The sun is the light of the world, the provider of all things necessary to survive.
The sun is the light of the world.
Not exact matches
But as the cave dwellers
of MacIntyre's dystopia emerge into the
light, what they see
is not the
Sun of Plato's ideal
world but mere shards and fragments
of the past, with no coherent way
of putting the pieces back together again:
Eternity
is uncorrupted
light; the
world proceeds by interrupting sight, exchanging day and night.Half the acts
of earth avoid the
sun; much that's donemay
be begun by day but end at night: aborted, buried lightis customary here; it shocks no morethan does a warsuch as the one we wage against the....
Some
of them
are just now swelling and splitting underground; others
are breaking through the surface with a garish flash
of green; others
are meandering toward the
sun, desperate for
light or rain or some sort
of trellis; others
are growing slow and steady into tall shade tress with limbs like arms wide open to the
world, welcoming the birds
of the air to nest in their branches.
I
am not ashamed because there
are all these little mustards seeds scattered across our broken, shameful
world, some
of them just now swelling and splitting underneath the dark soil; others breaking through the surface with a garish flash
of green; others meandering toward the
sun, desperate for
light or rain or some sort
of trellis; others growing slow and steady into tall shade tress with limbs like arms wide open to the
world, welcoming the birds
of the air to nest in their branches.
Whether God
is going to end the
world as Jesus said «Immediately after the tribulation
of those days shall the
sun be darkened and the moon shall not give it
's light...»
is left to
be seen.
He reasoned that as the
sun is the source
of light and warmth, Dainichi
is the «Great Luminous One» at the source
of enlightenment and unity underlying the diversity
of the phenomenal
world.
Of course, I do not believe that the
world was made in six days, or that
light was created on the first day and the
sun on the fourth.
Kepler 452 b
is estimated to
be 1.6 times the size
of our own
world, and resides in a clement, life - friendly orbit around a star in the constellation
of Cygnus some 1,400
light - years away that
is eerily similar to our own
sun.
Because
sun - like stars gradually increase in luminosity as they age, this could mean that Kepler 452 b
is a fading, geriatric
world, once thriving with life but now withering beneath the slowly brightening
light of its
sun.
Known as Kepler 452b, the
world is estimated to
be a bit on the hefty side, at five times the mass
of Earth, but it
is receiving just 10 % more heat and
light than we do from its G - type star, just like our
sun but 1.5 billion years older.
In a more perfect, hopeful
world, we could consider all their names provisional, mere placeholders to
be someday confirmed or discarded in the
light of better evidence gathered beneath alien
suns.
Imagine a
world where the rooftops and pavements
of every urban area
are resurfaced to increase the reflection
of the
Sun's
light rays.
Alien
worlds can often
be detected when they orbit in front
of their
sun, blocking out a small portion
of light from the star.
The discovery
of hydrothermal - vent communities showed that it
is possible for life to evolve in places without
light from the
sun, and in other
worlds without sufficient
light from the parent star.
A goal
of the Backyard
Worlds project
is to see whether there
are any brown dwarfs that
are even closer than Proxima Centauri, which
is the nearest star to our
sun at about 4.2
light years» distance.
Soderbergh's cinematography
is, as ever, superb — a shot
of Carano and Tatum in the LED
light of an airport departure lounge has the
world - weary blearily -
lit hum
of a John Le Carre film updated for our digital age, while a climactic fight under the morning
sun on the beachside shore feels like someone dropped a Donnie Yen battle into a Michelangelo Antonioni art film.
