowledge, desires, preferences and intentions of intelligent individuals / objects / agents / systems.

The brain also controls «higher» order, conscious activities, such as thought, reasoning, and abstraction.

For example, the hydrogen bonding interaction between the phenolic — OH and the o - methoxy groups in curcumin influences the O - H bond energy and H atom abstraction by free radicals, thus making it a better scavenger of free radicals compared to other curcuminoids such as BDMC.

Ceramic pendant necklace «Golden Floral Abstraction» by Ritu Thapar can be found in jewelry categories such as Geometric Necklaces, Hand Painted Necklaces, No Stone Necklaces, Ceramic Necklaces, Nylon Necklaces, Pendant Necklaces and Cord Necklaces.

Beautifully shot in black and white, and favouring minutely designed long takes — as a conscious homage to some of the directors Ross Perry admires, such as Philippe Garrel — The Color Wheel playfully hovers between abstraction, realism with a faux - improvised feel, and New York Jewish humour — a staple in Altman's comedic routine.

Barefoot helps teachers understand ideas and concepts such as algorithms, abstraction and data structures, how they occur naturally in many other disciplines that they also teach, and how they can teach them to children starting from age 5.»

Self - teach concepts explain core computational thinking and computer science topics, including logical reasoning, abstraction and programming concepts such as selection.

Computational thinking: A problem - solving process that includes, but is not limited to, the following characteristics: formulating problems in a way that enables us to use a computer and other tools to solve them; logically organizing and analyzing data; representing data through abstractions such as models and simulations; automating solutions through algorithmic thinking (a series of ordered steps); identifying, analyzing and implementing possible solutions with the goal of achieving the most efficient and effective combination of steps and resources; and generalizing and transferring this problem - solving process to a wide variety of problems.

Abstraction has strong publisher and first party relationships from its history of working on large adaptations, such as Angry Birds and Hotline Miami.

She credits, in part, Studio Museum director Thelma Golden, who has organized such shows as «Energy / Experimentation: Black Artists and Abstraction 1964 — 1980» in 2006.

Organized both thematically and chronologically, the show divides the works on view into two main chapters: the years from 1923 to 1933, a time when Torres - García was involved in early modern avant - garde movements such as Catalan Noucentismo to Cubism, Ultraism - Vibrationism, and Neo-Plasticism; and those from 1935 to 1943, a time in which he was fully committed to creating works in his unique style of synthetic abstraction.

His work always is rooted in the materiality of nails and common spikes, but in this new body of work the steel is bent to create vivid and elegant abstractions such as «Infinity Pool» and «Common Mirage».

Spearheading this movement, Robert Irwin began to take ideas from philosophical inquiries into the nature of human experience and radical advances in perceptual psychology and combine them with the immersive abstraction that had been pioneered by artists such as Jackson Pollock, Mark Rothko, and Barnett Newman.

De Keyser's unique form of abstraction is perhaps best illustrated by his line paintings such as Kant Gampelaere, 1973 / 1976/1985.

Pure abstractions, such as the two huge «Blushes» whose cascading streams of magenta dominate the gallery, refine photographic practice to the barest elements of light on paper.

Perhaps more than any other female artist, she succeeded in transcribing such natural phenomena as light, water, and plants into atmospherically charged paintings, whilst simultaneously maintaining a totally autonomous abstraction.