Sentences with phrase «surface marking takes»
In some examples, surface marking takes the form of all - over abstract patterns; in others, the marks become actual letters in indecipherable combinations.
https://texashistory.unt.edu/ Not exact matches
Ultimately, when we don't take real notice and see what lies underneath the surface, the stimuli miss their mark.
It wasn't until Wednesday that Mark Zuckerberg surfaced and acknowledged that this was a «breach of trust between Facebook and the people who share their data with us and expect us to protect it» and promised to take steps to repair that trust and prevent incidents like this from occurring again.
Survival for a newborn beluga whale at the Shedd Aquarium remains a question mark as the little male tries to overcome birthing complications that forced four divers into his pool in a desperate move to get him to the surface to take his first breath.
It doesn't really take much imagination to see the dark question mark forming and dissipating across most of the Sun's surface in the animation above.
The Chang «e-3 mission marks the rekindling of humanity's love affair with the moon, as a new round of international explorers take aim at its surface
Peanut butter will take out sticky residue on polished surfaces and an artist eraser will lighten stains or marks on suede.
For astronaut Mark Watney (Damon), the worst case scenario comes true for him on a mission to Mars when his crew (led by Jessica Chastain) thinks he's been killed while on the surface and takes off for Earth without him.
Its shape and integrated thumb rests ensure perfect grip, while the yellow centre - point marking is a particularly useful feature when taking a sequence of tight corners or when driving on low - grip surfaces.
Taking advantage of an accidental crack in the marble slab Joo applied his favorite silver nitrate, which in turn formed to its marks and stains traveling through the pores of the metamorphic rock's surface, reminiscent of a bleeding body wound with metallic stitches bonding it together.
Every surface not taken up by a painting is covered with small sketches on paper, most made with the firm marks of a soft pencil.
What is at stake in this work is not so much representing a figure and giving it flesh, but the staging of an image's life — as if the image was taking revenge upon the portrait and pushing its way to the surface of the canvas, with the help of curtains and shadows, pictorial marks and brushwork.
Another stage played as a ramshackle take on a Sol LeWitt wall drawing: on a wood plank marked with squiggly etchings on the wall, course - goers had to lean over and trace the shape of the lines while maintaining close proximity and without letting their pencils leave the surface for any reason.
«I decided to use these surfaces as a place to record the relentless conscious, and subconscious, mark - making and stenography that takes place within my immediate and intimate personal tabletop spaces.»
The hyped artist Vija Celmins» mesmeric woodcut of the ocean's surface, which took a year for her to complete, is something not to be missed as are the chaotic swirls and emotive marks of Julie Mehretu.
Atmos Sala Alcalá 31, Madrid (catalogue) Hemispheres and Continents Matthew Marks Gallery, New York 2012 All Things Pass Galerie Max Hetzler, Berlin (catalogue) Patricia Low Contemporary, Gstaad Fullmoon and Night + Fog Domaine de Chaumont - sur - Loire, Chaumont - sur - Loire 2011 Landscape with Path The High Line, New York Xippas, Montevideo L'Abbaye de la Chaise Dieu, Chaise Dieu Nocturne Villa Merkel, Esslingen (catalogue)... between here and the surface of the moon FRAC Auvergne, Clermont Ferrand; traveled to: FRAC Haute - Normandie, Sotteville - lès - Rouen 2010 As it is Alfonso Artiaco, Naples The Principle of Moments Whitecube, London Fullmoon@Eifel Weidingen, Eifel Matthew Marks Gallery, New York PKM Trinity Gallery, Seoul 2009 Sommer Gallery, Tel Aviv Xippas Gallery, Athens Sometimestill Galerie Max Hetzler, Berlin 2008 Nail to Nail David Patton, Los Angeles SCAI The Bathhouse, Tokyo In The Between Eye of Gyre, Omotesando Substitute Galleri K, Oslo Fire under snow Parasol unit, London (catalogue) Moons of the Iapetus Ocean White Cube, London (catalogue) 2007 Galleria Alfonso Artiaco, Naples Day Return Castle Ujazdowski — Center for Contemporary Art, Warsaw (catalogue) Night + Fog Galerie Max Hetzler, Berlin (catalogue) In the Between Musée d'art contemporain, Montreal SITE Santa Fe, Santa Fe Matthew Marks Gallery, New York 2006 Day Return Museum Folkwang, Essen (catalogue) Darren Almond and Janice Kerbel: Impossible Landscapes The Horticultural Society of New York, New York If I had you Domus Artium 2002 — Center for Contemporary Art, Salamanca Darren Almond / Albert Oehlen: Time 2 Kill Galerie Max Hetzler, Berlin 2005 Take Me Home Matthew Marks Gallery, New York Alfonso Artiaco, Naples Isolation K21 - Kunstsammmlung Nordrhein - Westfalen, Düsseldorf Only Sound Needs Echo and Dreads its Lack Galerie Chantal Crousel, Paris 2004 Live Sentence Lentos Kunstmuseum Linz, Linz (catalogue) If I Had You Galerie Max Hetzler, St. Johannes Evangelist Church, Berlin 2003 11 miles... from Safety White Cube, London (catalogue) If I Had You Fondazione Nicola Trussardi, Palazzo della Ragione, Milan Mine, A Galleri K, Oslo A Galerie Max Hetzler, Berlin Full Moon Sommer Contemporary Art, Tel - Aviv 2002 A National Theatre, London; Yorkshire Sculpture Park, commissioned by Public Art Development Trust, London at speed (with Sarah Morris) Galerie Max Hetzler, Berlin 2001 Coming up for air Matthew Marks Gallery, New York Kunsthalle Zürich, Zurich (catalogue) Night as Day Tate Britain, London (catalogue) De Appel Foundation - Center for Contemporary Art, Amsterdam Galerie Max Hetzler, E-Werk, Abspannwerk Buchhändlerhof, Berlin 2000 Mean Time Matthew Marks Gallery, New York Geisterbahn The Approach, London Traction Chisenhale Gallery, London 1999 Galerie Max Hetzler, Berlin The Renaissance Society, University of Chicago, Chicago 1997 ICA - Institute of Contemporary Arts, comissioned by Toshiba Art & Innovation, London Fan White Cube, London 1995 KN120 Great Western Studios, London 1991 Crawford Art College, Cork
The paintings evoke abstract expressionism with their richly textured surfaces and layers of marks made by countless linear brushstrokes and extruded paint, but take it to a different level with their luminous colors and the way they capture and hold light.
Painting will no longer create space as a theatre; it will give space itself a theatre.5 The paint will meet the surface sensuously, In a broad, flat engagement of the palm, by fingertip daubs, and through varieties of clawing and caressing.6 Painting will always tremble, but very precisely.7 There will be no difference in the world between planning airily away from the canvas and actually taking your brush and making the first mark.8 The revolution will be painted.
In every one of these paintings I start by filling up the surface with marks and then I look at it and find some shapes, and then it just starts taking off and becoming it's own life force.
I often read that these systems simply «move heat around,» but that seems to be short of the mark when there are papers that both sides take seriously that look at the contribution of these systems to global surface temps over 15 + years (like Xie).
Apple says the ring marks «will often go away after several days» when you take the HomePod off of the surface, but if not, using a soft damp cloth to wipe away the marks might also work.
Drill 3/8» holes at each mark, taking care to keep the holes 90 degrees to the wood surface.