Sentences with phrase «support the exhibition making»

Maine College of Art (MECA) has been selected to receive a $ 40,000 Art Works grant from the National Endowment for the Arts (NEA) to support the exhibition Making Migration Visible: Traces, Tracks & Pathways...

Not exact matches

Organised by The Wine Advocate, a global wine publication featuring consumer advice of wine critic Robert M. Parker, Jr, the Seminar made up of theory and tasting sessions that offered participants insights of what constitutes a good wine, was sponsored by Messe Düsseldorf GmbH and supported by Singapore Exhibition Services.

There were exhibitions on Agri - Map which was the decision - making support database for agriculture land management, Royal Project on deteriorated soil rehabilitation, and the works in forest and water resource management.

The first Open Doors evening took place in March 2011 and included the performance of a play by the children of Bond primary school in Mitcham and our pupils, short films made by our pupils about the art and poetry created by students at Perseid and Cricket Green special schools with our pupils» support, a performance by a primary school choir coached by sixth - formers, and an exhibition of art made at the two special schools.

The placement of the exhibition «Reading and Writing with Anne Frank» in Peru was made possible with the support of the Dutch embassy in Lima.

Visit the OCCA store or click the images above to become an OCCA member, support the VAC Maintenance Fund, host a performance, sponsor an art exhibition or reception, donate to all OCCA programs, fund theatre camp scholarships, contribute to the Oregon Coast Jazz Party, or make a contribution to the OCCA Youth Visual Art program.

The exhibition is made possible by The Alexander Bodini Foundation, Mrs. Terry Allen Kramer, Enzo Viscusi, and The International Council of The Museum of Modern Art with additional support from The Contemporary Arts Council of The Museum of Modern Art, Gilberto and Rosa Sandretto, Patricia Phelps de Cisneros, Il Gattopardo, The Italian Cultural Institute of New York, and DARC - Directorate - General for Contemporary Architecture and Art of the Italian Ministry for Cultural Heritage and Activities.

Exhibitions at MoMA PS1 are made possible by the Annual Exhibition Fund with support from Volkswagen of America, MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, Jerry I. Speyer, Bloomberg Philanthropies, Philip and Shelley Aarons, Agnes Gund, Peter Norton, Beth Swofford, Susan Hayden, Angela A. Chao and Jim Breyer, Sheikha Hoor Al - Qasimi, Sarah Arison, Adriana Cisneros de Griffin, Wendy Fisher, Adam Kimmel, Julia Stoschek, Svetlana Uspenskaya, Maja Oeri, Jennifer McSweeney, Simon Mordant, Dana Farouki, Richard Menschel, Robert Menschel, Michael Werner Inc., Dorothy Lichtenstein, Linyao Kiki Liu, The Contemporary Arts Council of The Museum of Modern Art, Sydie Lansing, John Comfort, Dayana Tamendarova, Mimi Haas, Marlene Hess and Jim Zirin, Donald B. Marron, Prada USA Corp. / Miuccia, Rob and Anne - Cecilie Speyer, Michael Ovitz, Michele Gerber Klein / Liberman Fdn, Anne & Joel Ehrenkranz, Enzo Viscusi, MoMA International Council, Lise Stolt - Nielsen, Union Beer Distributors, Ace Hotel New York, CANADA LLC, The Junior Associates of The Museum of Modern Art, Bill & Ellen Taubman, Foundation Galeries Lafayette, Susan and David Rockefeller, Philip Munger, Flanders House, with additional funding from The Director's Circle of MoMA PS1, and The Contemporary Circle of MoMA PS1.

This exhibition is made possible through support from the Mint Museum Auxiliary and awards from the Terra Foundation for American Art and The Dedalus Foundation, Inc., and is accompanied by a fully illustrated catalogue.

This exhibition is made possible by The Alice Tully Foundation, with major support from the estate of Alex Gordon.

Student curated exhibitions at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; Mitzi and Warren Eisenberg; and the Patrons, Supporters, and Friends of the Center for Curatorial Studies.

This exhibition is organized by The Phillips Collection, Washington, DC, and is made possible through the generosity of William and Laura Buck with additional support from Wilmington Trust and FREEMAN»S.