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of Nowhere My Life Directed by Nicolas Winding Refn Nature Calls Nightcrawler Nighthawks Oddsac One & Two Only God Forgives Peep World Pincus Pricecheck Prince Avalanche Rabbit Hole Raze Robot & Frank Rosewater Rubber Rudderless San Andreas Save the Date Scream 4 Sleepwalk With Me Smashed Snowpiercer Somewhere Southpaw Spring Breakers Star Wars: Episode VII - The Force Awakens Submarine Sun Don't Shine Take Shelter Take This Waltz Teenage Mutant Ninja Turtles Terminator Genisys The Amazing Spider - Man The Bastard Sings The Sweetest Song The Cold Lands The Comedy The Equalizer The Expendables 3 The Fault in Our Stars The Gambler The Girl The Girlfriend Experience The Grand Budapest Hotel The Hateful Eight The Hunger Games: Mockingjay - Part 1 The Kids Are All Right The Kings of Summer The One I Love The Raid The Rambler The Revenant The Rover The Second Mother (Que Horas Ela Volta
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of Summer The One I Love The Raid The Rambler The Revenant The Rover The Second Mother (Que Horas Ela Volta
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World Carbon Black, Hill Holder, Heated Washer Jets, DAB Radio, Steering Wheel Mounted Controls (Audio / Cruise Control), Seat Height Adjustment, Steering Wheel Leather, Immobiliser, Air Bag Driver, Electronic Brake Force Distribution, In Car Entertainment (Radio / CD / MP3), Power - Assisted Steering, Air Bag Side, Electronic Stability Programme,
Sun Visor, Head Restraints, Cup Holder, Third Brake
Light, Heated Rear Screen, Adjustable Steering Column / Wheel, Sports Seats for Driver & Front Passenger, Rev Counter, Alloy Wheels (16in), Seat Belt Pre-Tensioners, Centre Console, Air - Conditioning, Washer Jets, Alarm, Tyre Pressure Control, Additional Decor Rings, Anti-Lock Brakes, Power Socket, Multi-Function for Steering Wheel, Traction Control System, Parking Aid (Rear), Air Bag Passenger, Gear Knob Leather, Central Door Locking, Mirrors External (Electric Heated / Folding), Head Air Bags, Air conditioning, Leather seats, Power steering, Remote central locking, Parking aid.
The Old
World filigree
of metal struts and supports does nothing good for your wi - fi reception,
of course, but natural
light is a nearly - even trade: We didn't feel cooped up as trees blossomed and parks filled with lunchtime
sun - seekers all around the city.
This
world created out
of the dead demons might
be likened to an immense distillation machine, the purpose
of which
is purification
of all matter, first in the moon, and then in the
sun, where they
are dissolved and cleansed; the
light that has been absorbed in darkness is liberated and ascends back to the Father of Light, and the darkness that is innate in matter falls back to the underw
light that has
been absorbed in darkness
is liberated and ascends back to the Father
of Light, and the darkness that is innate in matter falls back to the underw
Light, and the darkness that
is innate in matter falls back to the underworld.
While Hyrule resides in the
Light World and
is lit by the
sun, the Twilight realm exists in perpetual Twilight and
is lit only by the Sol orbs which
are the equivalent
of the
sun.
Lagomarsino has participated in numerous solo and group exhibitions across the
world, including Carla Zaccagnini & Runo Lagomarsino, Malmö Konsthall (2015); Against My Ruins, Nils Stærk, Copenhagen (2014); We have everything, but that's all we have, Mendes Wood DM, São Paulo (2013), and For Each Light a Shadow, Ignacio Liprandi, Buenos Aires (2013); the World's Futures, the 56th Venice Biennale (2015); Really useful knowledge, Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); Under the Same Sun, Guggenheim Museum, New York (2014); The 30th São Paulo Biennial — The Imminence of Poetics (2013); Untitled — 12th Istanbul Biennial (2011) and The Moderna Exhibition, Moderna Museet, Stockholm (2
world, including Carla Zaccagnini & Runo Lagomarsino, Malmö Konsthall (2015); Against My Ruins, Nils Stærk, Copenhagen (2014); We have everything, but that
's all we have, Mendes Wood DM, São Paulo (2013), and For Each
Light a Shadow, Ignacio Liprandi, Buenos Aires (2013); the
World's Futures, the 56th Venice Biennale (2015); Really useful knowledge, Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); Under the Same Sun, Guggenheim Museum, New York (2014); The 30th São Paulo Biennial — The Imminence of Poetics (2013); Untitled — 12th Istanbul Biennial (2011) and The Moderna Exhibition, Moderna Museet, Stockholm (2
World's Futures, the 56th Venice Biennale (2015); Really useful knowledge, Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); Under the Same
Sun, Guggenheim Museum, New York (2014); The 30th São Paulo Biennial — The Imminence
of Poetics (2013); Untitled — 12th Istanbul Biennial (2011) and The Moderna Exhibition, Moderna Museet, Stockholm (2010).
