Sentences with phrase «such installation pieces»

Not exact matches

In their first years, they will analyze production data, study small modifications to the plant — such as installing a different pump for feeding the centrifuge or a new condenser for the distillation column or performing the Installation Qualification, Operational Qualification for a new piece of equipment.

Some 115 hours of work go into the installation of such quintessential Porsche hot rod pieces as Mahle forged - aluminum pistons, Carrillo forged - steel connecting rods, and an Arrows Precision crankshaft.

Viewers will be able to see pieces ranging from her early paintings inspired by the use of LSD to later works such as her «What It's Like What It Is # 3» (1991), a large scale mixed media installation addressing racist stereotypes.

She studied at the Byam Shaw art school and then the Slade, going on to create performance pieces such as Under Siege, and video installations such as Corps Étranger, featuring the footage shot inside her body; the latter earned her a 1995 Turner prize nomination.

The Icelandic - Danish sculptor's dramatic use of light, water, and color is on full display at this solo show, which presents both signature pieces, such as «Object defined by activity (then),» and new, sensory installations created specifically for the space.

Works such as Bully (2010), which is a method acting class that re-enacts one man's experience of being bullied, or the more recent Fear and Loathing (2014) are present in the show together with previous pieces such as the video installation Secrets and Lies (2009) in which a group of men and women, anonymously describe intensely personal experiences wearing masks.

The idea of environment is incredibly important to this show, perhaps more so than the singular landscape (the wholeness of environment) created in pieces such as Rosenkranz's Venice installation — but of course, the form of the pavilion / solo exhibition lends itself to that approach.

Through his sculptures, installations, and performance pieces, specific objects are modified and repurposed such as the Grumman Greenhouse in PAFA's Lenfest Plaza.

While Conceptual art takes on many forms, such as the cut - up pieces of John Baldessari, the elaborate performances of Marina Abramovic or the high - brow installations of Joseph Kosuth and Walter de Maria, the guiding principles remain the same.

Crocheted Environment is an important installation in the ICA's collection of fiber works, including pieces by artists such as Eva Hesse, Françoise Grossen, and Sheila Hicks, and marks the museum's commitment to examining the relationships between craft - based media and contemporary art.

Included alongside such signature artworks as Sigmar Polke's Mrs. Autumn and Her Two Daughters (1991) are major acquisitions on view here for the first time, including Ericka Beckman's You The Better, Film Installation (1983/2015), Adrian Piper's The Mythic Being: Sol's Drawing # 1 — 5 (1974), and Renée Green's Bequest (1991), among other featured pieces...

Brice majored in painting at Michaelis UCT, her early work included constructed artworks combining found objects, or domestic materials such as linoleum, with steel to make wall artworks, installations and sculptural pieces.

Ferber isn't as well known today as Gottlieb or Motherwell, but his reputation was such that the installation of And the bush was not consumed... (1951) on the synagogue's exterior was postponed so that the piece could be included in the Museum of Modern Art's Fifteen Americans exhibition of 1952.

Darren Bader has won the 2013 Calder Foundation Prize for his enormously entertaining and perplexing conceptual installations, and has been rewarded with a show in Venice that includes such works as a chopped - off ponytail floating in a canal and a piece of chicken cut into smaller pieces and placed on a windowsill.

Many of the contemporary artworks included in the gift are by Vancouver - based artists such as Geoffrey Farmer, Rodney Graham and Damian Moppett, but a few, such as an installation piece by Doris Salcedo, hail from further afield.

These works include her richly layered wax paintings and poured latex and polyurethane foam sculptures of the late 1960s and early»70s; innovative videos, installations, and «knots» from the 1970s; metalized, pleated wall pieces of the 1980s and»90s; and pieces in a variety of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case of the monumental The Graces (2003 — 05).

Rubins is perhaps best known for building sculptures out of salvaged airplane parts, such as an installation in 1995 for the Museum of Modern Art in New York; the piece weighed nearly 10,000 pounds.

It includes musicians such as Micachu and Savages creating pieces alongside installation artists including Anri Sala and Marcus Coates that will be performed as part of the «living art project».

