Sentences with phrase «surface markings before»

A vigorous program to renew road surface markings before they fade would benefit machine vision systems such as LDW, benefit drivers with so - so eyesight, and benefit all drivers in rainy weather.

Not exact matches

Once the Mark 48 strikes, it's game over and the enemy ship's crew, or at least whoever is left of them, will have just minutes to evacuate before their boat makes its way below the surface to Davy Jones» locker.

Before 7:00 a.m. and after 5:00 p.m. on weekdays, and on Saturday and Sunday, parking is free in the garages or surface lots unless marked otherwise.

The surface of the paper is laboriously prepared with layer upon layer of rabbit skin glue and gesso before graphite is applied with meticulous mark making to give an ethereal and luminescent quality.

Such a marked departure from Warhol's usual operating procedures is present in the surface style of the works as well, where the noticeable brush work, laid down before the screening of the image, is deliberately referential to New York School painting, in particular to the style of painters such as Franz Kline and Willem de Kooning, a painter whom Warhol himself has referred to as a model.

Color and surface and pattern, mark and system and grid: Like all the successful abstract painters before and (hopefully) after her, these are constants Heilmann varies, and thereby reinvents.

It also introduced the technique of «guzzying,» a term Frankenthaler used to describe the way she would manipulate the surface of the woodblock, marking it in this case with sandpaper and dental tools to achieve the desired textured effects before printing.

Gilad Efrat, who lays layers of thick oil paint only to engrave within it or the subtract from it, functions much like that ancient writer, who imprints marks by stakes onto a soft mortar plaque, hurrying to affix meaning onto the surface of the material before it will harden.

Within the borders and on these surfaces Stella is suggesting that composition is inherent before the painter makes any mark on it; that present in every painting is a geometry that the artist simply elaborates or works against — physical and planar conditions that are already there, that are, in a sense, self - creating.

Hernández works methodically, using brushes or applying paint directly from the tube, rendering animated lines and marks before washing and scraping the surfaces of his works — in effect creating compositions that appear at once ordered and explosive.

There is nothing in this show — neither the labyrinthine spatial visions of Julie Mehretu nor the impacted collage surfaces of Mark Bradford — that doesn't have its origins in abstract painting long before Warhol got to work with his silkscreens.

Both require a large «X» road surface marking in each lane of traffic before the crosswalk and crossover.