Sentences with phrase «such as the abstract painter»

As well as Schmidt and all former members of Die Brucke, other banned artists included members of the Der Blaue Reiter expressionist group, such as the abstract painter Wassily Kandinsky (1866 - 1944), the Russian Alexei von Jawlensky (1864 - 1941), the colourist Franz Marc (1880 - 1916) and the Swiss painter Paul Klee (1879 - 1940).

Not exact matches

Pennsylvania, United States About Blog Taryn Day's style of painterly realism is inspired by the work of modern painters who combine realism with a strong emphasis on abstract design, such as Richard Diebenkorn, Fairfield Porter, Edwin Dickinson and Edward Hopper.

In the early 1990s, as a young artist out of graduate school at Bennington College in Vermont, where he studied the work of mainstream abstract painters such as Helen Frankenthaler and Kenneth Noland, Odita got a job at Kenkeleba House in New York, owned by the painter Joe Overstreet, who collected and showed work by African American artists.

Stunned that he had never heard of these artists, Odita began a project to interview abstract painters from the 1970s and 1980s, such as Pindell, Loving, Edward Clark, Frank Bowling, and Stanley Whitney.

Perrotin recently signed, along with emerging talents such as Argote, two defiantly noncommercial éminences grises — Claude Rutault and Pierre Soulages, both French abstract painters — prompting some to speculate that he's making a transparent play for gravitas.

As such, «Rower's pours come closer to the abstracting nature photos of Edward Weston than to the works of Pollock or de Kooning, painters who, even when most abstract, always left behind traces of the actions of their hands.»

But in her work, and that of other abstract painters I've mentioned, the issue of whether there is anything already in such paintings, as opposed to what we might «read» into them, is often raised.

PG: The Renaissance chiefly - Piero, Mantegna, Uccello - but I was attracted also by the modern idioms - Leger, Picasso - and was close to the abstract painters on the project such as Stuart Davis, Burgoyne Diller, Arshile Gorky, Balcomb Greene, etc..

Things become further complicated when that autonomy is itself called into question as it has, for example by abstract painters such Jonathan Lasker, Francis Baudevin, Ingrid Calame or Fiona Rae, to name only a few.

The influence of abstract expressionism on Eggleston, partly through his friendship with the painter Tom Young, is addressed at points throughout the show, and it is important to recognise that perspectival lines, the balance of colour throughout a composition, and the presence of contextual details such as logos and pavements, are as important as the features, dress and celebrity identity of the subjects.

For generations, artists such as Mark Rothko, Yves Klein and Kazimir Malevich have attempted to locate and convey a certain ethereal quality within a space of visual absence, one that abstract painter Peter Halley defined as a «serenity or radiance».

Looking at painters who came to prominence in the 1960s,»70s and»80s, this book shows how abstract painting has developed in the wake of postwar movements such as Art Informel.

While his work bears similarities to that of American abstract expressionist painters such as Mark Rothko, Jules Olitski and Barnett Newman, Hoyland was keen to avoid what he called the «cul - de-sac» of Rothko's formalism and the erasure of all self and subject matter in painting as championed by the American critic Clement Greenberg.1 The paintings on show here exhibit Hoyland's equal emphasis on emotion, human scale, the visibility of the art - making process and the conception of a painting as the product of an individual and a time.

One of the standard - bearers of the polarizing, hard - to - categorize group of contemporary painters that includes such artists as Mark Grotjahn, Nicole Eisenmann, Richard Aldrich, Josh Smith and Michael Williams, Joe Bradley (born 1975) is widely known for his bright abstract paintings and glyph - like drawings.

Whatever else they may or may not have in common with the work of abstract painters and sculptors from elsewhere, the artworks shown here were made to be exhibited as such.

And yet, this American painter managed to forge his own path and become one of the most famous abstract artists, who stood toe - to - toe with titans such as Jackson Pollock, Willem de Kooning, Mark Rothko, Clyfford Still, and Barnett Newman.

Stella continues to influence contemporary artists, such as the American Mark Grotjahn and the German abstract painter Tomma Abts, who won the Turner Prize in 2006.

Through the Mint Museum's collection you can trace the evolution of this genre from the work of the Hudson River School painters such as Thomas Cole and Sanford Gifford, who focused on the natural beauty of our country's topography, through the rise of Impressionism: a movement whose artists celebrated a more abstract, subjective view of their surroundings.

