Sentences with phrase «such early experiments»

Not exact matches

Last week I shared two such examples, including Scottish gambler John Law's four - year experiment with paper money in the early eighteenth century, which ruined France's economy and laid the groundwork for the French Revolution.

This suggests that these experiments do indeed reflect early Earth conditions and that life itself did arise under such conditions.

Nothing like one underachiever blowing smoke up the ass of another... we know that Ozil has some incredible technical gifts, but to be considered the best you have to bring more than just assists to the table... for me, a top player has to possess a more well - rounded game, which doesn't mean they need to be a beast on both ends of the pitch, but they must have the ability to take their game to another level when it matters most... although he amassed some record - like stats early on, it set the bar too high, so when people expected him to duplicate those numbers each year the pressure seemed to get the best of our soft - spoken star... obviously that's not an excuse for what has happened in the meantime, but it's important to make note of a few things: (1) his best year was a transition year for many of the traditionally dominant teams in the EPL, so that clearly made the numbers appear better than they actually were and (2) Wenger's system, or lack thereof, didn't do him any favours; by playing him out of position and by not acquiring world - class striker and / or right - side forward that would best fit an Ozil - centered offensive scheme certainly hurt his chances to repeat his earlier peformances, (3) the loss of Cazorla, who took a lot of pressure off Ozil in the midfield and was highly efficient when it came to getting him the ball in space, negatively impacted his effectiveness and (4) he likewise missed a good chunk of games and frankly never looked himself when he eventually returned to the field... overall the Ozil experiment has had mixed reviews and rightfully so, but I do have some empathy for the man because he has always carried himself the same way, whether for Real or the German National team, yet he has only suffered any lengthy down periods with Arsenal... to me that goes directly to this club's inability to surround him with the necessary players to succeed, especially for someone who is a pass first type of player; as such, this simply highlights our club's ineffective and antiquated transfer policies... frankly I'm disappointed in both Ozil and our management team for not stepping up when it counted because they had a chance to do something special, but they didn't have it in them... there is no one that better exemplifies our recent history than Ozil, brief moments of greatness undercut by long periods of disappointing play, only made worse by his mopey posturing like a younger slightly less awkward Wenger... what a terribly waste

Much of my team's work focuses on transgene technology from early - stage experiments in model plants all the way to field trials with crop plants such as corn.

Fong eloquently outlines the history of such advances, reminding us how experiments by plastic surgeons on second world war burns victims effectively paved the way for the first full - face transplants earlier this century.

They can also answer questions by referring to information given in earlier applications or to recognised databases containing details of similar experiments, such as exist for experiments with oilseed rape.

«Although this wasn't an experiment, it was a well - controlled longitudinal study in a racially diverse sample — so it provides a strong clue that being socially integrated early in life is good for our health independent of a number of other factors such as personality, weight in childhood, and the family's social status in childhood,» she explains.

The term in vitro, from the Latin meaning in glass, is used, because early biological experiments involving cultivation of tissues outside the living organism from which they came, were carried out in glass containers such as beakers, test tubes, or petri dishes.

Early experiments have already shown that a surprisingly large portion of the cerebral cortex is engaged in even the simplest actions, such as reaching out to touch an object.

The Science and Technology Facilities Council, which sets research priorities and disburses government monies, said that cost overruns have forced it to withdraw support from experiments, including the International Linear Collider (a proposed follow - up to the Large Hadron Collider) and a number of ground - based telescopes, as well as trim its investments in planned space missions such as the European Space Agency's Planck spacecraft (set to study the early universe).

Ancient people from Turkey to Egypt experimented with local substances such as blue water lily, while imports like cannabis and opium made from poppies spread through early international trade networks.

But when DAMA first announced that it had seen such a fluctuation, soon after an early version of the experiment was turned on in 1997, the physics community was sceptical.

Earlier this year, Science published the results of such an experiment by engineer Rusi Taleyarkhan of Oak Ridge National Laboratory in Tennessee and five colleagues.

