It follows the formula for
such genre flicks, but has an impudent originality in the telling.
Not exact matches
The old Flash Gordon and Buck Rogers serials were not science fiction, the «alien invaders»
flicks of the 50s were likewise fantasy, and it continues today with
such non science fiction films as Independence Day, Red Planet and Event Horizon trying to claim a
genre title of which they are not worthy.
What made Spielberg
such a force in the 1970s was the way he ruthlessly renovated cheap old
genres (the chase
flick, the creature feature, the alien - invasion thriller) without winking at them or at the audience.
In their previous screenplays, Wright and Pegg have very shrewdly thrown
genre conventions on their collective ear; they clearly love horror movies and action
flicks and buddy comedies, and they understand the structure of those films with
such clarity that they can rewrite the rules, scramble up our expectations and wind up with a creation that's both an homage to and a subversion of past classics.
In a year where «Creed» has been
such a champ, «Southpaw» has been rather forgotten, and probably correctly so: Though it has some very good performances, particularly the lead turn from a still - on - form Jake Gyllenhaal, it's also a rote and unimaginative boxing
flick that hits most of the clichés of the
genre throughout.
The PG - 13 horror movie hasn't had a hit in a long while and with the MPAA stamping The Conjuring with a R - rating simply because it was deemed «too scary», these all audience entries into the horror
genre such as The Lazarus Effect and last year's much worse Ouija make me question whether it's even truly possible to have an effective PG - 13 horror
flick.
(A bout portant) Film Review by Kam Williams Headline: Hubby Has Three Hours to Save Pregnant Wife in Adrenaline - Fueled Action Thriller Paris has served as the backdrop for several superb revenge
flicks lately,
such as «Taken,» «District B - 13» and «From Paris with Love,» and this adrenaline - fueled thriller measures up well in comparison with the best of the
genre.
Though the film follows a pretty standard cops - and - robbers formula, it does so with
such razor - sharp proficiency and well - drawn characters that it succeeds not only as a terrific
genre flick but a modern American classic in the same vein as «No Country for Old Men.»
Unless you're willing to make a case for his nunsploitation
flick The Other Hell, or maybe one of the early Nazi sexploitation pictures, these two films seem to form the cornerstone of Mattei's reputation,
such as it is, among
genre buffs.
The explosion of smartphone titles
such as
Flick Kick Football and New Star Soccer have made football games more accessible than ever, opening the
genre to audiences likely to balk at the convoluted menus and realistic gameplay of Fifa.