These are impressively adept paintings with a confident sense of scale, but they do not have a distinctive character compared to contemporary works by artists such as Helen Frankenthaler, Grace Hartigan, or Joan Mitchell, to reference only the most noted women abstract painters of Schapiro's generation.

Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation.

Although all of the artists have donated works to help to support the magazine and the development of the art school, this exhibition has been carefully considered to reflect that which is current, significant and critical in contemporary painting, including abstract works by Thomas Nozkowski, Mali Morris and Phil Allen, and painters who have championed a figurative approach such as Chantal Joffe, Neal Tait and Dinos Chapman.

While the movement is closely associated with painting, and painters such as Arshile Gorky, Franz Kline, Clyfford Still, Hans Hofmann, Willem de Kooning, Jackson Pollock, and others, collagist Anne Ryan and certain sculptors in particular were also integral to abstract expressionism.

As head of the visual arts program at Bennington College, Paul Feeley worked closely with students and faculty — a group of abstract painters and sculptors — such as Pat Adams, Helen Frankenthaler, Ruth Ann Fredenthal, Vincent Longo, Ken Noland, Jules Olitski, Larry Poons, David Smith, and Tony SmitAs head of the visual arts program at Bennington College, Paul Feeley worked closely with students and faculty — a group of abstract painters and sculptors — such as Pat Adams, Helen Frankenthaler, Ruth Ann Fredenthal, Vincent Longo, Ken Noland, Jules Olitski, Larry Poons, David Smith, and Tony Smitas Pat Adams, Helen Frankenthaler, Ruth Ann Fredenthal, Vincent Longo, Ken Noland, Jules Olitski, Larry Poons, David Smith, and Tony Smith.

Artists I know personally, such as Christian Haub and other abstract painters, do not often get a show for me to review, but just as well.

When British artists saw the first London exhibitions of American abstract painters such as Jackson Pollock and Mark Rothko in the late Fifties, they were astonished by the improvisatory freedom of their works, in which paint appeared to have been hurled on to the canvas without any preconceived ideas, and by the sheer size of the paintings.

The lower horizontal band retains an emphasis on bands of color similar to abstract works by painters such as Morris Louis and a repetitive logic that foreshadows minimalists such as Donald Judd.

Under new curator Clara M. Kim, a few trends have emerged among the 15 participating galleries: firstly, reappraisals of African - American artists later in life, among them abstract painter Jack Whitten (Alexander Gray Associates); secondly, «Global Pop», a nod to Tate Modern's autumn show «The World Goes Pop» (17 September — 24 January 2016), with Brazilian and Japanese Pop artists, such as Keiichi Tanaami at the stand of Tokyo - based Nanzuka.

He was a German - French, or Alsatian, sculptor, painter, poet and abstract artist in other media such as torn and pasted paper.

Influenced by abstract expressionists including Willem de Kooning and Franz Kline, as well as painters such as Francis Bacon, Francisco de Goya and Paul Gauguin, Fritz Scholder's work was purely his own.

Works by the earlier generation of artists represented in the show can be loosely situated within geometric abstraction and abstract constructivism, influenced by artists such as Piet Mondrian (1872 — 1944) and groups such as De Stijl (founded 1917) and the ZERO movement of the 1950s and 60s, as well as the American Colour Field painters.

For many painters, such as Jacques Hurtubise in Montréal and Joseph Drapell,, Milly Ristvedt - Handerek and Harold Feist in Ontario, the character of painting remains abstract, formal and personal.

The pendulum has now swung away from the cool, abstract and geometric art of Noland's generation and the Minimalist painters who followed them, and toward expressive figuration practiced by such artits as Julian Schnabel (MATRIX 52), Francesco Clemente (MATRIX 46) and Georg Baselitz (MATRIX 70).

