Sentences with phrase «such the exhibition highlights»

The non — commercial background of the project allows the initiators to invite both internationally known and less recognized artists to participate, as such the exhibition highlights the influence and importance of artists engagement with the work of their contemporaries.

Not exact matches

The exhibition will show 29 works by Schapiro alongside works by contemporary artists such as Sanford Biggers, Jodie Mack and Ruth Root to show Schapiro's influence while highlighting artists today who create work that links the personal to the political.

Conceived as a series of interrelated and rotating stand - alone exhibitions, this presentation will highlight major singular works from the collection, such as a newly acquired monumental cut - paper silhouette tableau by Kara Walker, as well as the Barbara Lee Collection of Art by Women, groupings of work by artists held in depth such as Louise Bourgeois and Nan Goldin, and thematic and art - historical groupings.

The exhibition will highlight the breadth of Shrigley's practice and will feature important works such as his well - known and d...

There have already been so many highlights this week, such as the four fantastic exhibitions by women artists at the New Museum: Lynette Yiadom - Boakye, Kaari Upson, Carol Rama and Elaine Cameron - Weir and «We Wanted a Revolution» at the Brooklyn Museum.

Recent projects such as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes curator, the exhibition becomes a medium and the exhibition device an exhibited object.

The exhibition also highlights archival materials including event flyers by artists Keith Haring and David Wojnarowicz, as well as ephemera from clubs such as MEAT and the Clit Club that merged activism, art, performance and parties.

The guided tour includes an introduction of the sculpture park and the museum building by Renzo Piano, the Elmgreen & Dragset exhibition «Biography» and highlights of the Astrup Fearnley Collection such as Damien Hirst: Mother and Child (Divided) and Jeff Koons: Michael Jackson and Bubbles.

Galerie Lelong presents Chicago Invites Chicago, a group exhibition highlighting the richness of contemporary artistic practices within a city that has fostered significant artist groups such as Monster Roster and the Chicago Imagists.

For the 2017 edition, ADAA members will present a wide range of solo exhibitions highlighting artists from around the world, including presentations that offer new insights on established and influential artists, such as Abstract Expressionist Norman Lewis, whose paintings will be presented by Michael Rosenfeld Gallery; leading Minimalist Josef Albers, whose paintings and drawings on paper will be presented by David Zwirner; and Post-Impressionist Édouard Vuillard, whose paintings and works on paper will be presented by Jill Newhouse Gallery.

The exhibition highlights the phenomena of such leading industries and fashion houses as Gottex, Maskit, Fini Leitersdorf, and Rojy Ben - Joseph.

Comprised of drawings, sculptures, and architectural interventions, the exhibition highlights the contradictory desires and fears underpinning such movements.

In addition, the gallery has highlighted emerging talents, such as Mickalene Thomas, Hernan Bas, Angel Otero, and the Japanese artist Mr. by organizing important solo exhibitions around the world and presenting their work at prominent international art fairs.

The exhibition highlights key events, starting with the March on Washington in 1963, and considers cultural influences such as music, literature, and sports, on the artists of the time.

The magazine highlighted key moments in the development of Modern Art, such as the Carnegie International Exhibition in 1937, A.E. Gallatin's Museum of Living Art in 1938, the Museum of Modern Art's roundtable on Modern Art featuring 15 major art critics in 1958, The Downtown Gallery founded by Edith Halpert, and The Jewish Museum's Primary Structures exhibitioExhibition in 1937, A.E. Gallatin's Museum of Living Art in 1938, the Museum of Modern Art's roundtable on Modern Art featuring 15 major art critics in 1958, The Downtown Gallery founded by Edith Halpert, and The Jewish Museum's Primary Structures exhibitionexhibition in 1967.

Highlighting European and American works on paper and two sculptures from the Smart Museum's collection, this exhibition considered the challenges that arise when one artist tries to commemorate another, and the many forms such portraits take.

The exhibition highlights programs of the department and includes a wide range of media, such as, ceramics, design, drawing, painting, photography, printmaking, sculpture and visual communications.

