Not exact matches
Alain started
at Wunderman Cato Johnson and continued his passion for digital
at Brand
Dialogue, the online agency launched by Young & Rubicam where he worked on clients
such as American Express, Glaxo Smith Kline, Star Alliance and United Airlines.
Others,
such as the chapter on «objections» to the claim that we can be certain of
at least some moral knowledge, are written in
dialogue form, opening the way for hostile critics to suggest that Budziszewski constructs and demolishes his own straw men.
This is not because I hold to absolute scriptural authority, but rather because if they do hold
such a belief I will usually lose an audience with them before any chance
at a productive
dialogue.
But the person who insists she is a Catholic, but finds the Trinity «patriarchal and oppressive», Christ's Sacrifice on the Cross «just so bloodthirsty», lesbian and homosexual relationships «a lifestyle to be celebrated», and the Pope «a ridiculous figure».........
such a person's contribution to
dialogue lacks integrity and meaning Pro's And Con's Of The Ghetto Culture Of course, the reasons for wanting to emphasise one's Catholicism are pretty obvious: it gives status, enlarges one's importance, and is,
at present, very fashionable.
General principles can not, in my opinion, be laid down
at this stage of the (still young) Jewish - Christian
dialogue; but when polemic is undertaken in
such dialogues, it must always be done in careful and clear awareness of the unpleasant uses to which
such polemics have often been put by Christians in the past.
it really is scary that those who claim to be offering the truth can do so with
such hatred... wish that you could see behind your prejudiced perspective
at how your rhetoric comes across, maybe then someone else could hear your concern or have some
dialogue with whatever it is you have to say
His John Templeton Foundation (est. 1987) supports scientific research
at top universities in
such fields as theoretical physics, cosmology and evolutionary biology, and also supports informed
dialogue between scientists and theologians.
Charles Foster, director of the Christian education program
at Candler School of Theology, noted that «the significance of this study will come when it's put in
dialogue with other major studies,»
such as studies in mainline decline, education and faith development.
Awareness of all four ways of religion and of their respective temptations allows us to approach the subject of revelation in
such a way that in inter-religious
dialogue, areas of religious agreement may show up more obviously than when we look only
at the obvious sacramental differences.
If a theist wants to engage in
such dialogue, I present my case in the same way I would present data to anyone: with my emotions left
at the door.
He warns of the real danger of
dialogue leading to the dilution of confessional standards, leveling out all genuine differences, doctrinal minimalism, or what he calls common denominator ecumenicity, all of which have resulted in darkening the light of truth
such that «believers do not even know
at what points they are really one, to say nothing of the points on which they are divided.»
At such a seminary, Lutherans, for example, see their church allegiance illuminated and enriched by their
dialogue with Baptists and Roman Catholics.
Nor do the authors pick up on the same pope's astonishing invitation of the leaders of other churches and their theologians to a «patient and fraternal
dialogue» to help find ways in which the pastoral and doctrinal ministry of Peter might be differently exercised in the service of universal Christian unity» a move that opened the prospect of a «reformed papacy»
such as Luther,
at least, was willing to contemplate.
Theology in our Third World societies can ignore
dialogue with
such sciences only
at the risk of betraying its vocation.
Second, what kind of structure of the church will facilitate
such dialogue and struggle which will
at the same time strengthen the central elements of the church's being as the sacramental sign and interpreter of God's universal gift of salvation in Christ?
I have wondered
at such moments whether the
dialogue has not become a tedious exercise in preaching to the converted, and I have secretly wished to bring in some of those enthusiasts.
At the same time, he wants to abandon the supernaturalist dimensions of Christianity so that we can more easily resonate to the naturalist impulses present in our material life and engage in a closer
dialogue with the world religions
such as Buddhism that do not have a focus on a transcendent God.
Such an eventuality is possible
at a time when the Indo - Pak
dialogue has achieved noticeable progress in the long - neglected area of bilateral trade.
• International strategies to contribute to a more egalitarian and fair global order,
such as the Alliance of Civilizations, established by Spain and Turkey with United Nations» sponsorship, aimed
at achieving better
dialogue and cooperation between different cultures and countries, particular the Northern and Southern sides of the Mediterranean Sea.
To open
dialogue with affiliated trade unions to win support
at Labour Party conferences for democratic rule changes and for pro-working-class policies on issues
such as cuts, the living wage, jobs, and trade union rights.
That sounds very funny to my ears and I don't believe that
such statement could come from the respected elder statesman who once told me
at the Villa that he will never engage in a
dialogue with somebody who wanted Nigeria to break up.
As we've come to expect from these type films, the
dialogue is loaded with numerous goofy puns and timely pop - culture references that always provide entertainment for the grown - ups, but I don't think we've ever had them thrown
at us
at such a machine - gun like pace.
Such problems are exacerbated by Berg's uniformly questionable directorial choices, with his relentless and thoroughly distracting use of shaky camerawork easily the film's most egregious failing (the needlessly overlapping
dialogue comes in
at a close second, however).
For over a decade, sold out audiences have enjoyed Rocky Horror - like participation consisting of hilarious traditions
such as screen - shouting, football playing, throwing spoons
at the screen, rooting on the shockingly long establishing pans of San Francisco, and generally laughing hysterically
at the film's clunky pseudo-Tennessee Williams
dialogue, confused performances, and bizarre plot twists, like the mother - in - law character whose breast cancer ought to play like it matters a great deal, but really comes off as a non-sequitur.
