Sentences with phrase «such pieces in this show»

Following in Lozza's footsteps, Romberg created a group of works in 1980 that resemble color charts — there were six such pieces in this show.

Not exact matches

Even the pieces for which he won his 2004 National Magazine Award were based more on a p.r. stunt than on any sharp insights: At a press briefing in Doha, Qatar, Wolff stood up and asked General Vincent Brooks why it was worth the media's time to show up for such highly orchestrated, unnewsworthy events.

One of the most important aspects of having the right balance is being able to buy special pieces when the opportunity arises, such as sales on precious metals, major estate sales, an industry trade show, or buying the hot trend in jewelry just ahead of the holiday season.

They don't have to use the cross, they can use any piece of rubble in that memorial, the fact that their putting up such a fight to keep it in shows how biased they are for christians, not to mention that it is wrong for the people who died that were not Christian.

Another possible image candidate would show a couple of people (such as a married couple) who were about to tear each other to pieces until the minister raised his hands in a gesture of peace, so that the hostilities can begin to subside.

Couple of applicable pieces of scripture on the inappropriateness of labeling someone «not a Christian» who claims faith in Jesus Christ and especially who does not show specific violations of the requirements of such faith:

This may be the biggest garbage article put on here sorry for the offense i like the site but this shows the lack of heart and appreciation and sadness of arsenal fans no love we've been spoiled for so long we cant lose with honor anymore we made it to a cup final a long way to go for any group i did nt see mu there or liverpool or tottenham and we beat a tough chelsea side in semi final to make there and lost a tough match to the best epl team by far this season and our fans are such poor losers we couldnt even stay to congratulate the team for making it that far and giving us the opportunity to go how embarrassing and sad and then try to say no desire i mean lets realistically analysethe game and not listen to so called manchester united scoundrs like Neville who never once cared more about arsenal than a piece of mud and then try to disassemble the team after a tough lost what kind fans are we.

Strapless bras show the beauty of such pieces without the strap getting in the way or ruining the look.

Ina's big break was designing red - carpet gowns for stars such as Eva Longoria, but her true PS is shown in her tougher, military - inspired pieces.

The fish necklace is such an individual piece that it totally stole the show in my eyes!

Great way to show how these pieces can become such workhorses in your wardrobe.

You continually mix and match your pieces in a way that shows such versatility.

You can let your personal style show through in the color of these pieces and the accessories you choose, such as I did with the pink and polka dots.

It doesn't try to show some drastic change, but it does attempt to convince others that change can indeed happen, it also never puts blame on one person, because obviously with marriage it is a joint effort, there will be trials and on other occasions it simply won't work, but time and commitment can change that, rarely can a simple film like this address so much in such limited issues, but sharp, often improvisational dialogue and strong performances create a very real and insightful piece that underplays everything for maximum effect, which works.

«Milk» strikes me as a more Yank - centric piece of history that might miss with the Brits (as it did with the HFPA), and while «The Reader» hasn't been a resounding critical success over in the UK, BAFTA voters have previously shown an affinity for such literary, highbrow material.

Giving nothing for the audience to grasp onto or connect with is always a risky strategy especially in a film with such a simple narrative and although our protagonist has one redeemable quality, being a loving family man, it is only when Kuklinski's world starts to collapse around him that we are shown little pieces of reason, logic and humanity as he becomes emotional, desperate, abusive, and even panicky.

Soderbergh's direction is different than what he's done before, as is his custom, and shows how much of a master of all trades he is when he can make such a good film in a genre he hasn't done before, especially if you consider what a complex piece he has chosen start off with.

Armed with such an impressive piece of writing, Ridley Scott shows us just what a masterful filmmaker he can be, delivering his best work in many years.

Research has shown that these types of inquiry activities — where students are asked to analyze a piece of concrete data such as a picture or an object in order to generate ideas for writing — are an effective instructional practice for improving the writing of adolescent learners.

In his piece, he attacked the logic of teaching around multiple intelligences and pointed to some of the research that shows that tailoring learning opportunities to common assumptions around visual, auditory, and other such supposed learning styles are not good ways of teaching different students.

«NBC and Carol Cooling have teamed up with the CATA for many years, and it was such an integral congregation in the great success of not only the First Look for Charity night, but also the NBC one - hour Auto Show piece.

With such small pieces, all errors — either in spelling or just storytelling — really show.

