Some of them have almost sculptural features and the incorporated folds evoke
suggestive shapes alluding sexual reading just like the red purse.
Although her work has been described as Minimalist art, her inventive use of new materials (rubber, latex, fiberglass, string), together with her sexually
suggestive shapes, lent her work an emotional power that eluded other top contemporary artists, such as Donald Judd (1928 - 94), Robert Morris (b. 1931) and Richard Serra (b. 1939), and led to her being labelled a «post-minimalist».
Her eyes centered upon the rock and her mind wrestled with
its suggestive shape.
Not exact matches
Indeed the past history of human intelligence is full of «mutations» of this kind, more or less abrupt, indicating, in addition to the shift of human ideas, an evolution of the «space» in which the ideas took
shape — which is clearly very much more
suggestive and profound.
The Lela Rose for Payless Spring ’12 footwear styles feature both vibrant and bleached hues, graphic
shapes and resin studding —
suggestive of the signature checked spring jacquards, «carousel» cotton prints and dotted bulb textures, shown in the runway ready - to - wear collection.
Like many fermentation starters, the name is
suggestive of another food that is similar in
shape.
As with many yoga asanas, Halasana's name is
suggestive of the basic
shape of the pose, which resembles the traditional plows found in Tibetan and Indian culture.
But the NELS data offer some
suggestive evidence that the opinions of teachers about their students — and of students about their teachers — is
shaped in part by gender characteristics.
Throughout Resonating, viewers will note Green's various uses of a fan
shape: in early works such as For All & None (1978), the fan acts as an essential symbol,
suggestive of deeper spiritual meaning; in Taxes (1993), one of her later black and white paintings, the fan
shape becomes a central formal element that unifies the composition; in She Dreams (1996), the fan
shapes create a complex formal variation which co-exists with other images.
Using potato to print a
shape of kidney cherished with precious silver - leaf, the miniature, delicate organ is colored with the red and blue of blood,
suggestive of a force of life that is contained within.
Their
shape long vanished; their
suggestive carvings long gone.
Ippolito continued to open up the picture plane in his oil on linen 1980s works with the soft diffusions of color and
suggestive forms of «Paesaggio» (1980), the floating irregular
shapes of «One June Morning» (1988) in a blue / lavender mist, the opposing edges of
shapes hanging on within the blue field of «Small Painting» (1982), and the floating orange - on - orange diffusions suspended in «Orange» (1982), all pieces which exemplify Ippolito's belief in «color as light.»
Her materials are
suggestive of the past, with each piece «embodying its own associations, from its previous life, colour,
shape and patina».
His work grew in scale and featured lush, curvaceous
shapes suggestive of female forms, rendered in bright blues, warm pink and purple tones, and hot reds.
De Kooning was a skilled draughtsman with a graceful touch that resulted in sinuous lines
suggestive of volume as well as
shape.
Wright uses paint, drawing, gilding and stained glass to
shape delicate,
suggestive, site - specific installations that simultaneously revel in tradition — recreating the lost arts of fresco and Renaissance perspective — and express the throwaway modern moment.
In the title painting, Fear, a Baby, recognizable by its large egg -
shaped head, looms just above the horizon as the black background is showered in pink Mound Meat,
suggestive of slaughtered Mounds.
Richard Tuttle's «W -
Shaped Yellow Canvas» (1967), a dyed, unstretched canvas cut into a
shape suggestive of a long, open rectangle folded over on itself, retains a handmade quality not associated with the term «minimalism.»
The artist tells a story both familiar and fantastic woven with skewed perceptions and
shaped by
suggestive moments that tease the viewer into participating in a fiction that implicates reality within its idiosyncrasies.
Often disturbingly aggressive in her
suggestive sexual
shapes (a distressed phallic image called Fillette / Young Girl, 1968, or multiple latex breasts in The Destruction of the Father, 1974), Bourgeois invented gendered metaphors well before Feminism took root in this country.
During the 1950s and 1960s she was exploring with different textures, forms and various media, bringing some
suggestive design, as well as attractive, mysterious
shapes, and stripped canvases which became her distinctive mark later in the career, creating her unique visual identity.
Art critic and poet José Corredor - Matheos cites Harlequin's Carnival (1924 — 1925) as «his first characteristic image, in which the space is populated by fantastic
shapes suggestive of living organisms».
Within the boxes are displayed carefully arranged and highly
suggestive collections of abstract -
shaped objects mingled with chair legs, pieces of balustrades, and other found objects and pieces of bric - a-brac.
Harrod's artworks are built through the interplay of many brightly colored paracords knotted and
shaped into
suggestive forms.
In Ms. Murray's mature work, eccentrically
shaped or multipanel canvases fused Cubism's shattered forms and Surrealism's
suggestive biomorphism with the scale and some of the angst of Abstract Expressionism and more than a touch of Disneyesque humor and motion.
The layering and build up of these repeated marks create a deep and immersive drawing surface, whose radiant bands and
shapes are
suggestive not only of light and its absence, but also of spatial depth and the emanation of sound, breath, and vapor.
Here the subject is reduced to a series of abstract planar
shapes suggestive of cubism.
His paintings contain relatively complex
shapes suggestive of animate or inanimate forms; Philip Guston (1913 - 80), who had his own highly personal variation, sometimes called «Abstract Impressionism», from which he moved on to a more expressive style in the late 1950s; Adolf Gottlieb, a close contemporary of Clyfford Stills, exploited Surrealist imagery in the 1930s but was also deeply interested in American Indian Art and from this he developed in the 1940s his so - called «Pictographs» characterised by very Freudian imagery.
The works» abstract compositions relate to painting, yet their three - dimensional forms are read, map - like, from above and resemble aerial views of the earth, with their irregular
shapes suggestive of a cluster of islands.
Neither formalist nor minimalist, though taking much from both schools, the pieces hinge on visual relationships formed when re-contextualized materials are
shaped to touch one another in specific and
suggestive ways.
Each canvas carries a particular and spirited character: fans, vortexes, geometric angles, dynamic and judiciously
suggestive organic
shapes recur throughout his compositions, revealing an abstracted, abject portraiture.
Even the floor, with its
suggestive shadow -
shapes, is fully inflected with emotional charge.
Working around the time of Chicago Imagism, Ito's paintings nod to the group's design - y, humorous tableaux while providing a more sombre, challenging visual cosmology of ovular and cylindrical
shapes arranged like slatted furniture, walls and
suggestive windows that view some southwestern dream world, in desert reds, yellows and oranges.
Thus that we see this same pattern taking
shape again after another subsequent 30 years of warming should be
suggestive.