Sentences with phrase «such everyday image»

Matheson actively introduces this indexical effect into his canvases by pulling sources from such everyday image producers as video games, stock photography databases, and screensavers.

Not exact matches

They include basic things like wheelchairs to help people move around, magnifiers that increase the size of text or images to make them easier to see, even nonelectronic items like large - handled kitchen utensils that are easier to hold; think about everyday things in your kitchen drawers such as can openers, spoons, spatulas and the like.

While more complicated images, such as a person sitting on a lawn chair, at first seem like garbled noise, with enough training users can learn to «hear» everyday scenes.

Electronic ink also takes much longer to build up the image of a page than an LCD screen, which means it's unsuitable for everyday computer displays using any kind of moving image (and completely unsuitable for fast - moving images such as computer games and videos).

The displacement of reality in image and space is one central notion of Pop - Art, turning everyday objects and slogans into art, such as the everyday replicas of Claes Oldenburg, the comic - like mimicries of Roy Lichtenstein, the female ads of Mel Ramos or the eye popping signs of Robert Indiana.

Moriyama is most recognized for his monochromatic images that depict the harsh, everyday life in Japanese cities such as Osaka as well as natural landscapes during post-war Japan.

Julieta Aranda's work has been exhibited internationally in venues such as (selection): The Kitchen (NY), 10th Lyon Biennial, Solomon Guggenheim Museum, NY (upcoming solo presentation, 2009), Conspire: Transmediale08, Berlin (2008); Present Future, Artissima, Torinno (2007); Escultura Social, Museum of Contemporary Art in Chicago (2007); 2nd Moscow Biennial (2007) System Error, Palazzo delle Papesse, Siena, Italy (2007), Dictionary of War, Muffathalle, Munich, Germany (2006), Trial Ballons, MUSAC, Spain (2006), An Image Bank for Everyday Revolutionary Life, REDCAT, Los Angeles, (2006), Museo Carrillo Gil, Mexico City (2009 / 2006), Version 6.0, Espace Paul Ricard, Paris, France (2005); IX Baltic Triennial, Contemporary Art Center (CAC), Vilnius, Lithuania / Institute of Contemporary Art (ICA), London, England (2005); Moderna Galerija, Museum of Modern Art, Ljubljana, Slovenia, (2004); Centro Nacional de las Artes, México City (2004); «ev + a, Imagine Limerick», Limerick, Ireland (2004), Canaia, Mexico City, Mexico (2003); Platform Garanti, Istanbul, Turkey (2003), and VII Havanna Biennial; amongst others.

As a founder of e-flux, Vidokle has produced projects such as DO iT, Utopia Station Poster Project, Pawnshop, An Image Bank for Everyday Revolutionary Life, the Martha Rosler Library, Time / Bank, e-flux video rental, and unitednationsplaza.

As a founder of e-flux he has produced projects such as DO iT, Utopia Station Poster Project, Pawnshop, An Image Bank for Everyday Revolutionary Life, the Martha Rosler Library, Time / Bank, e-flux video rental and unitednationsplaza.

Faught creates exuberant large - scale textile works that employ an array of techniques and everyday materials — such as sequins, posters, buttons, and Xeroxed images — that show the ability of textiles to be a source of both personal comfort and political agitation.

Consciously employing commonly used artistic techniques, such as trompe l'oeil, action painting, graphic design, screen printing, and rudimentary drawing, Josh Reames» paintings break down hierarchies of mark - making, art historical references, computer graphics, labels, and everyday objects in a manner drawn from the non-objective «infinite scroll» of images and information we encounter in both the online and real world.

As Founding Director of e-flux, he has produced projects such as Next Documenta Should Be Curated By An Artist, Do it, Utopia Station poster project, and organized An Image Bank for Everyday Revolutionary Life, and Martha Rosler Library.

Iconic images and forms such as light switches, tree - shaped air fresheners, and pyramids recur in many works, creating an archeology of objects and symbols that hover between the existential and the everyday.

Hirschhorn uses everyday and found materials such as plastic sheeting, cardboard, aluminium, packing tape and magazine images to create a dystopian reality.

The constant stream of images that society produces and encounters everyday on their electronic devices, such as tablets, and our physical relationship to them in the way we hold, swipe and tap them is being thought about when making these works as well as how that relates to making sculpture and the process of constructing form and image through material processes.

Scott creates works that explore the colour, texture and sensation of the image environment that consumes daily life while using a myriad of everyday materials such as nail varnish, make - up, tin foil and felt that reflect on the superficiality of this experience.

Such engagement strongly shaped his ideas for art at a time when the electronic image and media - based technologies were also becoming increasingly present in everyday life.

Such images also express Kelly's belief in the elusiveness of visual reality, the constantly changing configurations perceptible in everyday life.

As founder of e-flux, he has produced projects such as Next Documenta Should Be Curated By An Artist, Do it, Utopia Station poster project, and organized An Image Bank for Everyday Revolutionary Life.

Photographer Mark Luthringer has put together — literally — images of parts of everyday objects, such as cars, houses, RV's, commercial buildings, all under the rubric of Ridgemont Typologies.