This exhibition is made possible through generous contributions from Lawton W. Fitt, Ronald S. Lauder, David Teiger, the exhibition fund of the P.S. 1 Board of Directors, and the partners of New Enterprise Associates, with additional support from Scharff Weisberg Inc., Electronic Arts Intermix and Video Data Bank.

This exhibition has been made possible by the generous support of The Brown Foundation, Inc..

The exhibition is made possible with lead funding from an anonymous donor, generous support from the Gilder Foundation, and assistance from the Gladys Krieble Delmas Foundation.

Making the selections for the 2016 Emulsion Juried Exhibition without that support structure was difficult to say the least.

Exhibitions at the List Center are made possible with the support of Fotene Demoulas & Tom Coté, Audrey & James Foster, Jane & Neil Pappalardo, Cynthia & John Reed, and Terry & Rick Stone.

Student - curated projects at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; the Mitzi and Warren Eisenberg Family Foundation; the Audrey and Sydney Irmas Charitable Foundation; the Board of Governors of the Center for Curatorial Studies, and by the Center's Patrons, Supporters, and Friends.

Make a significant impact through an individual or foundation gift by directing your support toward a specific Gallery exhibition or program.

Sponsors: The exhibition is made possible through the generous support of the Robert and Mercedes Eichholz Foundation.

CCS Bard student - curated exhibitions are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund, Mitzi and Warren Eisenberg, and the Patrons, Supporters, and Friends of the Center for Curatorial Studies.

This exhibition is made possible with generous support from the PARC Foundation.

This exhibition is made possible by The Approach, London with additional support from Dietl International, Inc..

Rothko to Richter: Mark - Making in Abstract Painting from the Collection of Preston H. Haskell has been made possible by generous support from Susan and John Diekman, Class of 1965; the Bagley Wright, Class of 1946, Contemporary Art Fund; the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; the Andrew W. Mellon Foundation; the Allen R. Adler, Class of 1967, Exhibitions Fund; and the Judith and Anthony B. Evnin, Class of 1962, Exhibitions Fund, and an anonymous donor.

Make a gift or call 919-684-3411 to support general Nasher exhibitions or view a list of upcoming exhibitions.

This lightbox presents posters made for a variety of purposes over the course of Rauschenberg's career: from those designed to advertise his own exhibitions and the work of his collaborators, to promotional pieces for the many social and political causes he supported.

Inspired by our current exhibitions, free community workshops are led by artists and designed to support first - time visitors as they explore art and making.

This exhibition is made possible with the generous support of Artis and the François Pinault Collection.

Acknowledgements: This exhibition has been made possible through generous support from Etant donnés, the French - American Fund for Contemporary Art.

HangarBicocca, the contemporary art space in Milan supported by Pirelli, presents bau bau, Céline Condorelli's solo exhibition, comprising about twenty works made between 2008 and 2014, as well as a selection of the artist's writings.

The exhibition is made possible through the generous support of The Shelley and Donald Rubin Foundation.

Exhibition partners Canon are providing their latest image making technologies to help inspire participating artists and launching a young film makers» competition to support future film pioneers like Kubrick.

Exhibition - related programs are made possible, in part, through the support of the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

This exhibition is made possible with lead funding from an anonymous donor in memory of Melvin R. Seiden and generous support from Mr. and Mrs. J. Tomilson Hill, Mr. and Mrs. Lawrence R. Ricciardi, and the Foundation for Italian Art and Culture (FIAC).

Thanks to the support of the Art Fund, three of the works are now set to make their UK debut at the Sir John Soane's Museum in London, as part of its upcoming exhibition, Power in Woman.

The exhibition is made possible through the generous support of the Robert and Mercedes Eichholz Foundation.

The Association of Fellows The Fellows provide crucial operating support, allowing the Morgan to organize superb exhibitions, offer educational programs for audiences of all ages, and care for and make accessible one of the world's foremost collections of manuscripts, rare books, and art.

The exhibition is made possible through the generous support of our First Take patrons Leslie and Brad Bucher, Jereann Chaney, Krista and Mike Dumas, Cullen K. Geiselman, Cecily Horton, and the John P. McGovern Foundation.

In addition to supporting year - round AiB programming, Making History is the first step in preparation of a commemorative book, in which each artist who donates work to the exhibition will be featured.

