Sentences with phrase «sure authors work»

And of course, we'll keep curating and improving our marketplace to make sure authors work only with the best professionals and continue to craft beautiful, bestselling books.

Not exact matches

In this edited excerpt, the authors explain just why you need to test your ads to make sure they're working.

She and the authors of the report, «Education to Employment, Designing a System that Works,» call for countries to create the role of «integrator» — a government appointee or someone designated by a public - private partnership, to make sure employers, educators, and students are getting what they need out of the system.

also make sure the area is as hygienic as possible (antibacterial wipes come in handy here), and check that your pump has a battery converter in case you don't have access to an electrical outlet, advises Kirsten Berggren, Ph.D., C.L.C., the author of Working Without Weaning: A Working Mother's Guide to Breastfeeding (Hale Publishing).

One of the authors, Maria Capovilla, another entomologist at the Sophia Institute, insists that much more work is needed before scientists can be sure that aphids truly photosynthesize, but the findings certainly throw up that possibility.

One of the things I really admire about David Gabe (cookbook author and cooking class instructor) is that he tests every single one of his recipes in a $ 30 blender just to make sure the recipes work (and even though I think he has a Vitamix).

At no extra charge we're throwing in Shin Megami Tensei: Devil Summoner 2, Little King's Story, Final Fantasy Crystal Chronicles: My Life as a Darklord, Disgaea 2 PSP, and — in a move sure to put fanfic authors out of business (or back to work)-- Final Fantasy IV: The After Years.

First, our authors suggest how to engage students — from providing relevant curriculum to using technology appropriately; from offering choice in learning projects to making sure some learning can be active; from letting kids move at their own pace to introducing students to authentic audiences who actually put students» work to use.

Our developers worked round the clock to make sure that each course worked seamlessly on all target devices — Desktops, Laptops, Androids, iPhones, and iPads, using the cloud - based authoring tool, Lectora Online.

Sure, you can send out review copies and make book trailers (not for $ 150 tho), but if an author's end goal is to attract more readers — or even a publishing contract — they first need to get their work in front of people who can help them, and that's what the IRDAs are all about.

Sure there are social media platforms like Goodreads, Wattpad, Facebook groups etc. and then there are the «real» opportunities that are so much harder to facilitate and organize (and pay for e.g. expense vs profit) like community or regional events and networks as you point out above, but I feel really strongly that the most important thing for an author to do in order to build a loyal paying (italics) fanbase / readership is to produce good quality works that are publicized properly and to spend time interacting with those of your readers who you know buy your books because they came to you in the first place.

I'm not entirely sure what the motivation behind this is, but the concept of calling someone an «Author» when they complete a work is, by definition, accurate.

Sure there's a lot of competition out there, but the vast majority of those authors aren't doing the work needed — leaving room for those who do to make an impact.

We work closely with the author to make sure their book is set up correctly and thoroughly with the printer, the proper book agencies, and with the appropriate distributors and resellers.

All of us at Outskirts Press work hard to make sure all our authors have wonderful experiences (and we get it right 99 % of the time), so it's always gratifying to receive emails like this from one of our recently - published authors (I recevied this roughly around Easter).

«As we transition our business in a new direction, we're very excited to be able to work with Amazon to make sure every one of our authors continues to receive the attention they deserve,» said Matthew Miller, Founder, The Toby Press.

The availability of Kindle versions was particularly vital when it came to backlist: publishers should make sure to digitise an author's backlist before publication of her newest work.

Authors need to do their homework to make sure they are getting quality work done at a fair price.

Authors can't make people read their books after they buy them — all they can do is work hard to make sure their books get bought.

I have attended countless conferences for my job (I work in corporate communications and marketing) and I was not sure what to expect for an event targeted to authors / solo - preneurs.

Sure, it happens to that rare author, but 99 % of the time, that author has been writing for many years, and in all likelihood, knows someone who knows someone whose grandmother's first cousin worked for the agent's cleaning lady.

BEYOND THE ISSUE OF FREE: LOUSY COMPETITION The other thing that made me sure of KDP was the abysmal state of Amazon's competitors: unfriendly user experience and lousy search capability that works against indie authors.

