Founded in 1941 through the efforts of
such cultural activists as Margaret Burroughs, the South Side Community Art Center played a key role in nurturing the careers of postwar black artists like Eldzier Cortor, Marion Perkins, and Archibald Motley Jr..
Together, their works introduce numerous critical, political, aesthetic, and material threads that run throughout the exhibition, in works
such as Stan Douglas» compelling six - hour meander into an Afrobeat jam session in Luanda - Kinsasha (2013), the late Kwakwaka» wakw artist,
activist and hereditary Chief Beau Dick's celebrated performative masks, Nick Cave's enchanting Sound Suit (2015), borne from the horrors of racialized violence, to Latifa Echakhch's sculptures and paintings that reconcile personal narratives against broader
cultural or nationalistic norms and expectations.