Sentences with phrase «surface tactility»

Not exact matches

Material and assembly quality improves appreciably, the seats are better sculpted and the tactility of «hands - on» surfaces are softer to the touch.

The physicality and tactility of the surfaces of the works — guided by the materials and processes involved in their creation — offer a uniquely visual experience of surfaces that desire to be touched and held, replicating the tactile attraction of their utilitarian predecessors.

While Borremans's technical command of his medium recalls classical painting — the rich tactility and special glow of his painted surfaces evoke the Old Master tradition and artists such as Francisco Goya — his compositions elude traditional interpretative strategies.

Her background in printing leads her to consider the surface of her work, the texture and nature of the paper she uses, returning tactility and poetry to digital images.

The tactility of clay and the beautiful, glazed surfaces that Wine achieves articulate an idea of making, time spent in the studio, and the way that art comes into being.

Meade then creates a digital translation by subtly manipulating the chosen image to enhance the evocation of tactility of its surface.

Studying their paintings in museums, he started from digitally manipulated photographs and through his characteristic approach created images that allow recognition of the original artwork, but still making visible details of the complex surface, the tactility of the paint, the brushstrokes and the pattern of the canvas.

The artists represented in this exhibition wish to restore tactility to painting, to redefine drawing as part of the pictorial and to go beyond Postmodernism to retrieve the fullness of painting as major art, including its tactility, explicitly material surface and capacity for metaphor as well its purpose to fulfil what Henri Bergson defined as its principle function: to be «life enhancing» in its vitality.

Tsunegi's work explores the relation between 2D and 3D, along with her concerns in materials — surface, colors and the tactility.

Risa's work explores the relation between 2D and 3D, along with her concerns in materials - surface, colors and the tactility.

Artists Huma Bhabha, Nicole Cherubini, Mark Cooper, Jiha Moon, Sterling Ruby, and Arlene Shechet each activate the tactility of clay by creating surfaces that capture the gesture of the artist's hand.

Instead of a direct translation from tablet screen to paper surface, Fischer's process imbues the digital image with an analog tactility; in some places, his painterly gestures loosen, revealing patches of the shiny aluminum beneath.

With a keen attention to the tactility of the surface, he uses a combination of addition and removal of paint to give form to the image.

The tactility of the painting as well as the integration of paper collage onto its surface offers a complexity to Binion's process that is deeply devoted to the narrative of the work's making.

Through processes of their creation, structure, size or relation to the surrounding gallery architecture, the works presented are imbued with a sense of physicality, tactility of surface, the remnant workings of human hands or impressions of the -LSB-...]

But prolonged looking brought the realization that these flecks of white served to assert the thingness of the canvas, their grainy blankness crackling against the dots and strokes of color, and reinforcing the tactility of the surface.

Spanning 223 sq m, the two - storey space takes inspiration from the brand's focus on surface detail and tactility.

The bronze gives the sculpture an elegance and majesty that is common with the great sculptures of history, while the high textured surface of the wooden original remains, imbuing it with a tactility and intimacy that can only come from a hand created work.

The original paintings are immediately recognizable, but it is the overlooked or imperceptible details of the complex surface, the tactility of the paint, the brushstrokes and the pattern of the canvas that Longo has made visible in his translation from color to black and white, paint to charcoal.

Doing justice to its title, the exhibition manifests tactility, rupture and composure, encapsulating both Adkins» interest in manual production and utilization of surfaces for poetic language.