They must not show an inkling of how someone recently has cut them to pieces because, after all, we're such a sensitive lot and no one faces more of the hideous in life than we do.

The LG Optimus 2X mobile phone will be first shown at CES in Las Vegas, where this is the first collaboration of this nature with a composer of such notoriety with 10 classics and 15 newly produced pieces of music being bundled in.

A national BARD research study showed that classical music with a slow tempo (50 - 60 beats per minute) and very simple arrangements, such as a solo piano piece, significantly lowered stress levels in animals.

Over 30 artists are featured in the show, with works from newly minted Academy MFAs hanging alongside pieces by artists such as Ross Bleckner, Patrick Demarchelier, Eric Fischl, Ralph Gibson, Isca Greenfield - Sanders, April Gornik, Michael Halsband, Enoc Perez, and David Salle.

After this show I plan to write proposals that include showing these pieces for group or solo shows in Norman galleries such as: Mainsite, Dreamer Concepts, Dope Chapel, the Norman Public Library, Studio E, and the Social Club.

And yes, we've all strolled along the Warhol's in this love for the art, but seeing Ileana's portrait in a collection that belonged to her, in a Lisbon exhibition that portuguese António Homem conceived from such rich and historic pieces is more than any other show.

Works such as Bully (2010), which is a method acting class that re-enacts one man's experience of being bullied, or the more recent Fear and Loathing (2014) are present in the show together with previous pieces such as the video installation Secrets and Lies (2009) in which a group of men and women, anonymously describe intensely personal experiences wearing masks.

The idea of environment is incredibly important to this show, perhaps more so than the singular landscape (the wholeness of environment) created in pieces such as Rosenkranz's Venice installation — but of course, the form of the pavilion / solo exhibition lends itself to that approach.

Starting as early as with Matisse and presenting a curated selection of major modern masters such as Julio Gonzalez, Joan Miró and Roberto Matta, the show will feature also some seminal Russian avant - garde pieces by Rodchenko, among them Spatial Construction, redefining the concept of image and space in its entire understanding.

Developing the show over the past year, Night Air promises to transform the gallery space with works such as Wischer's recognizable light & marble pieces in the project space.

You called the law «disgusting,» and in the show you have included a range of strongly anti-homophobic works, such as pieces by Vladislav Mamyshev - Monroe, the cross-dressing Russian artist who was a gay rights icon until his untimely death last March at 43.

They have demonstrated the futility of this effort through such works as the suspended rotating sculpture Sum of all Possibilities, a sphere made up of multiple pieces hanging in an ever - shifting arrangement; and the show's namesake «Cartography of Control,» a series of drawings created through the manipulation of electric shocks.

Each piece in the show records the artist undertaking one or more of a diverse range of activities from her home, such as singing, dancing, telling stories or expressing her emotions (melancholy, frustration, joy, etc), for example.

In exhibiting pieces that presumably fall outside of the work she is being recognized for, the premise of the show questions the very premise of such an award.

Curated by Jens Hoffmann and organized by the CCA Wattis Institute for Contemporary Arts, San Francisco, the new show presents existing pieces by artists working in relation to the history of Conceptual art as well as newly commissioned works by artists such as Zarouhie Abdalian, Abraham Cruzvillegas, Annika Eriksson, Simon Fujiwara, Jeppe Hein, Jonathan Monk, Nicolás Paris and Hank Willis Thomas, who respond directly to the history of the 1969 show.

Some of what is shown at the Queens Museum can be likened to such other explorations of intimate body functions as the Icelandic performance piece by Ragnar Kjartansson in which he asked his mother to spit on him; Mika Rottenberg's video epics of ingestion, excretion, sweat and sneezing; and Janine Antoni's gargoyle - shaped copper urinary device, with which she posed for a rooftop photograph.

Khanna's first exhibition in London took place in 1965 and the exhibition goes back to that time, showcasing works from 1967 onwards, including landmark pieces such as African Queen (1970), and Green Belt, first shown at the Serpentine Gallery in 1979.

Darren Bader has won the 2013 Calder Foundation Prize for his enormously entertaining and perplexing conceptual installations, and has been rewarded with a show in Venice that includes such works as a chopped - off ponytail floating in a canal and a piece of chicken cut into smaller pieces and placed on a windowsill.

In addition to works of the kind for which Oscar Tuazon is best known — sculptures made using industrial materials such as concrete, Plexiglas, and corroding rebar — his recent show at Maccarone featured a sound piece that served as the exhibition's conceptual anchor.

