,» one of the largest
such exhibitions mounted in a U.S. museum.
Not exact matches
Consisting of twelve identically scaled anodized aluminum works, the historic
exhibition at the Kunsthalle Baden - Baden was significant in that it marked the first time Judd used colored anodized aluminum in
such a large, floor -
mounted format.
But I have seen my colleagues start galleries in remote locations,
such as Galleria Continua in San Gimignano, Italy, and create a global following and a reputation on the strength of the artists and the
exhibitions they have
mounted.
In particular he seems to have sought specific settings for
exhibitions of his early wall -
mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984
exhibition at MoCA's Temporary Contemporary, he made a rotating
exhibition of
such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7
Curiously some of the commercial galleries that represent the apotheosis of the contemporary art industry and market,
such as, here in NY, Gagosian and Zwirner, have been able to
mount museum quality shows the past few years, including for example excellent Picasso and Frankenthaler
exhibitions at Gagosian and the recent
exhibition of Ad Reinhardt's work at Zwirner, in spaces that either are as beautiful as any museum or that are just functional in a good way, with few frills, just good walls and space.
Cameron Rowland, a young New York artist, has recently
mounted several
exhibitions whose everyday objects conceal vicious economic realities,
such as compulsory inmate labor, at well below minimum wage, in New York prisons.
A group primarily active during the 1990s, although the label — which derives from a series of
exhibitions mounted in the mid 1990s at London's Saatchi Gallery — is still applied to some of its major members,
such as Damien Hirst, Tracey Emin, and Jake and Dinos Chapman.
Focusing its energies on the
mounting of
exhibitions onsite and off - space, and on the publishing of artist books, La Salle de Bains is working towards new
exhibition formats and methods of mediation,
such as the 2012 show Tell the Children / Abstraction pour Enfants (an echo of Andy Warhol's Painting for Children Pop art show at Galerie Bruno Bischofberger, Zürich, in 1983), which introduced children (and adults) to very contemporary abstract paintings by artists including Claudia Comte, Lisa Beck and Olivier Mosset — all hung at children's eye height, on vividly patterned wallpaper.
We have
mounted important
exhibitions of the works of Ant Farm, Joe Brainard, Joan Brown, Theresa Hak Kyung Cha, Robert Colescott, Jay DeFeo, Juan Gris, Eva Hesse, Paul Kos, Robert Mapplethorpe, Barry McGee, Richard Misrach, Bruce Nauman, Peter Paul Rubens, Martin Puryear, Sebastião Salgado, William Wiley, and many others, as well as thematic
exhibitions such as Made in U.S.A.: An Americanization in Modern Art, the «50s & «60s; State of Mind: New California Art Circa 1970; In a Different Light: Visual Culture, Sexual Identity, Queer Practice; Human / Nature: Artists Respond to a Changing Planet; and Masterworks of Chinese Painting: In Pursuit of Mists and Clouds.
In its spacious facility, OK Harris is able to
mount five one - person shows simultaneously and has seven
such exhibitions in the course of a year.
As well as acquiring a new studio in Hawaii and
mounting his first solo museum
exhibition at the Fruitmarket Gallery in Edinburgh, Basquiat also began a significant working relationship with New York dealer Mary Boone, who represented established figures
such as Julian Schnabel and Eric Fischl.
If fairs make galleries enough money to free them up to discover emerging talent and
mount daring
exhibitions in their main spaces, maybe art fairs taking a more prominent place in the art world isn't
such a bad thing — or maybe that would be hoping for too much.
Featuring major works by artists
such as Thomas Eakins, Winslow Homer, William Sidney
Mount, and John Singer Sargent, among others, the
exhibition was radical for the time and place.
In addition to
mounting focused monographic presentations of the pillars of 20th - century art
such as Peter Halley, Donald Baechler, Andy Warhol, Robert Motherwell, and Julian Schnabel, the gallery explores current themes in contemporary art through thematic
exhibitions that place living artists in the historic context of their predecessors.
Meanwhile, Frankenthaler's recent high prices are owed in part, Prouty suggests, to current interest in Colour Field paintings, to which Frankenthaler made
such a contribution, and partly to well -
mounted exhibitions by Gagosian Gallery.
Obrist first gained art world attention in 1991, when he
mounted an
exhibition in the kitchen of his apartment entitled «The Kitchen Show», featuring work by artists
such as Christian Boltanski and Peter Fischli & David Weiss.
That
exhibition marked the first time Judd used colored anodized aluminum in
such a large, floor -
mounted format — thus comprising one of his few explorations of color on a large scale and providing a focused investigation of one of the key concerns within his practice.
Today, however, Net - savvy artists are responding to renewed encouragement generated by new - media and digital - art festivals,
such as ZERO1, which will
mount its second biennial in San Jose in June; contemporary museums actively building collections, including the Walker Art Center in Minneapolis and New York's New Museum of Contemporary Art; and even long - established institutions like the Museum of Modern Art, which brought together work by a half - dozen first - generation Web artists in last year's «Automatic Update»
exhibition.
Tectonic forces became metaphors for the shifts in her personal relationships, and she
mounted solo
exhibitions with titles
such as
Tectonic forces became metaphors for the shifts in her personal relationships, and she
mounted solo
exhibitions with titles
such as Love and Subduction, Ebb & Flow and Deep Rift.
