Sentences with phrase «sugar lift etching»
Intaglio, planographic colour etching, soft ground etching, sugar lift etching, aquatint and lithograph
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Using an array of innovative techniques that still puzzle scholars (including his famous sugar lift etching method), Segers created extraordinarily resonant, melancholic landscapes characterized by luscious, soft lines, that resemble nothing by his contemporaries and little that has followed since.
Not exact matches
For her edition for the Whitechapel Gallery Ramsden has made a single gesture or «swipe» directly onto the copper etching plate, which has then been printed to create a varied edition of 35 sugar lift aquatints.
Pablo Picasso Sueno y Mentira de Franco (The Dream and Lie of Franco), 1937 etching, sugar - lift aquatint on paper 12 1/2 x 16 5/8 inches
Sascha Braunig, Stays, 2016 aquatint etching, soft ground, sugar lift aquatint, burnishing 39 x 28 inches edition of 25 published by Wingate Studio
Stripping even the minimal color used in the paintings foregrounds Taylor's fastidious attention to texture through etching, sugar lift aquatint and scraping.
Etchings with sugar lift aquatint and scraping, image 12 x 9 inches each, sheet 15 x 11 1/2 inches each.
Luna, 2005 six color hard ground etching, aquatint, spit bite aquatint, sugar lift, white ground, drypoint, and roulette 30 x 22.5 inches edition of 30 published by Wingate Studio.
Color sugar lift and spit bite aquatints with soft ground etching printed on gampi paper chine collé
Chuck Webster, Houses Under the Sea, 2014 three color aquatint etching, spit bite aquatint, and sugar lift 38 x 43 inches edition of 15 published by Wingate Studio Purchase / Inquire
Robert Kushner, Blue Iris, 2017 five plate aquatint etching with sugar lift, soap ground, and spit bite plate size 24 x 24 inches, sheet size 30 x 30 inches edition of 30 published by Wingate Studio Purchase / Inquire Project and Artist Info
«Pretty Little Liars» 2012 Etching with sugar - lift aquatint, drypoint roulette, scraping 14 x 14 7/8 inches Edition of 18 $ 900, Frame $ 175
Chris Ofili combined spit bit and sugar lift aquatints, hard ground etching, and drypoint to achieve a rich, varied texture in the romantic scene of embracing figures under a cave waterfall in «Last Night.
Artists working in the Crown Point studio bring their unique approaches to the medium, using hard ground etching, drypoint, sugar lift aquatint, and photogravure to name a few techniques.
Pompeii Forte, 1976 - 82; Drypoint, etching, sugar - lift etching, sugar - ground etching and aquatint on White CM Fabriano Classico paper; Signed, dated and numbered 2/5; 12 1/4» x 21 1/2» (plate); 22» x 30 1/2» (sheet); Literature: Harrison 88; Provenance: The artist; Donn H. Stewart, thence by decent; Private Collection Signed, dated and numbered in pencil lower recto.