Is visiting critic, Massachusetts College of Art, Boston, returning in 1996; begins teaching a
summer workshop in monotype at the Fine Arts Work Center;
group exhibition: The Herbert W. Plimpton Collection of Realist Art: 18th Annual Patrons and Friends Exhibition, Rose Art Museum, Brandeis U
exhibition: The Herbert W. Plimpton Collection of Realist Art: 18th Annual Patrons and
Friends Exhibition, Rose Art Museum, Brandeis U
Exhibition, Rose Art Museum, Brandeis University.
Notable
group exhibitions include Paul Clay, Salon 94, New York, NY (2011); Dwelling, Marianne Boesky Gallery, New York, NY (2011); Banquet of the Jackal, The Harriet and Charles Luckman Fine Arts Complex, California State University, Los Angeles, CA (2011); Not Extractions, but Abstractions (Part 2), Clifton Benevento, New York, NY (2010); Multiple Pleasures: Functional Objects in Contemporary Art, Tanya Bonakdar Gallery, New York, NY (2010); Not Extractions, but Abstractions, Karma International, Zurich, Switzerland (2010); Objects, Furniture & Patterns, Art Since the Summer of» 69, New York, NY (2009); Friends and Family, Anton Kern Gallery, New York, NY (2008); FAITH, Champion Fine Art, Culver City, CA (2004); and164 1/2 Group Show, Los Angeles, CA (2
group exhibitions include Paul Clay, Salon 94, New York, NY (2011); Dwelling, Marianne Boesky Gallery, New York, NY (2011); Banquet of the Jackal, The Harriet and Charles Luckman Fine Arts Complex, California State University, Los Angeles, CA (2011); Not Extractions, but Abstractions (Part 2), Clifton Benevento, New York, NY (2010); Multiple Pleasures: Functional Objects in Contemporary Art, Tanya Bonakdar Gallery, New York, NY (2010); Not Extractions, but Abstractions, Karma International, Zurich, Switzerland (2010); Objects, Furniture & Patterns, Art Since the
Summer of» 69, New York, NY (2009);
Friends and Family, Anton Kern Gallery, New York, NY (2008); FAITH, Champion Fine Art, Culver City, CA (2004); and164 1/2
Group Show, Los Angeles, CA (2
Group Show, Los Angeles, CA (2004).