The exhibition is supported by the PMCA Board of Directors and PMCA Ambassadors Circle and is made possible in part by the Pasadena Arts & Culture Commission and the City of Pasadena Cultural Affairs Division.

Exhibitions at the List Center are made possible with the support of Cynthia & John Reed and Terry & Rick Stone.

Support for «Roberto Cuoghi: Šuillakku Corral» is made possible, in part, by the Toby Devan Lewis Emerging Artists Exhibition Fund.

This exhibition is made possible by the Annual Exhibition Fund with support from Hoor Al Qasimi, Richard Chang and Tina Lee, Adam Kimmel, Peter Norton and the Peter Norton Family Foundation, Jennifer McSweeney, Beth Swofford, David Teiger, Agnes Gund, Dana Farouki, Sydie Lansing, John Comfort, Philip E. Aarons and Shelley Fox Aarons, Mimi and Peter Haas Fund, and Enzo Viscusi, with additional funding from The Director's Circle of MoMA PS1, The Contemporary Circle of MoMA PS1exhibition is made possible by the Annual Exhibition Fund with support from Hoor Al Qasimi, Richard Chang and Tina Lee, Adam Kimmel, Peter Norton and the Peter Norton Family Foundation, Jennifer McSweeney, Beth Swofford, David Teiger, Agnes Gund, Dana Farouki, Sydie Lansing, John Comfort, Philip E. Aarons and Shelley Fox Aarons, Mimi and Peter Haas Fund, and Enzo Viscusi, with additional funding from The Director's Circle of MoMA PS1, The Contemporary Circle of MoMA PS1Exhibition Fund with support from Hoor Al Qasimi, Richard Chang and Tina Lee, Adam Kimmel, Peter Norton and the Peter Norton Family Foundation, Jennifer McSweeney, Beth Swofford, David Teiger, Agnes Gund, Dana Farouki, Sydie Lansing, John Comfort, Philip E. Aarons and Shelley Fox Aarons, Mimi and Peter Haas Fund, and Enzo Viscusi, with additional funding from The Director's Circle of MoMA PS1, The Contemporary Circle of MoMA PS1, and MTV.

This exhibition was made possible in part through the support of the Viriginia Commonwealth University Sculpture + Extended Media Department.

All our programs and exhibitions are made possible with support from The Allen Whitehill Clowes Charitable Foundation, The Andy Warhol Foundation for the Visual Arts (Wynn Kramarsky Freedom of Artistic Expression Grant), Buckingham, Foundation, The Christel Dehaan Family Foundation, The Glick Fund, The Efroymson Family Fund, Halstead Architects, KEJ Foundation, the Indianapolis Foundation, The Tracy L. Haddad Foundation, The Netherleigh Fund, The City of Indianapolis, the Arts Council of Indianapolis, the Murphy Arts L.L.C., Penrod Foundation, and Big Car Art + Design.

About The Gordon Parks Foundation exhibition space The Gordon Parks Foundation's mission is to permanently preserve the work of Gordon Parks, make it available to the public through exhibitions, books, and electronic media, and support artistic and educational activities that advance what Parks described as «the common search for a better life and a better world.»

All our programs and exhibitions are made possible with support from The Allen Whitehill Clowes Charitable Foundation, The Andy Warhol Foundation for the Visual Arts (Wynn Kramarsky Freedom of Artistic Expression Grant), Buckingham Foundation, The City of Indianapolis, The Christel Dehaan Family Foundation, The Glick Fund, The Efroymson Family Fund, Halstead Architects, The Herbert Simon Family Foundation, KEJ Foundation, the Indianapolis Foundation, The Tracy L. Haddad Foundation, The Netherleigh Fund, the Arts Council of Indianapolis, the Murphy Arts L.L.C., Penrod Foundation, and Big Car Art + Design

The exhibition is made possible with the generous support of the Andy Warhol Foundation for the Visual Arts and Friends of the Tang.

The exhibition is made possible with the generous support of the Italian Trade Commission.

Exhibitions at P.S. 1 are made possible by the Annual Exhibition Fund with support from Peter Norton and the Peter Norton Family Foundation, Christopher Daly, Brandon Paul Coburn, and The Junior Associates of The Museum of Modern Art.