Exceptions were a couple of the still - ubiquitous pieced mirror - works aimed at the selfie generation; a few overly clever installations such as those by Josef Strau at Greene Naftali grouping the sort of disparate objects culled from thrift stores; and, at Galeria Jaqueline Martins, Martha Araújo's — hopefully — satirical take (it won the $ 15,000 / # 9,700 Champagne Pommery prize for most innovative stand) on our interactive art moment, which loaned visitors a suit patched with Velcro and set them loose on an alarmingly steep Velcro - clad ramp.

Pedro Gómez - Egaña makes sculptures, immersive installations, phonographic pieces and films, also making use of different mediums such as performance, text and sound works.

As with many of Irwin's installations, the piece engages with such themes as experience, illusion, and light.

The Botín Foundation's collection is focused primarily on contemporary fine art and comprises paintings, drawings, sculptures and installations by renowned international artists such as Miroslaw Balka, Tacita Dean, Carlos Garaicoa, Mona Hatoum, Joan Jonas, Jannis Kounellis, Julie Mehretu, Antoni Muntadas, Gabriel Orozco, and Juan Uslé, among others; pieces from the collection are usually showcased through thematic temporary exhibitions in the galleries on the upper floor of the west wing.

Enevoldsen's installations although beautiful and subtle in coloration, contain a critical twist that is evident in such orb pieces as Ice and Stone, Ice Holes, and in Ice Sandseen in their deteriorating aspects.

Kelley's work ranges from highly symbolic and ritualistic performance pieces to arrangements of stuffed - animal sculptures, to wall - size drawings, to multi-room installations that restage institutional environments (schools, offices, zoos), to extended collaborations with artists such as Paul McCarthy, Tony Oursler, and the band Sonic Youth.

The Chicago installation also features a number of pieces from local artists such as Roger Brown, Danny Sotomayor, Israel Wright Jr., Patric McCoy, Judy Chicago, Arch Connelly, Michael Qualls, Rosalind Solomon and Robert Blanchon.

Curated by Sharsten Plenge and Paul Young, Lieux - Dits elaborates Ratté's cultivation of video as environment, with pieces such as Common Areas reconfigured as a sprawling room - sized 4 - channel video installation and Fakeaway Haptics presented in a life - size mirrored box.

Sound Sculpture, a three - piece sound installation (with instruments such as cowbells on drum petals and an xylophone) played manually, by singing into a mobile phone or by downloading drum - machine software (Location: corner of Stephanie and John streets, south of Grange Park)

«Gates» is a site - specific piece employing the traditional folk art of quilting with contemporary art practices such as assemblage, installation and performance to create an environment that explores notions of cultural lineage, social tensions, economic degradation and social constructs.

«Gates» is a site - specific piece employing the traditional folk art of quilting with contemporary art practices such as assemblage, installation and performance to create an environment that explores notions -LSB-...]

The pieces on view in this exhibition represent a diverse range of iconic word - based arrangements including a desktop calendar, diary entries, movie script, and Chinese scrolls, while referencing specific texts such as the Constitution of the United States of America, The New York Times, the Periodic Table, Twitter and authored books, all dovetailed with an array of artistic mediums from fine art prints, painting on paper, and collage; to installation art, aerial sculpture, and video art.

And the creation of an Artist Materials Archive, a comprehensive, searchable library of some 300 pieces of artist material related to works in the collection, such as Katharina Fritsch's meticulously prepared pigments, Jay DeFeo's painting trowel, reconstructed mock - ups of Eva Hesse's rubber and resin sculptures, re-created installations by Richard Tuttle, and test samples of native Norwegian moss for a living wall by Olafur Eliasson.

Opening on 14 May an extensive exhibition, Between Metaphor and Object: Art of the 90s from the IMMA Collection, will present a range of sculptures and installation pieces from the 1990s, emphasising the diversity of practice that is represented in the IMMA Collection from this period, by artists such as Tony Cragg, Barry Flanagan and Antony Gormley.