In other pieces in the show, everyday objects such as books are transformed by applying to them the geometry of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space of the photograph, thus relating those specific daily life situations with the idealistic language of modernist geometric abstraction (Popular GeometryIn other pieces in the show, everyday objects such as books are transformed by applying to them the geometry of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space of the photograph, thus relating those specific daily life situations with the idealistic language of modernist geometric abstraction (Popular Geometryin the show, everyday objects such as books are transformed by applying to them the geometry of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space of the photograph, thus relating those specific daily life situations with the idealistic language of modernist geometric abstraction (Popular Geometry).

This exhibition in itself is deeply personal, including moving pieces such as a slideshow that magnifies a single Monk family portrait 80 times over, and a series of childhood holiday snaps which are each juxtaposed with a vintage invitation card, for shows by the likes of Dan Graham, Sol LeWitt or On Kawara, sourced from the same date.

Luciano Fabro thrived in works that treated sensibility and seeing as symbiotic.His later and more mature pieces may have employed sumptuous materials such as silk, marble and bronze, but the works of this latest show incorporated experimental artistic poetry that eventually turned out to be the creative roots of the man's near five - decade - long career.

The show captures Guston immersed in the New York School alongside such contemporaries as Jackson Pollock, Mark Rothko, Willem de Kooning and Franz Kline, grappling with the philosophical issues the School sought to address; his pieces delve into the medium of painting and seek to arrive at the significance of abstraction.

In addition to the Beetle Trilogy, the show presents works such as Controller of the Universe, an explosion of tools such as saws, pickaxes and rakes, a piece that expresses the artist's skepticism of blind trust in technological innovation, which time transforms into old - fashioned, obsolete forms; and Hollow / Stuffed: market law, a small replica of a submarine with biodegradable plastic sacks full of salt hanging from the ceiling on steel cableIn addition to the Beetle Trilogy, the show presents works such as Controller of the Universe, an explosion of tools such as saws, pickaxes and rakes, a piece that expresses the artist's skepticism of blind trust in technological innovation, which time transforms into old - fashioned, obsolete forms; and Hollow / Stuffed: market law, a small replica of a submarine with biodegradable plastic sacks full of salt hanging from the ceiling on steel cablein technological innovation, which time transforms into old - fashioned, obsolete forms; and Hollow / Stuffed: market law, a small replica of a submarine with biodegradable plastic sacks full of salt hanging from the ceiling on steel cables.

In doing so, this array also offers an alternative point of view, with show - stopping pieces such modern masters as Georg Baselitz, Jean - Michel Basquiat, Andy Warhol, Joseph Beuys and Robert Rauschenberg, all of which confirm that, far from Orwell's grim and dehumanized vision, 1984 was in fact a year of dynamic and diverse individual creativitIn doing so, this array also offers an alternative point of view, with show - stopping pieces such modern masters as Georg Baselitz, Jean - Michel Basquiat, Andy Warhol, Joseph Beuys and Robert Rauschenberg, all of which confirm that, far from Orwell's grim and dehumanized vision, 1984 was in fact a year of dynamic and diverse individual creativitin fact a year of dynamic and diverse individual creativity.

His tiled pieces (also seen at the FEEL UP collaboration with Eddie Peake at Lismore Castle in Ireland in early 2015 and his first solo show home from home at Arts & Jobs London in 2012) as well as the steam like aluminium panels (also shown at Jhaveri Contemporary in 2014 and Gwangju Biennale of the same year and at He Looked Me Up at Marian Cramer gallery in 2012) resemble the interior architecture of specific public spaces such as toilets, saunas and bathhouses.

The latest in a series of shows highlighting works from private collections, the exhibit features 96 objects by 71 artists from 30 private collections, including pieces by nationally and internationally known artists such as Keith Haring, Donald Judd, Jeff Koons, Leonardo Drew and Yoshitomo Nara.

The exhibiting artists exponentially expand on and add to the show's themes through a variety of strategies, including: performed fictions that resituate celebrity and commodity culture; collaborative text pieces that give institutionally marginalized voices visibility; appropriation of pop culture to explore the isolation of fame; the mining of distinctly American signifiers such as varsity sports and daytime TV talk shows; and juxtapositions of post-consumer objects that read on multiple levels and often indicate how a person's race, class, gender, and sexuality can position them in a simultaneous state of hypervisibility and invisibility in American culture.