As a small, nervy group in 1936 — led by such figures as painter George L. K. Morris, muralists and WPA leaders Ilya Bolotowsky and Balcomb Greene, and sculptor Wilfred Zogbaum — they challenged Alfred Barr and The Museum of Modern Art to include Americans as well as Europeans in MoMA's first major survey of abstract arAs a small, nervy group in 1936 — led by such figures as painter George L. K. Morris, muralists and WPA leaders Ilya Bolotowsky and Balcomb Greene, and sculptor Wilfred Zogbaum — they challenged Alfred Barr and The Museum of Modern Art to include Americans as well as Europeans in MoMA's first major survey of abstract aras painter George L. K. Morris, muralists and WPA leaders Ilya Bolotowsky and Balcomb Greene, and sculptor Wilfred Zogbaum — they challenged Alfred Barr and The Museum of Modern Art to include Americans as well as Europeans in MoMA's first major survey of abstract aras well as Europeans in MoMA's first major survey of abstract aras Europeans in MoMA's first major survey of abstract art.

Her pioneering, immediate approach widened the practices of abstract expressionists and went on to inspire Color Field abstract painters such as Morris Louis and Kenneth Noland and generations of future artists.

But since a major exhibition at Stockholm's Modern Museum in 2013, she's been hailed as the first abstract painter, whose mysterious spirit - guided compositions predate the efforts of male modernist titans such as Piet Mondrian, Kazimir Malevich and Wassily Kandinsky by a good decade.

At the Saatchi Gallery, spellbinding shows of American minimalists and abstract painters such as Donald Judd and Brice Marden gave way to displays of more recent contemporary works by emerging artists.

More than a decade later Guston made his name as an abstract expressionist working alongside painters of the New York School such as Jackson Pollock and William de Kooning.

Following her education at the Vienna Academy of Fine Arts between 1941 and 1944, Lassnig played a key role in the emergence of art informer in Austria, and in the early 1950s she exhibited in Vienna with abstract painters such as Arnu lf Rainer and Josef Mikl.

At St Martin's he was taught by abstract painters of the «50s, such as Henry Mundy and Alan Reynolds.

Famous authors, such as the above - mentioned painter Jackson Pollock, Morris Louis, and Helen Frankenthaler used it to produce flowing, most often abstract paintings and compositions which celebrated pure color, or the pure quality of the canvas surface as was the case during the Post-Painterly Abstraction movement.

Inspired by early abstract painter Otto Freundlich and using techniques innovated by Jackson Pollock and Barnett Newman, Reyle self - consciously revives aspects such as Hard - Edged stripes and the gestural brushstrokes of Abstract Expressionism.

Her work, best viewed in natural light to appreciate the lustrous tonal variations, calls to mind scientific charts while also evoking abstract painters such as Josef Albers and Agnes Martin.

Works on view will celebrate seminal artists such as Ana Mendieta and Lygia Pape while highlighting lesser - known artists such as Colombian sculptor Feliza Bursztyn, Argentine mixed - media artist Margarita Paksa and Cuban - born abstract painter Zilia Sánchez.

Christoph Schellberg is a German painter who creates classic genres such as portrait, landscape and still life as well as abstract works.

The movement embraced abstract art by such painters as Joan Miro (1893 - 1983), Max Ernst (1891 - 1976), Francis Picabia (1879 - 1953), Yves Tanguy (1900 - 55), Andre Masson (1896 - 1987) and Jean Arp (1887 - 1966); as well as representational art by Salvador Dali (1904 - 89), Rene Magritte (1898 - 1967), Paul Delvaux (1897 - 1994), and Maurits Escher (1898 - 1972).

Cochrane took a special interest in the abstract painting being developed by Jean - Paul Riopelle and Nicholas de Stael in France, in the work of Jean Dubuffet and the Cobra painters including Asger Jorn, as well as some of the young Americans then active in Paris, such as Sam Francis and Ellsworth Kelly.

The Modernist painter and educator Hans Hofmann once said, «There is no such thing as representational painting and abstract painting: there is only intelligent painting and stupid painting.»

In your abstract works I see references to, or inflections of, numerous abstract painters such as Robert Motherwell, Frank Stella, even a bit of Jules Olitski and Mary Heilmann here and there.

It became a serial motif for her and linked her practice in New Mexico with that that of younger New York abstract painters, such as Mark Rothko and Ellsworth Kelly, who created multiple works around a repeated form.

Works of New Image painters of the 1970s and 1980s such as Susan Rothenberg and Jonathan Borofsky, along with recent abstract painters such as Brice Marden and Sean Scully, have also been acquired as integral parts of the collection.