What worked so well in the first film was that the filmmakers were able to make
a superhero film work as a period piece.
Not exact matches
Not only is it a long - overdue embrace of diversity and representation, it's a
film that actually has something to say — and it's able to do so without stepping away from the
superhero dynamics that make the larger franchise
work.
Director Ryan Coogler,
working with a script he co-wrote with Joe Robert Cole, doesn't just meet but exceeds those expectations, delivering a
film that fulfills the most rote demands of
superhero spectacle, yet does so with style and subtexts that feel bracingly, joyfully groundbreaking.
Then, as told partly in flashback as Arthur (Harrelson) is being interviewed by a court - appointed psychiatrist (the underrated Sandra Oh), the safe distance that gives the audience derails the pace and the
film becomes more serious than it ought to, no matter the subject matter and this results in it becoming every «realistic»
work that looks down on the idea of either a
superhero or the genre.
Resembling a bunch of rocks, Korg is nonetheless a very appealing personality in a very appealing, very funny comedy that actively
works against the stereotypes of
superhero films.
Based on the Marvel comic by Stan Lee (who makes a cameo as he does in all the
films based on his
work), it picks up the story of those cosmic - rayed
superheroes dealing with the end of the world and a fifth attempt at a wedding.
Then, shortly after Batman Begins hit theaters in 2005, Warner Bros. started looking into ways to unite the character with other DC
superheroes - and so began
work on George Miller's unrealized team - up
film, Justice League: Mortal.
R - rated
superhero movie scored thanks to a gutsy call by Fox», the actor's unfailing resolve and a
film that
worked as a
superhero saga and spoof
As the title implies, the focus of this hour - long live - action series is not on the larger than life costumed
superheroes who turned The Avengers into the third highest - grossing
film of all time, but the employees of the Strategic Homeland Intervention, Enforcement and Logistics Division, the government agency of espionage and law enforcement that has
worked with and sometimes against the likes of Captain America, Iron Man, Thor, and the Hulk.
Peter Berg's shaky handheld camera
work grants the
film a different, freer energy from statlier
superhero flicks.
Black Panther marks this as being one of the greatest
superhero films I've seen since it not only does the movie offer some tour - de-force performances by Chadwick Boseman, Michael B. Jordan, and Lupita Nyong» o, but this is also one of the most mesmerizing, entertaining, and exhilarating experiences I've had at the movies this year so far, and it also proves that Ryan Coogler is one of the best filmmakers
working today.
Talking to PeopleTV, Clark Gregg says that he's having «a blast»
filming Captain Marvel before talking about how proud he is to
work on the first MCU movie with a female
superhero in the title role.
The idea for 355 came from Chastain, and she pitched it to him while they
worked on that
superhero film on which Kinberg made his feature directing debut.
But, though praised for his somewhat thankless
work there, those tepidly received
superhero films didn't give Chiklis the
film career boost you might have expected.
As long as Disney keeps producing
superhero films that complement its transcendent Pixar
works through a similar tone, and a similar set of values, we'll get interesting offshoot
films.
But Wright has tweeted that his The World's End and now BAFTA - winning Gravity composer Steven Price will be back to
work on the Marvel
superhero film.
For over half the
film we watch these characters
work on building something, then in a flash they become
superheroes with powers they haven't even learned to use before they are stereotypically tasked with saving the world.
That Signs is easily the most derivative of Shyamalan's
films doesn't seem to be of much of a concern for the director, as the chronic sloppiness of his alien MacGuffin this time around (his ghost and
superhero MacGuffins are handled with far more consistency and respect in his previous
work) seems to point to Shyamalan's desire for us to focus on his messianic zeal to convey his manifest message.
The writer and director, as on the original Guardians of the Galaxy (2014), is James Gunn, who comes from an exploitation background at Troma Entertainment, and
worked his way to the «A» list through subversive horror
films (Slither) and subversive
superhero films (Super).
The network has unleashed trailers for a slew of new shows they're hoping will catch your eye, including a different kind of
superhero show (MacGyver), another
film - to - TV remake (Training Day), a new Jason Katims drama (Pure Genius), a new Joel McHale comedy (The Great Indoors), and two separate, unrelated comedies about
working - class men forced to spend time at home (Kevin James «Kevin Can Wait and Matt LeBlanc «s Man With a Plan).
All it does show is that the goofy
superhero film probably isn't ever going to
work, even with a light - hearted character like Spider - Man and that the series» producers still don't really know what makes him tick, despite being one of the most iconic characters in the Marvel pantheon.
The
film in the
works sounds like a combination of Birds of Prey, about a team of female
superheroes, and Gotham City Sirens, about a team of female super villains.
I want to add that the last truly great
superhero film was Deadpool and a major reason it
worked so well is that it operated as a standalone
film with possibilities to branch out into sequels if audiences want it and they clearly do because Deadpool 2 is already greenlit.