The book also features the photo - text pieces of the mid-1980s that first brought Simpson critical attention; stills from moving picture installations such as Interior / Exterior, Call Waiting, The Institute, and Momentum; and drawings related to her film and video work.

The piece, which sold early in the weekend, is a fascinating departure from the hyperrealistic sculptures of human figures and plants for which Matelli is best known, as seen in such prominent recent public installations as the High Line.

Perhaps one of the most famous pieces in the history of the Turner Prize, Emin's installation of her stained bed and detritus such as soiled underwear and condoms, was not actually the winner though it is commonly thought to be.

With work already in major collections such as MOMA and the British Council Collection, her pieces are increasingly spreading into public places with site - specific installations in Battery Park, New York and Midtown Tokyo.

GCC's first exhibition with the gallery, which features multiple wall pieces, a sculptural installation, and sound work, is concerned with the evolution of various holistic practices — such as alternative healing and life coaching — that are gaining significant influence in Arab Gulf states.

These include installations such as Wall Piece (2000), and Blind Spot (2003), and single - channel works such as Incidence of Catastrophe (1987 - 88).

This ingenious installation is the work of Cuban artist Tania Bruguera, and it represents one of many such pieces currently on view in the main exhibition at the 2015 Venice Biennale, All the World's Futures, organized by curator Okwui Enwezor.

For this show she created an installation piece made of everyday materials such as straws, toothpicks, pencils and scotch tape.

The gallery is showing drawings, paintings and installations by artists such as Paul Noble, Simon Starling and Joseph Beuys, as well as photographs of Long's Land Art, which echoes Moore's preoccupation with found objects - evident in his maquettes made of small pieces of bone, stone, and shells.

«For the first time, Kimsooja's early textile pieces from the 1980s, her Deductive Objects, the large site - specific installations such as Bottari Truck, as well as her acclaimed multi-channel video projections are presented together in this significant retrospective.»

After producing installation pieces such as Womanhouse (1972) and The Dinner Party (1975), Chicago achieved international stardom as a pioneer of the feminist art movement in the 1970s.

To say her work is layered is an understatement: her installation Venn Diagrams (Under the Spotlight), a well - known piece featured in the New Museum's «Ungovernables» triennial, consisted of a pink and turquoise circle projected on a blank wall to create a Venn diagram — a reference to the way such charts were banned from school curriculums under the former Argentine dictatorship because of their subversive promotion of collaboration.

At the Academy, Price created the Windows on Fifth series in the museum's front windows, which has featured video and digital works by such artists as Julian Opie, Adam Chapman, and Jennifer Steinkamp, as well as the Sculpture in the Rotunda series, which launched with a piece by John Chamberlain and recently featured a Phoebe Washburn installation.

The sheer density of work made these themes difficult to absorb separately, and the effect was vaguely schizophrenic: a catch - all installation that bounced enthusiastically from one piece to the next and used such a capacious definition of clay that sometimes it did not even include clay (again, Urs Fischer and his ebullient, bulging vase of fresh lilies, That's The Way It Is With The Magic.

Since then she has made numerous such pieces, from large scale public installations to small domestic panels.

Visitor favorites by Loïs Mailou Jones and Jacob Lawrence; abstractions by Washington's own Sam Gilliam, Felrath Hines and Alma Thomas; contemporary works by Mark Bradford, Faith Ringgold and Mickalene Thomas; key pieces by self - taught artists such as Clementine Hunter and Purvis Young; and influential works by Benny Andrews, John Biggers, Edmonia Lewis and Augusta Savage are included in the installation.

The show offers the chance to see pieces by less familiar artists as well as early or underknown works by key figures, such as Mike Kelley's first installation, Untitled (from The Little Girl's Room), 1980, consisting of objects and images obliquely suggesting a young girl's bedroom, and Eleanor Antin's cardboard airplane with cutout figures that served as the set for her feature - length video The Nurse and the Hijackers (1977).

Although fewer in number, the exhibition presents some notable mixed media and audio visual pieces, such as John Gerrard's new media work, Smoke Tree V, 2006, displayed on a specially - made computer screen, and the mixed - media installation, Untitled, 2003, by Peter Maybury and Mark McLoughlin.