Sentences with phrase «support writers and publishers»

We need to get the message across that paying for ebooks is the way to support writers and publishers so they can continue to produce high - quality material.

«We're excited to record many more stories over the coming months and to experiment with adding different types of audio content, supporting writers and publishers to upload their own narrations, and more,» the company said in an email.

Not exact matches

With the support of top writers, tea experts, translators and publishers around the globe, this new mobile magazine is set to take the tea - drinking world by storm.

Now I could go on and on about the illusionary «support» traditional publishers and agents say they give writers, but anyone who has dealt with that system for any length of time knows that's just gotten worse as well in the last ten years.

Agents will have to became Writers Scouts, do their own research rather that being the writers search for the right Agent, and Publishers should start thinking as professional football teams, making their authors the best, supporting and coaching them to become even better, and marketing their authors liWriters Scouts, do their own research rather that being the writers search for the right Agent, and Publishers should start thinking as professional football teams, making their authors the best, supporting and coaching them to become even better, and marketing their authors liwriters search for the right Agent, and Publishers should start thinking as professional football teams, making their authors the best, supporting and coaching them to become even better, and marketing their authors like mad.

The activities are also supported by the national publishers and booksellers associations, the Slovenian Writers» Association and numerous organisations and governmental bodies active in the book sector, in particular the Slovenian Ministry of Culture.

RWA (Romance Writers of America) is an organization that supports and advances the careers of romance authors, and the RWA conference is a four - day gathering of publishers, writers and supporters with over 2,100 attWriters of America) is an organization that supports and advances the careers of romance authors, and the RWA conference is a four - day gathering of publishers, writers and supporters with over 2,100 attwriters and supporters with over 2,100 attendees.

There are also many advantages of being supported by a traditional publisher that will help you reach more readers and build your writer brand.

But in public, I mostly see people advocating for the traditional publishing world who come across as mired in 20th thinking about publishing and selling books, ignorant of the self - publishing world, making sweeping assertions which they can't support, making the mistaken assumption that the writer's best interests are identical to the publisher's best interests, clearly unaware of how many traditionally - published writers (including bestsellers) are engaging in self - publishing (and comparing the experiences and numbers with their under - contract books), and / or contemptuous of writers and dismissive of readers.

Ah yes, the business part of the writing career — planning, placement (with the right publisher), marketing, understanding all the aspects which support and sustain authors — these are daunting when all most writers want to do is write!

I appreciate your post, Meg, and while I would disagree with some of your assumptions about both traditional and self - publishing, I fully support the choice by many writers to seek a trade publisher.

Agents during this time would support writers with money, often making loans to writers who were in need and waiting for checks from publishers.

They highlight his seeming support for the idea that publishers should be championing writers and artists working to exploit the creative potential of digital formats to provide readers with experiences that may be challenging and disruptive, but also exhilarating and boundary pushing.

Men, women, readers, writers, publishers — not one person, from one walk of life, supports your ridiculous and incoherent statement.

Many big publishers are supporting the Worldreader initiative, such as PCaine Prize for African writers, CK - 12, Harlequin, Pearson, the U.S. State Department, and the World Health Organization, to name a few.

The key messages here, presented at the conference by Writers Digest's Phil Sexton, are that «hybrid authors» — engaged in both self - publishing and traditional publishing — make more money from writing, engage in more social - media tactics to support their writing, and are the least impressed with traditional publishers.

Because you know that's part of the «nurturing» and deep emotional support that publishers give all their writers.

The American Society of Authors and Writers: Where writers go to meet with publishers, editors, agents, publicists, and film and television professionals when they need inspiration, talent, news, and sWriters: Where writers go to meet with publishers, editors, agents, publicists, and film and television professionals when they need inspiration, talent, news, and swriters go to meet with publishers, editors, agents, publicists, and film and television professionals when they need inspiration, talent, news, and support.

DigitalPulp Publishing: publishes and distributes e-books and aims to establish itself on the market as a supporting platform for writers, self - publishers and independent presses.

More government support — for writers and publishers — would help.

If a writer is able to attract the support of a publisher, then those costs - of design, editing, marketing and, perhaps, printing - are paid for in return for a slice of the profit from their books.

And, seeing how my goal is to inform and support writers no matter the publisher, I decided it would be worthwhile to share my interview with Georgina Merry, author of The Ferryman's WiAnd, seeing how my goal is to inform and support writers no matter the publisher, I decided it would be worthwhile to share my interview with Georgina Merry, author of The Ferryman's Wiand support writers no matter the publisher, I decided it would be worthwhile to share my interview with Georgina Merry, author of The Ferryman's Wife.

Whether you're a newbie looking for advice or an established pro who'd like to pay it forward, this community is a great place to support and learn from other writers, as well as editors, publishers, agents and more.

And these prove that lots of indie authors are making lots of money without the industry «support» that publishers claim is so necessary to a writer's success.

«And as agents usually work intensively with their clients on their material in advance of submitting to publishers, this should support and benefit the overall quality of publishing, along with helping find new writers and adding a new professional level to the industry.&raqAnd as agents usually work intensively with their clients on their material in advance of submitting to publishers, this should support and benefit the overall quality of publishing, along with helping find new writers and adding a new professional level to the industry.&raqand benefit the overall quality of publishing, along with helping find new writers and adding a new professional level to the industry.&raqand adding a new professional level to the industry.»

When you sign the petition, you support not only indie writers (many of whom are now, as never before, making a living writing books that lots of people enjoy), but you also support FREEDOM of CHOICE, which is what, it seems to me, that Hachette and other publishers and conglomerates and other big money grabbing corporations, are trying to take away from us.

This is also an opportunity to hear about organisations like TLC, the Publishers» Association, and London Book Fair, who are working to support writers in ways that run parallel to traditional publishing house structures.

Within this community are smaller professional support groups such as writers» groups that give authors and publishers alike a sounding board for their ideas and access to experience and knowledge of other professionals in their field.

With a growing list of partners including IBPA, Publishers Weekly's BookLife, Library Journal's SELF - e, Pressbooks Public, RAILS, Massachusetts Library System (MLS), Soon to Be Famous, Where Writers Win and BiblioLabs, libraries and authors participating in Indie Author Day will gain support from all walks of the book publishing industry.