All of which makes Warner Bros. and Legendary Pictures» Superman reboot, «Man of Steel,» both a rejoinder to and a confirmation of the associations audiences have with his
work — eschewing much of the muscular style that he applied to «300,» «Watchmen» and «Sucker Punch» in lieu of a more streamlined visual sense, Snyder attempts to build rather than deconstruct
superhero mythology in what proves to be his most straightforward
film to date.
Two stars of
superhero sequel praise UK capital as leading
film location after completing most
work at Shepperton
It isn't an unknown fact how the studio had planned its 10 - year calendar ending on Avengers: Infinity War, even before kicking off its
films, and how it began
working backwards introducing us to its various
superheroes, having them assemble and even presenting standalone
films to trace the origin of their stories.
Joel Schumacher's 1990 sci - fi horror movie Flatliners is undoubtedly a goofy
film, but it's also a stylishly directed, visually striking piece of
work from a filmmaker that's often unfairly derided for his later
superhero work (hey, Batman Forever is pretty good!).
Part war movie, part doomed romance, overfull with artful and exciting action sequences (the No Man's Land assault led by Diana is worth the cost of admission alone), and all told some pretty subversive content for a populist DC
superhero film ---- and easily the best outside of Nolan's Batman
films, from that expanded universe ---- this is a charismatic, crowd - pleasing, comic book conversion that
works on every conceivable level.
«Homecoming»
works by allowing itself to become an actual genre
film, the first of its ilk to recognize that
superhero movies might be more interesting if they were also something else.
Not only does Black Panther
work as a
superhero film, but also a narrative about what it means to be the most powerful nation on Earth.
Director Scott Derrickson has never
worked on a
superhero film.
While he
works beautifully in an ensemble and was the clear standout in The Avengers, when the character is both the hero and the antagonist, how do you wrap a
superhero film around that?
«The Incredibles 2» (June 15): After a 14 - year wait, the first family of
superheroes returns, with director Brad Bird (whose live - action
work includes the fourth «Mission: Impossible»
film) again at the helm.
Riggan Thompson is a washed - up former action star, best known for his
work in a series of
superhero films (the Birdman of the title, which somewhat resemble the Batman
films that Keaton, himself, once starred in).
Lament the saturation of CGI - laden franchises, reboots and
superhero films all you like, but some fantastic, revelatory
works of cinema came out this last year — even some of those comic book movies you're so worried about.
Reed, who recently directed the
superhero film «Ant - Man», added that such an «environment» is very different to the way that Fox and Marvel Studios
work today.
Though the interactions between Scott and his helper ants are pretty ridiculous, the
film completely owns it, which goes a long way in selling the idea of a
superhero working alongside insects.
That's why every good
superhero needs a suit and, like most parts of this
film, Black Panther's suit is a
work of art.
These
films have likely been in the
works for years already — one reason Feige is revealing their titles is there's a whole industry of reporters online devoted to uncovering news and spoilers for future
superhero projects.
«X-Men,» more than any other
film, is responsible for the glut of
superhero movies we now have — the
film was the first in a long time to treat the source material with respect (after the 90s «Batman» movies and things like «The Phantom,» this proved important), and showed that they could
work without A-list stars, with the property doing the heavy lifting.
Drew Goddard is currently doing the press rounds promoting The Martian, but he continues to get questions about his
work on
superhero films — most notably the cancelled Sinister Six movie and his preliminary
work on Daredevil.
The suit also lets the wearer talk to ants, a quirky holdover from a cornier age of
superheroes that somehow
works in the blockbuster
film.
Shot on a modest (for a
superhero movie anyway) budget by first - time director Miller (whose most well - known
work prior to this
film is likely the opening credit sequence of The Girl with the Dragon Tattoo), Deadpool certainly isn't the flashiest
film, but it does its best to look like it cost more than it did.
The Cold War between the United States and Soviet Union is at its peak, and Richard Nixon (the make - up, especially on the aged Nixon is one of the
film's weakest aspects) is the US President for a fifth term (after a repeal of the 22nd Amendment), able to secure the position through his utilization of costumed
superheroes to do the government's dirty
work in world affairs.
Shot on a modest (for a
superhero movie anyway) budget by first - time director Miller (whose most well - known
work prior to this
film is likely the opening credit sequence of
He talked a bit about doing more
work for Avatar and Dynamite, talked about the Boys, why Preacher is unlikely to migrate to
film, his religious views, why he doesn't love
superheroes and what he thinks of their dominance of the comics industry.
Currently at MASS MoCA, the artist presents his largest exhibition in the U.S., a vast body of
work that features recurring characters including himself, his friends, fictional
superheroes, politicians, and
film stars.
Originating from these sources, the
work often features recurring characters, including himself, his friends, fictional
superheroes, politicians, and
film stars.
These «
superhero»
works from 2013 - 2014, depict scenes from the Ironman III, Batman and Spiderman
films respectively, portraying instantly recognisable comic characters amid idealised, isolated landscapes.