Under the proposed NIH policy, taxpayer funds would be allowed for experiments in which human cells are added to early - stage embryos of all animals except nonhuman primates, such as chimpanzees and monkeys, because they are so similar to humans.

As recent experiments such as the hugely successful WMAP satellite have demonstrated, the Cosmic Microwave Background (CMB) provides a clean laboratory for studying the physics of the early Universe.

With its frenetic opening chase and murder sequence onboard a speeding train, the film recalled the slick and stylised murder scenes from Suspiria, while the film's swooping autonomous camerawork was also reminiscent of earlier Argento arthouse horror experiments such as Deep Red.

I fully agree with Greene's assessment of the importance of demonstrating that the positive results from early nudge experiments — such as our summer melt texting study which Greene describes — can be replicated across time, in other settings, and by other researchers.

As such, these early experiments in video technology are not about new fangled tools in classrooms, but about radically expanding access to human capital in education.

When I asked teachers, principals, and program coordinators to describe the impact, they took care to emphasize that they were still experimenting and learning from their mistakes, while pointing to early indicators such as increased student attendance, greater student and parent engagement, and less teacher turnover.

However, the fact that these beginning teachers were experimenting with such instruction at an early stage in their careers is significant.

Also explored are early scientific attempts to understand the nature of light, such as experiments conducted by Abu Yusuf Ya «qub ibn Ishaq al - Kindi (c. 801 - 873 CE) during the Golden Age of Islam (650-1250 CE) to determine if light was generated by the eye, an object, or by both.

Works from the early eighties, nineties and noughties such as Formica Red (1983); Timex (1987); Charles Eames Chair (2002) e SMEG (2002) are iconic examples of Bertrand Lavier's ability to morph object - hood through the painterly gesture, challenging and experimenting the Duchampian concept of Ready Made.

In this early stage, Pape explored the degree to which she could introduce spatial ambiguity into the notion of painting by making elements of the work three - dimensional and experimenting with either hanging the work flat on the wall or setting it off against it in such a way that it appeared as a hybrid between painting and sculpture.

The first section of the exhibition features these early experiments, conducted in the mid - and late - 50s, while Oiticica was a member of Grupo Frente (The Forward Group), which was led by his teacher, the painter Ivan Serpa, and included such artists as Lygia Clark and Lygia Pape.

Molnar was one of the first artists to experiment with computer - generated art, using early programming languages such as Fortran and Basic to plot delicate, square - dominated graphic drawings in the 1970s.

Those words were written by the painter Josef Albers who, in the early 1930s, helped create a model for just such an adventure at Black Mountain College near Asheville, N.C.. There, for 23 years, a small, shifting group of teachers and students maintained an economically precarious and richly productive experiment in learning - as - life.

18th - Century Paintings — The introductory section of the exhibition explores the foundations for the formal experiments of the 19th century, and includes works by early masters such as Anne Vallayer - Coster and Pierre - Joseph Redouté.

KCHUNG's early experiments in the studio of artist Luke Fischbeck quickly led to regular programming as well as invitations to broadcast at art - related events and openings, and opportunities such as a three - month - long Public Engagement residency at the Hammer Museum in 2013.

Beginning with Aleister Crowley's trance portraiture and Austin Osman Spare's automatic drawing of the early 20th century, the exhibition traces over 100 years of occult art, including Leonora Carrington and Kurt Seligmann's surrealist explorations, Kenneth Anger and Ira Cohen's ritualistic experiments in film and photography, and the mystical probings of contemporary visionaries such as Francesco Clemente, Kiki Smith, Paul Laffoley, BREYER P - ORRIDGE, and Carol Bove.

After the French artist spent the early stage of his career experimenting with rough and tactile materials such as tar, coal, and asphalt, Venet delved into contemplative and mathematic tone of Minimalism, alongside his fellow artist Arman, under the influence of Minimalists of New York where the artist visited in the late «60s.