The critic said that labeling Green's work as «Southern Gothic» was too narrow since it didn't take into account its surreal qualities or how the
dialogue is
at once recognizable and utterly alien,
such as the line, «Can I carve my name in your face?»
Many of the elements that made Pulp Fiction
such a memorable experience are present in Seven Psychopaths,
at least during the first 1 1/4 hours: witty
dialogue, humor derived from brutality, bursts of violence, and Christopher Walken.
Such shtick
at least marks attempts
at humor, unlike the strangely aimless
dialogue.
And while I question a lot of Tarantino's ideas personally, there is some commentary which I found
at least interesting and
at times truly thought - provoking... until they just keep repeating the same things over and over and over again, losing the larger message in the flood of Tarantino
dialogue which now seems to be the crutch of an indulgent filmmaker... not the original voice who made
such an impact on Hollywood 20 years ago.
In addition uttering lines of
dialogue such as, «Now look what you made me do,» and «You've made me kill again,» while smacking people with shovels or lighting them on fire, rings hollow and led to several unintentional giggles
at the screening I attended.
With
dialogue that deftly explores serious questions,
such as how much if anything do wealthy countries owe the poor and oppressed of the world, «Black Panther» draws energy from Coogler's sense of excitement
at all he's attempting.
At his worst,
such as with Jumper, the emotional core of his characters come off as flimsy, cheaply sold, and gruelingly familiar in every nuance of delivery and
dialogue.
Between the rapid - fire
dialogue, slick direction, memorable characters, and intricately - detailed storyline, Assassination offers a look
at a world that's been crafted with
such a sure hand and
such confidence, it's a shame that it hasn't gotten the attention it deserves.
Diaz spends most of the film with Applegate, and they have an unforced, cutesy girly - girl best friend rapport, but one wishes Kumble and Pimental gave them more to do than just goof off and make faces
at each other and the audience, often while delivering lame
dialogue such as (in reaction to seeing Jane's boyfriend nude) «Oh my cock!»
Key historical markers are addressed head - on, briefly and often without
dialogue,
such as Robert E. Lee's surrender to Ulysses S. Grant
at Appomattox.
outline, the gore (
such as exploding heads) adds nothing other than wank - bank material for sadists, the
dialogue is severely lacking in his usual cleverness, and worst of all Tarantino displays none of his usual skill
at that constant electric hum of «shit is about to go down!»
At one point he introduces a small bit of
dialogue about Superman, and parallels can be drawn between «Midnight Special» and a superhero origin story, if superhero origin stories didn't follow
such clear - cut paths.
It was a WB drama before those were respected, dismissed as the TV version of a chick flick before complicated female relationships were appreciated regardless of gender, and delivered dizzying, referential
dialogue at a time when
such writing was routinely scoffed
at as merely cute, instead of hailed as «sharp» as it is today.
I'm not exaggerating when I say that Jewel Summoner is
at least half
dialogue, if not three - quarters — a fatal mistake when the quality of
such is so unappealing.
But the film has aged remarkably well over twenty years, perhaps because it was even something of a throwback
at the time: the imprint of conversation - driven French auteurs like Eric Rohmer is borne proudly by this sharp, sexy and nastily funny comedy of manners, whose
dialogue crackles with
such cutting truth and wit one wonders why Soderbergh doesn't write more these days.
* It must be noted that,
at no point during the actual film does anyone call Devereaux «The November Man»; it's only name - dropped
at the very end by the film's villain, a sad - looking Bill Smitrovich, visibly thankful to have
such a big part in a studio film despite half his
dialogue being clumsily misogynistic cracks like «Show me your tits»).
Gillian Jacobs, Heidi Gardner, Maya Rudolph, Jessie Ennis and Melissa McCarthy deliver their
dialogue in
such a way that you can not help but laugh or
at least smile whenever they are on - screen.
Unfortunately, the Academy
at large thinks of
dialogue when it comes to screenplays, more than formal aspects
such as structure, mechanics, etc..
With
such earnest attention to detail, and so much detail to attend to, the script gets clunky
at points, and the exposition isn't always handled elegantly, particularly in
dialogue scenes.
With
such high profile slices of movie beefcake determined to make their mark as auteurs as well as deliverers of
dialogue, now is a good time to look back
at some other aesthetically - pleasing performers who put their necks on the line as bona fide film directors...
Dialogue Essay: Coping with One
Dialogue essay is a rather difficult task for any student as it is almost impossible to get any information
at the subject of how to cope with
such a piece of academic writing either in literature or in the Internet.
It was a treat for me to play a game in which I can laugh
at some of the Spanglish
dialogue which is all too common for the first - generation Mexican - American
such as myself, as well as seeing a ton of video game references given the Aztec art treatment.
at the end of a match followed by a taunting
dialogue such as «Hardly worth my time» stated by the winner of the match as well as grunts, groans and humorous reactions to being hit by the ball from those participating during matches.
The characters don't talk as
such but make random noises
at the start of their piece of
dialogue (think Banjo Kazooie or Yooka Laylee) so you'll have to read the story (sorry, guys).
i feel like theres alot of
dialogue in the show which is a necessity for character development and
such but for example season 2 of the show was a snooze fest
at the farm and season 4 with the governor got boring quickly.
On the VA front, it's worth noting that the cast for the characters outside of the ones
at the panel includes
such illustrious names as Mark Hamill, who has recently drawn more attention through his lack of
dialogue rather than through excellent delivery.