I'd even venture to say it's the most ambitious
superhero film yet and it does not disappoint.
Often dubbed — not without cause — the best
superhero film yet, this is so brimming with great characters — oh, and Maggie Gyllenhaal's boring Rachel Dawes — that you can almost overlook the plot holes (like why exactly does Gordon fake his own death?).
As we all know, Marvel has had quite a flogging in the press about its treatment of its female characters: Not only is there no stand - alone female
superhero film yet, but our daughters also have no female superhero action figures.
Not exact matches
Audiences worldwide have been subjected to
yet another installment in the «Marvel Cinematic Universe»
superhero film series.
And
yet, amid all that overdue and well - deserved scorn, the lone aspect of Deadpool 2 that is treated with gravid, wet - eyed sincerity — the thing the
film wants us to care most deeply about, that acts as the plot's triggering action — is itself the biggest, oldest, dumbest and most useless
superhero - genre cliche of them all.
Director Ryan Coogler, working with a script he co-wrote with Joe Robert Cole, doesn't just meet but exceeds those expectations, delivering a
film that fulfills the most rote demands of
superhero spectacle,
yet does so with style and subtexts that feel bracingly, joyfully groundbreaking.
A
film that fulfills the most rote demands of
superhero spectacle,
yet does so with style and subtexts that feel bracingly, joyfully groundbreaking.
There's no official word
yet on whether the original
film's female lead, Morena Baccarin's Vanessa, will be back second time around, or whether they will stay true to the comics by sending her into
superhero territory as her Copycat alter ego.
The guy hasn't written or directed a feature
film since 2005's «Kiss Kiss Bang Bang,» and
yet here he is, doing that Shane Black thing once again, only this time with
superheroes, while trying his best to streamline his R - rated ways for a PG - 13 audience.
The nineteenth
film in the Marvel Cinematic Universe is the Russo Brothers» most epic team - up
superhero movie
yet, featuring Thanos (Josh Brolin) as the main villain who's taking matters into his own hands.
A mind - bending journey through the Multiverse remains one of the most memorable sequences seen
yet in a
superhero film and director Scott Derrickson has a lot of fun with the loopy confrontation between our hero and the Dread Dormammu.
That «key role» hasn't been specified
yet, although Deadline claims that sources say Thompson's character will «be a kind of
superhero and will appear in other Marvel
films as well,» and The Wrap reports that Thompson has signed a multi-picture deal.
Indeed, relaying the tale with a standard narrative approach would have relegated the
film to the realms of
yet another
superhero movie, rather than a spirited take on the tried and tested genre.
Speaking of which - with Civil War, directors Anthony and Joe Russo (who also helmed The Winter Soldier) deliver some of the most impressive
superhero - based fight scenes and set pieces featured in any Marvel Studios
film yet, in terms of both the sheer scale and creativity of the Avenger vs. Avenger battles.
The impact of «Black Panther,» which recently shattered the Fandango record for advance sales for a
superhero film, and his career's meteoric rise have not quite hit Coogler
yet.
After a few comments from the actors — Lilly knows almost nothing about her character as she's not
yet seen a script, Stoll alludes to his character being the scientist bad - guy, and Rudd prepares for
superhero stardom — they played a video made just for Comic - Con, as the
film hasn't started any
filming.
Essentially a
superhero film that is a spoof of a
superhero film, Here we have is a winning combination of tongue in cheek humour and gory
yet slapstick action that reminded me somewhat of Kick Ass.
The
film has heroes —
superheroes — but no arch villains; after having the nerve to set its prologue during the Holocaust, Singer owed us a story of some depth,
yet audiences don't always want what they demand, especially in the lazy, hazy, crazy days of summer.
Brian Truitt of USA Today: «Director Ryan Coogler's spectacular new
film (★ ★ ★ ★ out of four; rated PG - 13) features the most high - profile black movie
superhero yet, and also happens to be the best origin vehicle for the mighty Marvel brand since «Guardians of the Galaxy.»
She has
yet to appear in a
superhero movie, but Jessica Chastain did turn down Iron Man 3 because of scheduling conflicts, saying, «Hopefully there'll be another Marvel
film in my future.»
We don't have any box office information for Wonder Woman just
yet, but the
film's already broken one curse surrounding female - driven
superhero films.
Director Tim Miller hasn't made a
film before, and the writers on board haven't necessarily perfected their craft
yet, but like Ryan Reynolds, they shared a passion for bringing this unique
superhero (a term I use loosely considering Deadpool straight up murders his enemies instead of opting for the moral high route) from comic strips to the silver screen with respect for the fans.
While Black Panther makes no great leap forward from the tried and true (or tired and true, depending on your threshold for repetition)
superhero movie story arc, what this category of
films lack in plot originality, Black Panther makes up for in casting, art direction, costume design, and writing (the sharp
yet casual one - liners calling out colonialism, white privilege, and the American superiority complex both zing and sting — as they should).
Even as
yet another
superhero origin story, there are some truly next - level visual effects and action sequences in director Scott Derrickson's
film, and opening the Marvel cinematic universe up to all the possibilities that come from the realms of the mystical is an exciting prospect.
Directed by Joe and Anthony Russo, the filmmaking team who previously helmed «Captain America: The Winter Soldier» (and who will be taking the reins for the upcoming massive two - part
film event «The Avengers: Infinity War), this is a
film of clear purpose, brilliant storytelling and some of the most exciting action in a
superhero movie
yet.
The painstakingly built
film universe out of Disney's Marvel properties called Marvel Cinematic Universe will finally see its biggest moment
yet as the Big Bad Thanos finally engages in a battle against Marvel
superheroes in Avengers: Infinity War.
The «Dark Knight» rule change hasn't benefited a
superhero film...
yet.
This week Justice League will be out in the theatres and we are
yet to see how the two
superhero films will score.
Despite being one of the highest - grossing
films of all time, Infinity War was dethroned at the box office in the third weekend in May by Deadpool 2,
yet another
superhero movie in which Josh Brolin plays a super-powered villain.
Hancock, released 10 years ago, is the quirkiest
film in this lineage; it stars Will Smith and cost $ 150 million to make, and
yet it inspires very little defense or consideration as a display of the potential for black
superheroes on the big screen.
As the only
superhero movie of 2015 that isn't a sequel or reboot, Marvel's Ant - Man could go one of two ways — it could expand Marvel's ever - expanding Cinematic Universe with
yet another breakout character, or it could flop and finally give the anti-
superhero subsection of
film critics some real ammunition.