Throughout her youth, Kara began experimenting with various avant - garde styles, creating pieces in order to tell a story or make a statement rather than achieve beauty or perfection — in that sense, her work was much closer to the earliest avant - garde movements of Europe than her contemporary fellow artists such as Jasper Johns, who also dabbled in explorations of the early 20th century art.

Inspired by the art of Paul Cézanne, Henri Toulouse - Lautrec and Pablo Picasso, Modigliani began to experiment and develop his own distinctive visual language, seen in early canvases such as Bust of a Young Woman 1908 (Lille Métropole Musée d'Art Moderne, Villeneuve - d'Ascq) and The Beggar of Leghorn 1909 (Private Collection).

As he moved away from earlier experiments in abstract expressionism, he retained his Pop sensibilities and synthesized aesthetics of western European traditions, such as Fauvism, into his work.

EXPERIMENTS WITH LANDSCAPE: EARLY WORK During the 1950s and»60s, Frankenthaler explored various styles of abstraction, from Cubist - inspired works such as Abstract Landscape (1951) to more free - form compositions such as Untitled (1962 — 63).

In 1974, after 12 years spent on his Hourloupe cycle (the artist's longest - running series), Dubuffet began new experiments, expanding his color palette and brushwork and revisiting techniques such as collage from earlier periods in his career.

Beginning with a consideration of Rauschenberg's early experiments at Black Mountain College, renowned in the 1940s as a source of contemporary innovation, the show examines the collaborations with figures such as John Cage, Merce Cunnigham and Susan Weil.

Earlier artistic movements such as the 19th century's impressionism and expressionism were experimenting with the idea that painting can capture emotion and subjectivity.

Featuring over 150 vintage prints and key works from international museums and private collections, the exhibition also demonstrates Man Ray's use of revolutionary photographic techniques and early experiments with colour, as well as surveying his published work in leading magazines such as Vogue and Vanity Fair.

Associated in the early 90s, with his friends Steven Parrino, Matthew McCaslin, Cady Noland, or Olivier Mosset, to what has been called «new abstraction» and close to movements such as «neo-geo», to which are attached Peter Halley, John M. Armleder, Christian Floquet, Christian Robert - Tissot, among others, Michael Scott realizes paintings that can be considered as many visual experiments pushed to the extreme.

Meantime, from the early 1930s, the Hungarian - born painter and graphic artist Victor Vasarely was experimenting with various visual tricks such as trompe - l'oeil and others, from certain types of poster art: see his Op - Art picture Zebras (1938).

These early experiments, rooted in European Surrealism, gave way in the 1940s to such innovative works as Nuit tropicale (1948), in which birdlike figures dissolve almost completely into luminous mosaics of jewel - toned marks.

In the past she has explored a range of techniques such as staining and pouring typically associated with earlier generations of lyrical abstraction, yet for her it all seems to have been an experiment in how phenomenal gesture might translate the beautiful through an awareness of its inherent empirical properties.

The first such contribution comes from Elizabeth Tjader, who has been here since the beginning and was featured in one of the blog's earlier experiments with transparency, the «Meet the Neighbors» post of video greetings.

In such cases, validation experiments are done (and described in detail in the paper), wherein one part of the record (e.g. the earlier part) is used to calibrate the proxy data, and a reconstruction is independently performed over the other part of the record (e.g. the late part), where it can be directly compared against the part of the instrumental record not used in the calibration process.

Although in the early history of ccc - gistemp we were very particular to match exactly the precise details of every step of GISTEMP, so that we could understand and reproduce them, subsequent development has allowed many independent variations and experiments, and the fundamental results have been very robust under such variation.

In Newton's article, he also referred to the feature as «an experiment,» so its early bugs may be attributable to it being in a nascent, beta state, though the Spotify app makes no such qualifying statements about it being unfinished.