Images of blackness are never far away, but with a tenderness not always evident in
such image makers as Mickalene Thomas and Kehinde Wiley.
Not exact matches
At various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of
such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places
such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth
Makers,
Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited
such books as Screenwriting: A Manual and Queensland
Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.
That Nolan wrenches grace notes out of
such fleeting bits of horror is a testament to his intermittent skills as an
image -
maker.
Such determination to polish VW's
image helped earn Pischetsrieder, ironically, a new contract to lead the auto
maker through 2012.
We currently are living in a world where retro is cool again, and Nintendo has certainly been embracing this 1980s and 1990s
image, with games
such as Super Mario
Maker and NES Remix being current games of interest to gamers that were once kids in the Nintendo world.
Entries are allowed to use existing technology (
such as libraries, game engines, game
makers, etc.) and existing media (
such as
images, 3D models, sound effects, etc.) However, teams must have the right to use the technology, media and trademarks, as well as the right to submit the final entry to SGA for judgement, i.e. respect copyrights and any applicable license agreements.
Technologies
such as these are enabling a new kind of authorship, where everyone from the professional to the amateur
image -
maker has access to creative tools and viral methods of distribution.
It's a gothic tale, like «Wuthering Heights,» where nature has reclaimed that problematic experiment we call civilization — made all the more compelling because Noderer is
such an expressive and painterly
image maker.