I don't have a sure - fire recipe for other indie authors to follow, but I can certainly explain what worked for me.

Hell's bells, if we have to make sure we send an edited manuscript to our agents and editors before they «edit» it — and yes, there are a number of authors who pay freelance editors to go over their work before submitting it because they know there will be no real editing done by their editors at certain legacy publishers — and we have to do our own marketing and promotion and do it on our own dime, why are we giving legacy publishers the majority of money earned by our hard work?

He's an author himself, and will work with you to make sure your cover is both creative and commercial.

Know this: in most cases the media isn't going to pass along an indie author's pitch to the right person (read: they won't do your work for you) so make sure you are going after the right person to start with.

For developmental editing, I'm not sure reading books they've edited would be (necessarily) be a good way to judge — you don't know how much of that was the original author's work and how much the editor's.

Yes, as an indie author I have to make sure my work is edited and there is a good cover for it, etc..

Beyond that, many writers are unconvinced that having a robust author platform works for book sales (I'm not sure they've done much research into this, but that's another post).

Authors need to make sure they do the same work in establishing location and setting, just like filmmakers do.

I am very sure that authors and narrators that used to give out credits so people can be exposed to their work will be overjoyed that the credit system has been suspended.

The Plot Accelerator is designed for authors seeking a cost - effective way to make sure their stories «work»; authors who want story editing but don't have the budget or time for a developmental edit; and authors who want the faster writing times that come from well - developed story foundations.

Like most indie authors who look at this as our profession, I work very hard to make sure I put out the best product I can.

I work with mainly self - published authors and when I send out review requests on their behalf I make it a point to read every policy and be sure as much as I can that the blogger does want requests.

I still am not sure if I should I go a more traditional route or fully embrace the indie lifestyle and the powerful freedom to produce a work from start to finish, but having a weekend when authors and writers are empowered and encouraged to create and share great stories was worth it all.

Book piracy will continue to be a problem in the future, but with little effort or money an author can learn how to protect a book and make sure their work stays protected.

I deliberately made sure to have two Aussie books on there, because I've been reading a lot of American authors lately, and while that's perfectly fine, my own works have very Australian characters in them and I wanted to see how other authors dealt with our unique Aussie language and settings.

Freelance novel editors work for the money, sure, but there isn't a single one of them who is partial to the idea of doing work that is counter-productive to an author's success.

Those three things are responsible for your conversion rate, so I'd focus on them first, make sure they'll all working for you really well, before you waste months (as most authors do) fiddling with your website.

Sure, authors like Larry Correia and our own Sarah have messages in their works but they don't hammer us over the heads with it.

How to Be More Successful with the Right Content Marketing Tools (Ben Sailer for CoSchedule): This article is especially helpful for writers who already have an author platform in the works, but they're not quite sure how to drive traffic or followers to those outlets.

Permafree is only just starting to be adopted by German indie authors, so I can not say for sure if it'll work the same as in the US, but there's no reason to expect otherwise.

This package is perfect for the author that has done a lot of the work themselves but need a quick way to make sure they have everything they need.

I would highly recommend Smith Publicity to anyone interested in making sure their hard work as an author really pays off.

As you go through the process of selecting someone to help you, make sure you see their track record — who have they worked for, and, if possible, talk to a few authors who have worked with them.

I think there's a sense among authors of color writing books about teens of color that our work has always been inherently political, and so I'm not sure if I can see any direct effects of the election in that realm.

However, if you are going to slam self published authors, at least have the grace and dignity to make sure your own work is stellar.

As I am sure you know, for a new, previously undiscovered author, in exchange for this great privilege of carrying the imprint of one of the publishing houses, the author, if deemed «talented» enough, gets to sign the rights of their work away, and be locked into a contract from which there is no escape.

To be sure, an author might get shoved out into the cold by a big traditional publisher in favor of more «marketable» works, and end up in the same boat I am.

I wanted to be sure that I enjoyed editing and formatting the work of author authors.