Sentences with phrase «sugarlift aquatint»
cat., Brooklyn Museum, New York 1989, no. 53 (a different set) P77223 16 Etching, sugarlift aquatint and aquatint 201 × 173 (8 × 6 7/8) on Rives BFK paper 497 × 405 (19 5/8 × 16); plate - mark 201 × 173 (8 × 6 7/8)
http://www.tate.org.uk/
The artist has continually explored the possibilities of printmaking throughout his career, working across a number of techniques, such as sugarlift aquatint and lithography, in addition to experimenting with scale.
Kara Walker, no world, 2010, from An Unpeopled Land in Uncharted Waters, etching, aquatint, sugarlift aquatint, spitbite aquatint, and drypoint, National Gallery of Art, Washington, Donald and Nancy deLaski Fund, 2015
Not exact matches
Color sugarlift and spitbite aquatint, 14 3/16 x 18 1/8 in.
Richard Tuttle, Cloth (2002 - 2005), series of 16 etchings (conceived in groups of four) with aquatint, spitbite, sugarlift, softground, drypoint on fabric collé.
Etching with aquatint, sugarlift, spitbite, and drypoint.
Etching, aquatint, spitbite, and sugarlift with engraving.
Sean Scully, Raval 5, 1996, etching, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 1996, Sean Scully, Gift of the artist, 2001.79.60
Sean Scully, Canto, from the portfolio Etchings for Federico García Lorca, 2003, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 2003, Sean Scully, Gift of the artist, 2004.7.8.9
Sean Scully, Remansillo, from the portfolio Etchings for Federico García Lorca, 2003, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 2003, Sean Scully, Gift of the artist, 2004.7.8.1
Sean Scully, Untitled (print # 9), from the portfolio Ten Towers, 1999, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 1999, Sean Scully, Gift of the artist, 2001.79.75.9
Sean Scully, This This, 1996, etching, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 1996, Sean Scully, Gift of the artist, 2001.79.67
Sean Scully, Colmena, from the portfolio Etchings for Federico García Lorca, 2003, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 2003, Sean Scully, Gift of the artist, 2004.7.8.8
The Limited Editions Club, Sean Scully, Heart of Darkness (by Joseph Conrad), 1992, etching, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 1992, Sean Scully, Gift of the artist, 2001.79.35.1 - 8
Sean Scully, Eco, from the portfolio Etchings for Federico García Lorca, 2003, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 2003, Sean Scully, Gift of the artist, 2004.7.8.6
Sean Scully, Doric Grey, 2012, etching, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 2012, Sean Scully, Gift of the artist, 2013.75.8
Sean Scully, Cigarra, from the portfolio Etchings for Federico García Lorca, 2003, aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 2003, Sean Scully, Gift of the artist, 2004.7.8.3
Richard Tuttle Lable 5 - 8 2003 Suite of four etchings with aquatint, spitbite, sugarlift, softground, and fabric colle Each: 16 x 16 inches Edition of Edition of 25 (LBFA # 5325)