The rest of the bonus material comes from the previous Collector's Edition DVDs, starting with an audio commentary from John Lasseter, Andrew Stanton, and
supervising film editor Lee Unkrich.
The only other bonus on Disc 1 is an audio commentary with director John Lasseter, co-director / co-writer Andrew Stanton, and
supervising film editor Lee Unkrich.
The 12 - minute and 36 - second piece involves Spielberg, Marshall, Kennedy, editor Michael Kahn, sound designer /
supervising film editor Ben Burtt, re-recording mixer / additional sound design Christopher Scarabosio, and composer John Williams, We go over editing, sound design, and music.
Supervising film editor Robert Leighton.
Not exact matches
In this exclusive SoundWorks Collection sound profile we talk with
Supervising Sound
Editor and Sound Designer Richard King about the sound teams extensive work on Director Christopher Nolan's immersive sci - fi
film Interstellar.
Sound Designer and
Supervising Sound
Editor Erik Aadahl recently joined Michael Coleman of SoundWorks Collection on Friday, October 29, at the Savannah Film Festival, where sound - savvy SCAD students and intrigued festivalgoers packed the SCAD Museum of Art theater as Aadahl discussed his work on such
films as Transformers, Godzilla, Kung Fu Panda, Argo, and Tree of Life.
Paul also discusses working with
editor Pietro Scalia and sound designer /
supervising sound
editor Oliver Tarney to craft the multiple futz and radio instances throughout the
film.
The disc's primary making - of is «The Alien Agenda: A Filmmaker's Log» (34:19, HD), which includes a wealth of behind - the - scenes footage and interviews with Sharlto Copley, Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, Jason Cope, director of photography Trent Opaloch, Vanessa Haywood, Mandla Gaduka, David James, special effects supervisor Max Poolman, lead set decorator Guy Potgieter, art director Mike Berg, art director Emelia Weavind, production designer Philip Ivey, sound design & alien vocals Dave Whitehead,
supervising sound
editor Brent Burge, and
film editor Julian Clarke.
It features comments from Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, director of photography Trent Opalach, special effects supervisor Max Poolman, lead set decorator Gary Potgieter, art directors Emelia Weavind and Mike Berg, production designer Philip Ivey, sound designer Dave Whitehead,
supervising sound
editor Brent Burge,
film editor Julian Clarke, and actors Sharlto Copley, Jason Cope, Vanessa Haywood, Mandla Gaduka, and David James.
NEW Sounds from the Cold — interviews with
supervising sound
editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the
film with additional footage not in the
film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)
Sound Branch: Eight years experience, five of those as mixer, engineer or
supervising sound
editor, plus five
film credits.
Ben Burtt, the
Supervising Sound
Editor on J.J. Abrams» «Super 8,» talks about his connection to the
film, the biggest audio moments, and his approach to the mixing process in a more general sense.
New restored 2K digital
film transfer,
supervised by director Steven Soderbergh and
supervising sound
editor and rerecording mixer Larry Blake, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray
He has also worked as a
supervising sound
editor and re-recording mixer on a number of independent
films and documentaries.