And
such a great screenplay by Taylor Sheridan.
Not exact matches
Obviously
such great acting results come from the experienced direction of David O. Russell, who received his first Academy Award nomination for Best Director and noms for Best Picture, Original
Screenplay, and Editing.
It's a credit to Frazier's
screenplay that we're only really pondering the problems with the hypothesis when the movie is directly talking about it, and it's an even
greater credit to the script that
such instances are rare.
Steven Spielberg, who I think is unquestionably one of the
greatest living filmmakers, has never had
such limitations, and he takes Singer's follow - up
screenplay The Post — co-written with Liz Hannah — and turns it into a rich, dynamic cinematic tapestry worthy of his best films.
And why would it, when it has
such an immaculate
screenplay, proof that
great writing is more than simply a string of zingers.
Alex Garland has become known for some pretty
great sci - fi
screenplays,
such as 28 Days Later, Sunshine and Dredd.
After all, it was Eric Heisserer's
screenplay from Ted Chiang's story that gave Adams the motivation and the fuel for
such a nuanced portrayal of grief and misery, amidst a time of
great discovery and tension that Arrival has to offer.
The cinematography (shout out to the
great Roger Deakins), the acting (literally, every cast member adds
such a terrific element to the narrative), and Taylor Sheridan's
screenplay — all led by director Denis Villeneuve — make for a brilliant film.