Meg Shiffler presented several past and future projects that she organized at the San Francisco Arts Commission Gallery that highlighted local communities or sociopolitical circumstances such as the yearlong engagement (exhibitions and public programs) around the fact that San Francisco is a «Sanctuary City» and is defiantly refusing to comply with the Trump administration's request for personal documents related to its immigrant populations.

By 1967, he began to produce the works for which he is best known and some of these seminal pieces, such as Horn and Hardart Automat (1967) and Apollo (1968), are among the highlights of the exhibition.

that highlighted local communities or sociopolitical circumstances such as the yearlong engagement (exhibitions and public programs) around the fact that

This exhibition will highlight one of strengths of the Johnson Museum's collections: paintings, drawings, and watercolors from the first part of the twentieth century by artists such as John Marin, William Zorach, Edward Hopper, and Arthur Dove as well as new acquisitions by Jane Peterson, George Luks, Cecilia Beaux, Maurice Prendergast, and many others.

As part of the larger project started in the early 80's with shows such as the Thin Black Line (1986) and Black Woman Time Now (1983) devised to highlight the contribution black artists have made to visual art in Britain, she has with Susan Walsh in collaboration with the Interpretation and Education Team at Tate Liverpool, produced and distributed Open Sesame (2005) and The Point of Collection (2007) These are two DVD / text research documents which examine and reveal the contribution made to the exhibition education and collecting strategies at Tate in recent decades by artists of African, African / American, Asian and Caribbean descent.

The exhibition also includes highlights such as the monumental work Svayambh, the title of which comes from a Sanskrit word meaning «self - generated».

The museum also regularly partners with other leading art institutions to co-curate and produce exhibitions, such as the collaboration with Deutsche Bank and the Yokohama Museum of Art for Still Moving: A Triple Bill on the Image; Museum of Contemporary Art Tokyo for Trans - Cool TOKYO (highlighting works by Japanese artists such as Yayoi Kusama and Yasumasa Morimura); and Video, An Art, A History with the Pompidou Center (Bill Viola, Jean - Luc Godard, Bruce Nauman).

The inaugural round of exhibitions will feature such chronologically diverse highlights as a Bactrian princess statue dating to the third millennium

Displaying over 280 prints from the Condé Nast archive and international collections by key photographers such as Cecil Beaton, Tim Walker and Mario Testino, this exhibition will tell the remarkable story of one of the most influential fashion magazines in the world, and highlight its central role on the cultural stage.

Both the exhibition and catalogue will highlight previously unpublished archival material — such as sketchbooks and documents — culled from the vast Frank Moore Papers, totaling 44 linear feet, housed at NYU's Fales Library.

: Art and Black Los Angeles,» a comprehensive catalog edited by curator Kellie Jones with contributions by Jacqueline Stewart, Naima J. Keith, and Franklin Sirmans, among others, highlights participating artists and their works, and features documentary material from the period such as exhibition posters and promotional cards.

Carefully chosen to highlight the important influences and experiences which they shared, this new exhibition aims to bring a fresh perspective to Francis Bacon and Henry Moore, exploring themes in their work such as «the Biomorphic / Picassoesque form», «the human head», and «the Classical figure».

From the collection of the CU Art Museum in Boulder, pioneers of the American Pop Art movement such as Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, and James Rosenquist will be featured, while the rest of the exhibition will highlight regional contemporary artists and their perspectives on Pop Art today.

The exhibition highlights such recurring forms, bringing together metal wall reliefs related to the paintings on view.

Program highlights will include free admission to exhibitions, projects and previews by leading galleries such as Shalini Ganendra Fine Art (SGFA), G13, HOM Art Trans, Gallery Taksu, just to name a few.

The project was carefully followed by such publications as Cartwheel Art and Juxtapoz Magazine, both of which highlight the mural's content as a potential foreshadow to Schoultz's upcoming January (2013) solo exhibition at the gallery.

Works such as Personale (Solo Exhibition)(1995 — 97) highlighted the network of elements often utilized by West.

Featuring unique and rarely exhibited works by such artists as František Kupka, Egon Schiele, Johannes Baader, Heinrich Vogeler, Friedrich Schröder - Sonnenstern, Friedensreich Hundertwasser, Joseph Beuys, and Jörg Immendorff on loan from the National Gallery in Prague, the Leopold Museum in Vienna, the Centre Pompidou in Paris, the Hundertwasser Stiftung in Vienna, the Kunsthaus Zürich, the Staatliche Museen zu Berlin as well as numerous private foundations and collectors, the presentation at the Schirn is the highlight of the 2015 spring exhibition season.

