Not exact matches
Thus, the reference to Birdman: a movie about an actor attempting to erase the memories
of his
superhero alter ego by staging a serious play; a movie in which an actor's
superhero alter ego follows him like a ghost, reminding him it's the hero people want to see, not the washed - up actor and his play; a movie that exists as a rebuke to the tights - clad
tentpoles that have taken over the industry.
Working unobtrusively but consistently in a decadent Hollywood that's doubled down on sci - fi / fantasy /
superhero franchise
tentpoles as the end - all - be-all
of action movies, Jaume Collet - Serra has been diligently and often ingeniously pursuing another filmmaking model, that
of the mid-range budget standalone genre picture.
The latest accomplishment: The Disney and Marvel
superhero tentpole passed up James Cameron's Titanic on Saturday to rank as the third top - grossing title
of all time at the North American box office behind Star Wars: The Force Awakens ($ 936.7 million) and Avatar ($ 760.5 million), not adjusted for inflation.
This is a fresh take on the thriller genre in the time
of superheroes tentpoles and Disney - adaptation epics that leave our eye sockets choked full
of CGIs.
With Doctor Strange about to hit theatres, naturally Marvel is ready to stoke the masses for their next
superhero tentpole: Guardians
of the Galaxy - Vol.
The Disney and Marvel
superhero tentpole brought its overall total to just short
of $ 600 million.
In this Marvel
tentpole world, where faux dramatics are conjured to create the illusion that
superheroes are fighting for something
of some value, Rogue One is indeed rebellious, posing a quest that resonates with emotional engagement and grand illusion.
The
superhero tentpole, which cost between $ 300 million and $ 400 million, opened worldwide with $ 630 million, making it the highest global opening weekend
of all time, even without China debuting this weekend.
Currently, the
superhero tentpole is selling more than double the amount
of tickets on Fandango that «Black Panther» sold at the same point in the sales cycle.
The
superhero genre has (deservingly) caught a lot
of flack over the years for its Saturday Morning Cartoons rendition
of tentpole blockbuster cinema.
Although this isn't Hollywood's first attempt to turn a historically black
superhero into the main event, headlining their own
tentpole film — consider Wesley Snipes run as the vampire - hunter Blade, Halle Berry's turn as Catwoman, Will Smith's alcoholic anti-hero Hancock or even Shaquille O'Neal's turn as Steel — this feels like a first in part because
of how much effort has been poured into its making and, more importantly, how readily it embraces its fundamental blackness, from its colorful African settings to its tribally - influenced makeup, hairstyle, and costumes to its predominately black cast and crew, a verifiable assemblage
of talent that'll turn even the most skeptical
of heads.
But in an entertainment climate where it's all about reboots and
superhero tentpoles and adaptations
of preexisting source material, where we're constantly clamoring for anything new, it's hugely refreshing to have a series
of films that doesn't seem to give a shit about any
of that.
It was the fail story
of the Summer, with Twentieth Century Fox's
tentpole superhero blockbuster bombing so hard at the box office, it took out a five - mile stretch
of Odeons in the Greater Bexleyheath area.
And after sixteen years
of big time
tentpole superhero flicks, and eight years
of almost suffocating omnipresence
of these films in pop culture, the time certainly feels right for a movie to come along and knock them down a few pegs from the inside.
In this cinematic era when no less than half a dozen
tentpole superhero movies will hit theaters with the force
of Thor's hammer in a single year, it takes more than cool fight scenes and colorful costumes for a comic book - based film to emerge as something special.