SOLO EXHIBITIONS 2017 Samantha Fields: Ten Years, Museum
of Art and History, Lancaster, CA 2016 Faded In The
Sun, Traywick Contemporary, Berkeley, CA 2014 Halcyon, Traywick Contemporary, Berkeley, CA 2013 C.O.L.A. Exhibition, Los Angeles Municipal Art Gallery, Los Angeles, CA 2012
Be Careful What You Wish For, Western Project, LA, CA 2010 From a Safe Distance, KIM
LIGHT / LIGHTBOX, New York, NY 2009 Containment, 2680 KIM
LIGHT / LIGHTBOX, Los Angeles, CA 2007 This Land, KIM
LIGHT / LIGHTBOX, Los Angeles, CA 2006 In the Belly
of the Beast, Standard Hotel, Los Angeles, CA 2004 Mysteries & Marvels
of Our Animal
World, DiRT Gallery, Los Angeles 2003 Mutation Menagerie, DiRT Gallery, Los Angeles
Sun Stream (camera obscura), the site - specific intervention into the Museum's camera obscura, utilizes both analog and digital technology to reveal how we
are at a point where
light, traditionally the most central element
of photography, has become disembodied from the natural
world.
Ricocheting between genres — news reportage, documentary film, video games, and internet dance videos — Factory
of the
Sun uses motifs
of light and acceleration to explore what possibilities
are still available for collective resistance when surveillance has become a mundane part
of an increasingly virtual
world.
This show
is a material account
of the strangeness
of the
world from the formation
of the planet's crust to the death
of the
sun and enduring preoccupation with
light as a metaphor for truth.
These small sunflower shaped
lights are from the Little
Sun project by Olafur Eliasson, the project supports communities without electricity, an aspect
of life many people in the modern
world take for granted.
In the real
world of applied science there
are manufacturers producing glass for windows to cut down on air conditioning costs — they produce glass which takes out the direct longwave infrared heat from the
Sun and maximises the entry
of visible
light.
Their container for their empty space atmosphere
being the non-existant glass
of their greenhouse which prevents longwave infrared direct from the
Sun entering, which
is heat radiation, and for which they have substituted shortwave mainly visible
light to heat their imaginary Earth, impossible in the real
world.
The AGW Greenhouse Effect energy budget has taken out, excised, the real heat from the
Sun which
is capable
of heating matter and does reach the Earth's surface to heat land and water and replaced it with the claim that visible
light heats the matter
of the Earth's surface, this
is impossible in the real
world.
AGWSF has given visible
light the real properties
of direct heat from the
Sun, thermal infrared, which has
been eliminated from AGW's fictional
world with the claim this doesn't reach the surface and plays no part in heating land and ocean.
In the real
world we know that visible
light from the
Sun can not heat matter, it
is not powerful enough to raise the temperature
of matter.
If you support AGW / CAGW or think that their version
of the energy budget
of «Shortwave in Longwave out» (which
is the Visible
light from the
Sun heats land and oceans and direct invisible longwave infrared doesn't reach the Earth's surface and so plays no part in heating land and oceans)
is real
world science, then my science challenge to you stands:
But you can't show how this
is physically possible, or any real
world applications where this supposedly «great visible
light energy from the
Sun»
is actually used in day to day living, heating the matter
of our houses directly raising the temperature.
To help you think about this, for example: It takes intense heating
of land and water at the equator to get us our huge winds and weather systems — in the real
world water
is a transparent medium for visible
light, visible
light from the
Sun can't heat it, it
is not absorbed but transmitted through unchanged.
Anyway, as I make the point here, The Greenhouse Effect
is non-existant regardless
of this mangling
of real
world physics, the comic cartoon
of shortwave in and longwave out
is stupid enough in claiming «that visible
light heats ocean and lands and the heat direct from the
Sun, thermal infrared, doesn't reach the Earth's surface and doesn't play any part in heating land and ocean», but, this warmist comic cartoon energy budget misses out the whole
of the Water Cycle!
Many parts
of the
world have very limited
sun light at the times
of year when energy
is needed most.
This
Is the Biggest News in Electricity Since the
Light Bulb — Seriously If the
world can generate and store energy from the
sun for less than the cost
of fossil fuels, it literally changes everything about the energy industry.
Way up at the top
of Norway, in the land
of the midnight
sun and the northern
lights, Reiulf Ramstad Architects
is planning the
world's tallest wooden building at 17 floors.