The current display of the collection keeps the clusters of works that focus on artists Chohreh Feyzdjou (1955 — 1996), Simon Häntai (1922 — 2008), Présence Panchounette (artist collective, active1969 - 1990), and Phillip Thomas (1952 — 1995), which highlight symbolic and formal operations employed by these four artists, and the ways in which such approaches reflect and resonate with other artworks included in the exhibition.

As always, a curated bill of contemporary art, short films, and installations by emerging artists will be highlighted, with such current exhibitions as «Trigger: Gender as a Tool and a Weapon,» «Kahlil Joseph: Shadow Play,» «Petrit Halilaj: RU,» and «Helen Johnson: Ends.»

Artists such as Damien Hirst, Antony Gormley and Jake and Dinos Chapman have customised AK47 assault rifles for the AKA Peace exhibition being staged at London's ICA to highlight a global ceasefire movement.

The exhibition highlights well - known works in the collection, such as Lee Krasner's 1968 Pollination and Dorothea Tanning's 1979 Pincushion to Serve as Fetish, alongside recent acquisitions that have previously never been on view.

The exhibition highlights related themes such as the transience of life and the enigma of being through twelve sculptures and photographs, including Plank Piece I — II, 1973, in which the artist famously pinned his body to a wall with a flat timber, and the more recent life - size aluminum woman.

Twenty - five leading artists guide us in a journey through contemporary sculpture, in a show featuring most of the highlights of the last twenty - five years — among them some well - know pieces shown in exhibitions such as dOCUMENTA or the Venice Biennale, and several artists participating in the Forth Plinth commissions.

Consequently, this is the first considerable UK solo exhibition to display such a diverse range of his work; for ten weeks the gallery highlights 40 of his pieces, both two and three dimensional.

The first major 20th century British sculpture exhibition at the Royal Academy of Arts for 30 years is set to take place early next year.The survey will be a chronological tour to» represent a unique view of the development of British sculpture» Works have been chosen to highlight the artists» figurative and abstract choices, comparing works such as Phillip King's Genghis Khan and Edwin Lutyens's Cenotaph.

As curator of the landmark 1993 exhibition, Coming to Power: 25 Years of Sexually X-plicit Art by Women, Cantor highlighted a dialogue between the female artists of the 60's and 70's who boldly incorporated explicit imagery in their work, including Louise Bourgeois, Lynda Benglis, and Alice Neel, and the younger generation of female artists, such as Cindy Sherman, Nan Goldin, and Marilyn Minter, who, like Cantor, continued to develop this concept.

Highlighted by Tanner's iconic painting The Annunciation, the exhibition features a wide range of items such as pre-Civil War - era decorative pottery, early 20th - century paintings and photography, sculpture and portraits.

Such activities highlight the importance of private foundations in an exhibition environment that lacks the state support available in other major European capitals.

The exhibition highlights artists from this later period of Gutai production, who have long been neglected in scholarship, such as Imai Norio, Imanaka Kumiko, Kikunami Joji, Matsuda Yutaka, Matsutani Takesada, Mukai Shuji, Nasaka Senkichiro, Nasaka Yuko, and Yoshida Minoru.

The all - star line - up includes a sprinkling of familiar names, such as this year's Turner Prize winner Lubaina Himid, the multidisciplinary star Simone Leigh, and the late abstract painter Mildred Thompson, whose work was recently highlighted in the exhibition «Magnetic Fields» at the National Museum of Women in the Arts in Washington, DC.

The exhibition highlights paintings and sculptures by such artists as Beckmann, Gris, Picasso, Alexander Calder, Paul Klee, and Joan Miró that were instrumental to Janson's understanding of modern art, as well as later purchases including works by Dubuffet, Pollock, Arshile Gorky, and Mardsen Hartley.

Lucy highlights the wastefulness of consumerism in her exhibition, Together... The artist's intricate paintings include references from her surroundings, such as cassette tapes, car tyres and more...