SECA has recognized excellence in critical writing through its SECA Visiting Critics Fellowship program (1987 to 1992);
mounted non-award
exhibitions showcasing the strength of work in California,
such as the legendary trip of six Visionary artists to the desert in Baja (1974); and facilitated a host of important museum acquisitions by leading contemporary artists over the years.
Elizabeth Dee has
mounted numerous innovative, first and highly acclaimed
exhibitions by
such artist as Adrian Piper, Josephine Meckseper (debut), Ryan Trecartin (debut), Gareth James, Harry Dodge and Stanya Kahn (debut), Virgil Marti, Mika Tajima / New Humans (debut), and Alex Bag.
While at MoMA PS1 and Clocktower,
Mount worked with international scope of curators, artists, and institutions, and on seminal
exhibitions such as the first Greater New York in 2000; the retrospective of painter John Wesley, covering his entire career from 1961 - 2000; Around 1984: A Look at Art in the Eighties, Disasters of War: Francisco de Goya, Henry Darger, Jake and Dinos Chapman; Body Works: Bruce Nauman, Valie Export, Gabriel Orozco, Joan Jonas, and Louis Bourgouis; Sol LeWitt: Concrete Block; Min Tanaka presents Subject: Heuristic Ecdysis, Santiago Sierra, Person remunerated for a period of 360 consecutive hours, 2000, among others.
Staunch civil - rights supporters who befriended and nurtured upcoming leaders
such as the late Mickey Leland, who became a congressman, the de Menils heeded literary agent Ronald Hobbs» suggestion that they
mount an
exhibition in one of the city's black areas in 1971.
Since 1999 they've
mounted about seven
exhibitions a year, working with artists ranging from megastars including Luc Tuymans and Mary Heilmann, to longtime friends,
such as fellow SAIC faculty Scott and Tyson Reeder (who are also well known in their own right), as well as Grabner's former students.
Then Krugier details the evolving path of his postwar career in art, beginning with his own paintings and moving on to the opening of his own galleries in Geneva in 1962 and New York in 1966, and his subsequent work
mounting exhibitions for
such artists as Alberto Giacometti, Giorgio Morandi, and Oscar Schlemmer.
Frith Street Gallery has been able to
mount unparalleled
exhibitions of young and established artists (including seminal figures
such as Louise Bourgeois, Giuseppe Penone, Alexandr Sokurov, Chantal Akerman and Ida Applebroog) in a remarkable architectural environment.
«We are also excited about our 2018
exhibition season when we will
mount an important show with a major catalogue featuring the work of early 20th century French ceramists, advancing our gallery's past efforts in exhibiting the work of
such masters as Georges Hoentschel, Edmond Lachenal and Clement Massier,» he adds.
Mounting more than twenty
exhibitions each year, the museum has presented renowned artists
such as Yinka Shonibare, Sigalit Landau, Kehinde Wiley, Jane Alexander and Alfredo Jaar.
Containing nearly 100 works by 34 artists, the show continues the trend of museum - quality
exhibitions that have been
mounted in recent years by mega galleries
such as Gagosian and Pace in New York.
While
mounting significant one - person shows of artists
such as Cady Noland and Jessica Diamond (both largely represented in the
exhibition), he would simultaneously engage in counterintuitive behavior, at least for the art market, like showing up at an international art fair only to display the unpacked crates of his gallery's artists.
Ms. Ruf, who was born in Singen, Germany, and who worked as a curator and choreographer, mostly in Switzerland, came to the Stedelijk from the Kunsthalle Zurich, where in 12 years as director she made a name for herself by
mounting cutting - edge
exhibitions by artists
such as Trisha Donnelly, Wade Guyton and Seth Price.
Whereas Riddy more often shoots in colour — as seen in earlier bodies of work
such as Views from
Mount Shin - Fuji (2005)-- the decision to shoot in black and white for this series lends the works in the
exhibition a sense of timelessness.
Featuring over 50 masterpieces of modern Japanese art from the Tokyo National Museum, the
exhibition includes six objects designated «Important Cultural Properties of Japan,» including Dancing Lady Maiko Girl by Kuroda Seiki and the iconic Portrait of Reiko by Kishida Ryusei as well as other important works in Japanese modern art history
such as
Mount Fuji Rising above Clouds by Yokoyama Taikan and Spring Rain by Shimomura Kanzan.
After exhibit organizer Don Baum
mounted his last imagist show at the art center in 1971, the so - called movement became the focus of national and international
exhibitions such as «Made in Chicago,» which became the U.S. entry in the Sao Paulo Bienal of 1973.
Consisting of 12 identically scaled anodized aluminum works, the historic
exhibition at the Kunsthalle Baden - Baden was significant in that it marked the first time Judd used colored anodized aluminum in
such a large, floor -
mounted format.
They jointly
mounted exhibitions with artists
such as Barry Le Va, Richard Artschwager and Carroll Dunham.
In it's capacious facility, it is able to
mount five, one - person shows simultaneously and has seven
such exhibitions in the course of a year.
He moved to New York in 1948 and began producing geometric paintings that were shown along with the work of
such artists as Ad Reinhardt, Leon Polk Smith and Charmion von Wiegand in
exhibitions mounted by the American Abstract Artists group.
In Europe, solo gallery
exhibitions have been
mounted in
such cities as Berlin, Brussels, Vienna and Rome.